The Anxiety of the Copy: Uniqueness and Reproduction in Hergé’s Le Sceptre d’Ottokar

Véronique Plesch

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25 The Anxiety of the Copy

Uniqueness and Reproduction in Hergé’s Le Sceptre d’Ottokar

于Reproducing Images and Texts / La reproduction des images et des textes

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Véronique Plesch

Véronique Plesch
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类型:: 章节

Page Range:: 385–400

DOI:: https://doi.org/10.1163/9789004468337_026

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Abstract

Although in modern culture copies tend to be considered devoid of creativity and thus of value, it was not always the case; in the past, copies and the practice of copying were viewed favorably. It is only as authenticity and originality played an ever more determining role in Western culture, that their valence shifted towards the negative and even damning. Hergé’s Adventures of Tintin and in particular Le Sceptre d’Ottokar, an album contemporary with Walter Benjamin’s essay on mechanical reproduction, illustrate the anxiety that underlies the modern conception of the copy.

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Reproducing Images and Texts / La reproduction des images et des textes

丛编： Word and Image Interactions, 卷： 10

ISBN:: 9789004468337

出版社:: Brill

印刷出版日期:: 30 Nov 2021

Subjects

Front Matter

Part 1 Walter Benjamin, Before and After / Autour de Walter Benjamin

Part 2 Between Page and Screen / Entre la page et l’écran

Part 3 Exhibitions and Performances / Expositions et performances

Part 4 The Right to Reproduce / Le Droit de reproduire

Part 5 Hybridities and transfers / Hybridations et transferts

Part 6 Copies, Parodies and Recycling / Copies, parodies et reprises

Part 7 Conclusion and Further Perspectives / Conclusion et ouvertures

Back Matter

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25 The Anxiety of the Copy

Uniqueness and Reproduction in Hergé’s Le Sceptre d’Ottokar

Abstract

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Reproducing Images and Texts / La reproduction des images et des textes

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