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Maps and Figures

于Taming Wilderness: The Mughal Hunt and Cultural Landscapes of the Shikārgāh
著者:
Shaha Parpia
Shaha Parpia
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Maps

1 Mughal Empire: Shikārgāhs, elephant, and cheetah habitats c.1600 XVIII

2 Littoral of the Caspian Sea: Ilkhanid cities 50

Figures

1 A royal hunting procession c.1655. Pādshāhnāma, f.166v 7

2 Hashtsal Minar hunting tower, Palam, Delhi, 1634 13

3 Neo-Assyrian battue hunt, wall panels, North Palace of Ashurbānipal, Nineveh, c.650 BCE 18

4 Royal Sassanian boar hunt, bas-relief, Taq-i Bustan, Iran 21

5 Royal Sassanian deer hunt, bas-relief, Taq-i Bustan, Iran 22

6 Wall painting of an Umayyad battue hunt, Qusayr ʿAmra, 724–43, Jordan 29

7 Frieze detail of caparisoned elephants, Somnathpur, India, 1258 36

8 Bhuli Bhaktiyari hunting palace, Sultanate, Delhi, 1354 43

9 Hunting party of Timūr, from a Ẓafarnāma manuscript painted in 1533 56

10 Timurid royal hunt with cheetahs, attributed to Bihzād. Hasht Bihisht folio 58

11 Timurid royal reception in a meadow garden, Shiraz, 1444. Shāhnāma folio 62

12 Akbar hunts in a qamargāh, Lahore, 1567. Miskīna with Mansūr and Sarwān. Akbarnāma 72

13 Aurangzēb hunting nilgai in a decoy-drive hunt c.1660 78

14 Prince Shāh Shujā hunting in a decoy-drive hunt, attributed to Payāg, c.1650–5 79

15 Lal Mahal complex: Front façade of the imperial palace, Bari, Rajasthan, 1637 81

16 Lal Mahal complex: Eastern palace and the Shahi Talab lake, Bari, 1637 82

17 Aurangzēb carried to the shikārgāh, painted by Bhavānidās, c.1705–20 83

18 Hunters in a forest, by ʿAbd-us-Ṣamad and Muḥammad Sharīf, 1590. Gulshān Album 90

19 Bahrām Gūr kills the lions and takes the crown. Painted in 1570–90. Tārīkhnāma-i Ṭabarī manuscript 94

20 Prince Salīm spearing a lioness, c.1600–05 97

21 Prince Khurram attacks a lion in Bari, 1610. Bālchand. Pādshāhnāma 98

22 Shāhjahān and sons hunt lions, Burhanpur, 1630. Daulat. Pādshāhnāma 101

23 Aurangzēb hunting lions, c.1670–1700 102

24 Akbar hunting with cheetahs in Sanganir in 1572, by Laʾl with Kēsav Khord. Akbarnāma 106

25 Akbar hunting with cheetahs near Agra, by Basāwan with Dharmdas. Akbarnāma 107

26 Akbar captures his first cheetah in 1560, Hissar Firoza, by Tulsi with Nārāyan. Akbarnāma 111

27 Akbar riding Hawaʾi near Agra fort in 1561, painted by Basāwan. Akbarnāma 115

28 Farīdūn and the gazelle, by Mukund, 1595. A Khamsa of Niẓāmī folio 123

29 Jahāngīr hunts with Rāna Karan in Ana Sagar, 1615, attributed to Nānhā 130

30 Akbar hunting in a qamarghā in Palam in 1568, painted by Mukund. Akbarnāma 134

31 Shah Ṭahmāsp and Humāyūn hunting, Sultaniyya, 1544, by Ganga Sen, Narsingh 137

32 Pasargadae: Sketch plan of the Royal Garden and water channels 144

33 Site plan of Imarat-i Khusrau palace and pairidaēza, Qasr-i Shirin, 591–628 145

34 Bābur and the laying out of the Bagh-i Wafa, by Bishandās, Nānhā. Vāqiʾāt-i Bāburi 152

35 Hiran Minar hunting garden: pavilion and mīnār, Jahangirabad, Lahore, 1607 156

36 Bagh-i Zaynabad-Burhanpur shikārgāh: Āhūkhāna hunting palace, pavilion, pool 160

37 Submission of Rāna Amar Singh to Prince Khurram, 1615. Lālchand. Pādshāhnāma 166

38 Hasanabdal hunting gardens and lake, 1581–1650s 168

39 Samugarh hunting palace, Agra 178

40 Akbar inspects captured elephants in Narwar in 1564, by Laʾl with Sānwalā. Akbarnāma 190

