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Notes sur les contributeurs / Notes on Contributors

In: Documents & Histoire / Documents & History. Le faux, le simulacre et la copie. Islam viie-xxe s. / The Fake, the Replica, & the Copy. Islam 7th–20th C.
Editor:
Anne Regourd
Anne Regourd
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Notes sur les contributeurs / Notes on Contributors

Ahmad Nazir Atassi Doctorat (2009), Louisiana Tech University, Professeur assistant, spécialisé en histoire islamique, histoire du début de l’Islam, critique du hadith et histoire du livre islamique.

Ahmad Nazir Atassi PhD (2009), Louisiana Tech University, Assistant Professor, Islamic History, Early Islamic History, Hadith criticism, and History of the Islamic Book.

Kinga Dévényi (PhD 1985) est une chercheuse indépendante, ancienne professeure associée de langue arabe et de civilisation islamique à l’Université Corvinus de Budapest, et ancienne conservatrice des manuscrits arabes et hébreux à la Bibliothèque de l’Académie hongroise des sciences. Ses recherches reflètent la diversité de ses intérêts, allant de l’histoire de la grammaire arabe à la codicologie. Parmi ses publications récentes figurent Catalogue of the Arabic Manuscripts in the Library of the Hungarian Academy of Sciences (2016), Building Bridges: Ignaz Goldziher and His Correspondents (2024), ainsi que des articles sur l’étude des manuscrits arabes.

Kinga Dévényi (PhD 1985) is an independent scholar, a former associate professor of Arabic language and Islamic civilization at Corvinus University of Budapest, and a former Curator of Arabic and Hebrew manuscripts in the Library of the Hungarian Academy of Sciences. Her research reflects her diverse areas of interest, ranging from the history of Arabic grammar to codicology. Her recent publications include the Catalogue of the Arabic Manuscripts in the Library of the Hungarian Academy of Sciences (2016), Building Bridges: Ignaz Goldziher and His Correspondents (2024), together with articles in Arabic manuscript studies.

Jean-Charles Ducène porteur d’un doctorat en philosophie et lettres (Université libre de Bruxelles, 2002), est directeur d’études à l’École Pratique des Hautes Études (Paris) où ses recherches portent sur la géographie et les sciences naturelles arabes médiévales.

Jean-Charles Ducène who holds a PhD in philosophy and literature (Université libre de Bruxelles, 2002), is director of studies at the École Pratique des Hautes Études (Paris), where his research focuses on medieval Arab geography and science.

Jean-François Faü Professeur émérite à l’Université internationale Senghor à Alexandrie (Égypte). Correspondant pour l’Égypte du CéSor-EHESS, laboratoire du Centre d’études en sciences sociales du religieux. Chercheur associé au Centre d’Études Alexandrines/CNRS-USR 3134 sur un programme d’études du judaïsme médiéval dans la méditerranée orientale.

Habilitation à Diriger des Recherches en Histoire, UVD-Perpignan, juillet 2012, Doctorat de 3e cycle en Histoire, UPV-Montpellier III, nov. 1985.

Jean-François Faü Emeritus Professor at the Senghor International University in Alexandria (Egypt). Correspondent for Egypt at CéSor-EHESS, the Center for Social Science Studies of Religion. Associate researcher at the Centre d’Études Alexandrines (CNRS-USR 3134) as part of a research program on medieval Judaism in the Eastern Mediterranean.

Accreditation to Supervise Research (HDR) in History, UVD-Perpignan, July 2012. Philosophiae doctor (PhD) in History, UPV-Montpellier III, November 1985.

Marie-Geneviève Guesdon conservatrice chargée des manuscrits arabes à la Bibliothèque nationale de France jusqu’à 2020.

Marie-Geneviève Guesdon curator of Arabic manuscripts at the National Library of France until 2020.

Robert Graham Irwin († 28 juin 2024), historien, romancier et écrivain, spécialiste de la littérature arabe. Après des études d’histoire moderne à l’Université d’Oxford, il fait des recherches supérieures à The School of Oriental and African Studies (SOAS), Londres, sous la direction de Bernard Lewis. À partir de 1972, il enseigne l’histoire médiévale à l’Université de St Andrews. En 1977, il abandonne la vie académique pour écrire de la fiction tout en continuant à donner des cours à temps partiel à Oxford, Cambridge et à la SOAS. Il a été rédacteur au Moyen-Orient du Times Literary Supplement. Il a publié une histoire de l’orientalisme et est un expert reconnu des Mille et Une Nuits. [N.d.l’É. : cette courte biographie a été rédigée par nos soins à titre posthume]

Robert Graham Irwin († the 28th of June 2024), was a historian, novelist and writer, specializing in Arabic literature. After studying modern history at Oxford University, he did graduate research at The School of Oriental and African Studies (SOAS), London, under the direction of Bernard Lewis. From 1972, he taught medieval history at the University of St Andrews. In 1977, he gave up Academic life to write fiction while continuing to teach part-time at Oxford, Cambridge and SOAS. He was Middle East editor of the Times Literary Supplement. He published a history of Orientalism and was a recognized expert on the Arabian Nights. [Editor’s note: this short biography was written by us posthumously]

Sarah Z. Mirza (Docteur, Université du Michigan, 2010) est Professeure agrégée d’études religieuses, College of Wooster, États-Unis. Elle s’intéresse aux textes littéraires en tant que sources de la culture matérielle au début de l’Islam. Elle a comparé des formulaires utilisés dans des documents liés au Prophète avec ceux présents dans des papyri arabes dans : Islamic Origins, Arabian Custom, and the Documents of the Prophet (2022).

