Dopo il divorzio by Grazia Deledda: Reception, Rewriting, Retranslation

Helena Lozano Miralles

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Chapter 9 Dopo il divorzio by Grazia Deledda: Reception, Rewriting, Retranslation

于Retranslation and Reception

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Helena Lozano Miralles

Helena Lozano Miralles
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类型:: 章节

Page Range:: 173–195

DOI:: https://doi.org/10.1163/9789004517875_010

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Abstract

This paper focuses on the case study of Grazia Deledda’s Dopo il divorzio (1902) through the prism, on the one hand, of the rewriting of the text in Italian (Naufraghi in porto, 1920), its paratextual Italian rewriting in 1955 (when the author had already passed away), on the other hand, of its Spanish translation in 1914 and retranslation in 1955. This case study raises a number of questions that may be of interest for the theoretical debate on retranslation and reception: if changes to social context trigger the rewriting of a novel, can this rewriting be considered a form of translation? Should the proposal of a new paratext be regarded as a form of rewriting or retranslation? Can revision and plagiarism be considered a form of retranslation once the socio-political and cultural landscapes have significantly changed?

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Retranslation and Reception

Studies in a European Context

丛编： Approaches to Translation Studies, 卷： 49and Approaches to Translation Studies Online, 卷： 49

ISBN:: 9789004517875

出版社:: Brill

印刷出版日期:: 12 Aug 2022

Subjects
- Languages and Linguistics
  - Writing & Communication
- Literature and Cultural Studies

Front Matter

Part 1 Literary Canon and Retranslation

Part 2 (Re)Translation and (Self-)Censorship

Part 3 Rewriting, Reprinting and Retranslation

Part 4 Retitling in Retranslation

Part 5 Modernizing Retranslations

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Chapter 9 Dopo il divorzio by Grazia Deledda: Reception, Rewriting, Retranslation

Abstract

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Retranslation and Reception

Studies in a European Context

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