41 Rupbas hunting palace and irrigation būnd, Rajasthan 195

42 Shāhjahān hunting with Dārā-Shikōh in Palam. Pādshāhnāma, f.165r 197

43 Bābur hunting in Katawaz in 1507, by ʿAbdullāh (L), Manōhar (R). Vāqiʾāt-i Bāburi 206

44 Dārā-Shikōh hunting nilgai, attributed to Payāg, 1650s 208

45 Akbar slaying a tiger near Narwar in 1561, by Basāwan, Sarwan, Tārā the Elder. Akbarnāma 212

46 Prince Akbar hunting nilgais, Fitzwilliam Album, c.1555 218

47 Prince Salīm hunts rhinoceros and a lion, c.1600–4, Salīm’s Shikārnāma 220

48 Equestrian paintings, by Govardhan, c.1630s, Minto Album 224

49 Markhor (Himalayan wild goat), painted by ʿInayat, 1607 238

50 Female Bengal Florican, Dārā-Shikōh Album, c.1633–42 240

51 Red-headed and long-billed vulture, by Manṣūr, c.1615–20. Shāhjahān Album 243

52 Diving dipper/Sāj, by Manṣūr, c.1610–15, Shāhjahān Album 244

53 Akbar ordering the slaughter to cease, Bhera, 1578, attributed to Miskīnā. Akbarnāma 263

Notes on Illustration Credits

The author is grateful to the various museums, libraries, galleries, and private individuals who supplied the images for the book. They have been credited in the captions. Any additional information is listed below.

MAP 1

Elephant and cheetah habitats adapted from Shireen Moosvi, ‘Ecology, Population, Distribution and Settlement Pattern in Mughal India,’ Man and Environment 14/1(1989), 114, by kind permission of the editor. Map and siting of the cities/shikārgāhs not to scale.

Victoria and Albert Museum, London

Images courtesy: © Victoria and Albert Museum, London

The V&A illustrated Akbarnāma manuscript was purchased from Mrs Frances Clarke, The Dingle, Sydenham Hill, S E in 1896.

The following images are from the Akbarnāma manuscript:

Fig. 12, 24, 25, 26, 27, 30, 40, 45

The Akbarnāma images were all painted c.1590–5. The above paintings bear the inscription: ṭarḥ va nāmi chihra (composition and portraits) by …/ ʿamal (colours and details painted) by …

Fig. 20: Painted c.1600–05. Purchased from the executors of Captain E. G. Spencer-Churchill. Presented by Art Fund.

Fig. 34: The Bagh-i Wafa double-page paintings, part of a group of 20 folios, come from what is regarded as the first illustrated copy of the Vāqiʾāt-i Bāburi (Bāburnāma) manuscript. It was broken up for sale in 1913 and purchased by the V&A from Messers Luzac & Co., 46 Great Russell Street, London.

Fig. 48: (L): Minto Album, from the collection of the Earl of Minto, bought by the V&A (and Chester Beatty Library) from Sotheby’s in 1925.

Fig. 49: Wantage Album, bequeathed to the V&A by Lady Wantage in 1921.

Royal Collection Trust, London

Images courtesy: © Royal Collection Enterprises Limited 2025 | Royal Collection Trust.

Fig. 1, 21, 22, 37, 42

The Pādshāhnāma was given to King George III in 1799 by the Nawab of Oudh, and later placed in the Royal Library at Windsor Castle.

Metropolitan Museum of Art, New York

Fig. 17: Louis V. Bell Fund, 2003.

Fig. 51 and 52: Purchase, Rogers Fund and the Kevorkian Foundation Gift, 1955.

British Library Board, London

Fig. 3: The two gypsum wall panels carved in relief from the North Palace were excavated by Hormuzd Rassam in 1853 for the British Museum. Acquisition date – 1856. The two panels measure 71×101.6 cm and 76.2×66 cm.

Fig. 9: Zafarnāma manuscript from the India Office Islamic Manuscripts, BL Archives.

Fig. 28: Khamsa of Niẓāmī manuscript bequeathed by C. W. Dyson-Perrins, 1958, BL Archives.

Fig. 31: British Library Archives.