Sarah Z. Mirza (PhD University of Michigan, 2010) is an Associate Professor of Religious Studies at The College of Wooster (US). She is interested in literary texts as sources for material culture in early Islam. She has published a comparison of the Prophet’s documents to formulae in Arabic papyri: Islamic Origins, Arabian Custom, and the Documents of the Prophet (2022).

Anne Regourd Docteur en Philosophie, Université de la Sorbonne Paris-IV, CNRS. Elle s’est spécialisée dans l’étude des manuscrits islamiques post-modernes et contemporains, plus particulièrement du Yémen et d’Éthiopie, usant de plusieurs approches – histoire des sciences, anthropologie, codicologie et culture matérielle. Ses sujets de prédilection sont la divination et la magie, d’une part, le commerce des papiers et les modèles à l’œuvre dans la fabrication des manuscrits, d’autre part. Ces derniers sujets l’ont conduite à traiter de l’histoire globale. Voir par exemple, le livre collectif sous sa direction, Le commerce des papiers à caractères non-latins, Leyde, Brill, 2018.

Anne Regourd PhD in Philosophy, University of Sorbonne Paris-IV, CNRS. She has specialized in the study of post-modern and contemporary Islamic manuscripts, particularly in Yemen and Ethiopia, using several approaches—History of science, Anthropology, Codicology, and Material culture. Her preferred subjects are, firstly, Divination and Magic, then the paper trade and the models followed in the production of manuscripts. These latter subjects led her to deal with Global history. See, for example, the collective book under her direction, The Trade in Papers bearing Non-Latin characters, Leiden, Brill, 2018.

Émilie Salaberry-Duhoux diplômée en histoire de l’art (École du Louvre et Université Panthéon-Sorbonne, spécialisée en arts africains), elle a exercé au Centre du Patrimoine mondial de l’UNESCO (Unité Afrique) avant d’être recrutée comme chargée des collections extra-européennes au musée d’Angoulême. Aujourd’hui directrice du service des musées, archives et artothèque d’Angoulême, elle mène ses missions d’étude, de conservation, d’enrichissement et de valorisation des collections du musée d’Angoulême, dans un cadre collaboratif international, en particulier avec plusieurs pays africains. Depuis 2018, elle s’est investie sous des formes diverses, à l’échelon régional, national et international, dans la réflexion sur l’histoire des collections extra-occidentales, leurs provenances et les enjeux de restitutions du patrimoine.

Émilie Salaberry-Duhoux graduated in art history (École du Louvre and Université Panthéon-Sorbonne, specializing in African arts), worked at UNESCO’s World Heritage Centre (Africa Unit) before being recruited as head of non-European collections at the musée d’Angoulême. Now Director of the Angoulême Museums, Archives and Art Library Department, she carries out her missions of study, conservation, enrichment and enhancement of the musée d’Angoulême’s collections within an international collaborative framework, in particular with several African countries. Since 2018, she has been involved in a variety of ways at regional, national and international levels, in reflecting on the history of non-Western collections, their origins and the challenges of heritage restitution.

Warren C. Schultz Doctorat (1995), DePaul University, Professeur en histoire et membre de l’American Numismatic Society est l’auteur de nombreux travaux sur l’histoire monétaire et numismatique du Sultanat mamelouk d’Égypte et de Syrie.

Warren C. Schultz PhD (1995), DePaul University, Professor, History, and a Fellow of the American Numismatic Society has written extensively on the monetary and numismatic history of the Mamluk Sultanate of Egypt and Syria.

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Documents & Histoire / Documents & History. Le faux, le simulacre et la copie. Islam viie-xxe s. / The Fake, the Replica, & the Copy. Islam 7th–20th C.

Actes des journées d'études, Paris, 14-15 novembre 2013 / Proceedings of the Workshop, Paris, 2013, November, 14–15

Series:  Islamic Manuscripts and Books, Volume: 24
Cover Documents & Histoire / Documents & History. Le faux, le simulacre et la copie. Islam viie-xxe s. / The Fake, the Replica, & the Copy. Islam 7th–20th C.
E-Book ISBN:
9789004744011
Publisher:
Brill
Print Publication Date:
24 Mar 2025
  • Subjects
    • Art History
      • Art Market
    • Book History and Cartography
      • History of the Book
    • History
      • Social History
    • Middle East and Islamic Studies
      • History & Culture
    • Philosophy
      • Aesthetics & Cultural Theory
Front Matter
Preliminary Material
Copyright Page
Préface/Preface
Remerciements / Acknowledgments
Abréviations et symboles / Abbreviations and Symbols
Notes sur les contributeurs / Notes on Contributors
Système de translittération (arabe) / Transliteration System (Arabic)
Introduction
Part 1 La fabrique du faux / Fakes and their Makers
1 Fakes, Forgers and the Thousand and One Nights
Part 2 Original & copie / Original & Copy
2 De faux « feuillets coufiques » ?
3 Un reflet identitaire inversé
4 The Harari waqfiyyas of Qurʾans, Their wāqifs, Their Copyists
Part 3 Auctorialité / Authorship
5 Questionable Authorship: The Case of Al-maqṣūd fī al-ṣarf Attributed to Abū Ḥanīfa
Part 4 La fabrique de l’illusion / Fabrications
6 Les fausses relations de voyage dans la littérature géographique arabe médiévale
Part 5 Les stratégies du faux / Fake Strategies
7 Genealogy as a Document—The Case of the Early Islamic Genealogical Works
8 Copies More Authentic Than Originals: The Prophet’s Letters and Covenants as Heritage Objects
9 Counterfeits, Forgeries, and Imitations in Medieval Islamic Numismatics: Four Case Studies
Part 6 Par-delà le Vrai & le Faux / Beyond the Real & the Fake
10 Du vrai et du faux dans les arts d’Afrique sub-saharienne : la notion d’authenticité en question
Back Matter
Index

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