Fig. 43: At least four illustrated copies of the Vāqiʾāt-i Bāburi (Bāburnāma) were produced for distribution to Akbar’s family and nobles. The British Library manuscript is datable to the 1590s and contains 143 paintings.

Fig. 50: British Library Archives.

Fig. 53: The only dispersed painting of the first imperial Akbarnāma manuscript. The Johnson Album, the collection of Richard Johnson was purchased by the East India Company Library, later India Office Library in 1807. BL Archives.

Los Angeles County Museum of Art

Fig. 18: Nasli and Alice Heeramaneck Collection, Museum Associates Purchase.

Cleveland Museum of Art

Fig. 11: Courtesy of the Cleveland Museum of Art. Purchase from the J. H. Wade Fund 1945.169.a. https://www.clevelandart.org/art/1945.169.a; Purchase from the John L. Severance Fund 1956.10.a. https://www.clevelandart.org/art/1956.10.a

Museum of Fine Arts, Boston

Fig. 19: Purchased with funds from the Francis Bartlett Donation of 1912 and by contribution.

Chester Beatty Library, Dublin

Fig. 13, 23, 47, 48 (R): CC BY – 4.0. Chester Beatty, Dublin

Fig. 47: Dispersed album, Provenance: Demotte

Fig. 48 (R): Minto Album, from the collection of the Earl of Minto, bought by the Chester Beatty Library (and V&A) from Sotheby’s in 1925.

Indian Museum, Kolkata

Fig. 29: Courtesy of the Indian Museum, Kolkata.

Rhode Island School of Design, Providence, RI

Fig. 14: Courtesy of the RSID Museum, Providence, RI. Museum Works of Art Fund.

Fitzwilliam Museum, University of Cambridge

Fig. 46: Bequeathed 1946, by P. C. Manuk and Miss G. M. Coles, through the National Art Collections Fund

National Museum of Asian Art, Washington D.C.

Fig. 44: Payag/ National Museum of Asian Art, Smithsonian Institution, Purchase – Smithsonian Unrestricted Trust Funds, S1993.42a–c

Fig. 32: Adapted from D. Stronach, Pasargadae: A Report on the Excavations Conducted by the British Institute of Persian Studies from 1961 to 1963, 1978, with permission and courtesy of K. and T. Stronach.

Fig. 33: Site plan by J. de Morgan, Mission Scientifique en Perse, Recherches Archéologiques, Tome Quatrième, Deuxième Partie, Paris: Ernest Leroux, 1897, Plate XL, reproduced with permission and courtesy of HathiTrust.

Fig. 4 and 5: Photographs reproduced by kind courtesy of Daniel C. Waugh.

Fig. 35 and 38: Photographs reproduced by kind courtesy of Anjum Zafar.

Map 2, Fig. 7, 10, 36: Alamy Stock Photo with licenses.

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Taming Wilderness: The Mughal Hunt and Cultural Landscapes of the Shikārgāh

丛编: Handbook of Oriental Studies. Section 1 The Near and Middle East, 卷: 193
Cover Taming Wilderness: The Mughal Hunt and Cultural Landscapes of the Shikārgāh
ISBN:
9789004749054
出版社:
Brill
印刷出版日期:
03 Dec 2025
  • Subjects
    • Art History
      • Architecture
      • Art History
    • Asian Studies
      • South Asia
      • History
    • Middle East and Islamic Studies
      • Archaeology, Art & Architecture
Front Matter
Preliminary Material
Copyright Page
Acknowledgements
Maps and Figures
Notes to the Reader
Simplified Genealogy Table: the Great Mughals (1526–1707)
Chapter 1 Mughal Hunting Culture
Chapter 2 Ancient Persian, Early Islamic, and Indian Hunting Traditions
Chapter 3 The Hunting Legacy of the Ilkhanids and Timurids
Chapter 4 Hunting Landscapes
Chapter 5 Lion, Cheetah, and Elephant Hunts
Chapter 6 Politics of the Hunt
Chapter 7 Shikārgāh, Garden, Qūruq
Chapter 8 Shikārgāh, Forest, Cultivated Land
Chapter 9 The Artist’s Vision
Chapter 10 The Hunt and Intellectual, Scientific, and Technological Pursuits
Chapter 11 Legal, Spiritual, and Moral Implications in Hunting Contexts
Epilogue
Back Matter
Glossary
Bibliography
Index

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