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Acknowledgements

In: The Horizons of Medieval French and Occitan
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Acknowledgements

The idea for this volume came about in January 2021, when Simon Gaunt was planning his retirement after more than thirty years as a professor of medieval French and Occitan studies. At that point, we intended the project to be a celebration of his extraordinary career and his generosity as a mentor. Following Simon’s untimely death in December of that same year, the collection took on another, commemorative purpose. When we met with contributors to workshop essays for the volume in July 2022 at King’s College London, the institution where Simon had been a professor since 1998, we were all feeling his absence as a friend, mentor, collaborator, and intellectual inspiration. The work that we did during that gathering was emotionally as well as intellectually demanding. We are grateful for the collegiality and supportiveness that contributors showed to us and to one another, both during the workshop itself and in their subsequent work on their essays. We would firstly, then, like to thank all of the authors whose chapters feature in this book: Philippe Frieden, Jane Gilbert, Miranda Griffin, Alice Hazard, Thomas Hinton, Melek Karataş, Sarah Kay, Matthew Siôn Lampitt, Catherine Léglu, Peggy McCracken, Robert Mills, David Murray, Karen Pratt, Henry Ravenhall, and Simone Ventura. Without their commitment to the difficult labour that this project involved, there would be no volume.

We want to thank King’s College London for hosting the workshop and especially Alice Hazard, who did much of the organizational work. Thanks are due, too, to Sarah Kay, who provided invaluable advice on the conceptualization of the collection at the outset, and who, along with Peggy McCracken, graciously commented on a draft of our introduction. We are grateful to both Linda Paterson, who produced a bibliography of Simon’s publications, and to Bill Burgwinkle, who crafted the afterword.

We are indebted to Marcella Mulder and the editorial board at Brill, who have supported and advised us from the project’s inception. We also wish to thank the two anonymous readers for their constructive feedback, which helped us to strengthen the book in its final stages.

Even as we dedicate this book to Simon’s memory, our original purpose remains unchanged. This volume celebrates Simon Gaunt’s abundant scholarly contribution as an author, collaborator, and mentor. It has been profoundly shaped by the intellectual community that he laboured to create. In demonstrating the enduring richness of Simon’s scholarship, we hope to have shown how that work continues to inspire those working in French and Occitan studies, as well as opening new pathways for those who have yet to embark on their journeys.

For helping us to bring this work to as wide an audience as possible through open access publication, we thank Patrick ffrench, the U.K. Society for French Studies, and King’s College London.

Emma Campbell and Luke Sunderland

August 2025

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The Horizons of Medieval French and Occitan

New Approaches to Manuscripts and Texts

Series:  Explorations in Medieval Culture, Volume: 28
Cover The Horizons of Medieval French and Occitan
E-Book ISBN:
9789004741317
Publisher:
Brill
Print Publication Date:
12 Jan 2026
  • Subjects
    • Art History
      • Art History
    • History
      • Medieval History
    • Literature and Cultural Studies
      • Literature, Arts & Science
      • French & Francophone
Front Matter
Preliminary Material
Frontispiece
Copyright Page
Acknowledgements
Figures and Tables
Introduction: Reimagining the Horizons of Medieval French and Occitan
Chapter 1 Language and Diversity in Walter de Bibbesworth’s Tretiz
Chapter 2 A Blue Banana? Picard, Occitan, and the Dimensions of European Literary History in Paris, Bibliothèque nationale de France, français 795
Chapter 3 Warping the Sense to Detect the Norm: Linguistic (In)correctness and Competing Grammars in the Histoire ancienne jusqu’à César (Thirteenth–Fifteenth Centuries)
Chapter 4 A French Rose? On the Transmission and Reception of the Roman de la Rose
Chapter 5 Viewing Text and Palinode through the Lens of the Manuscripts: Authorial Autocitation and Scribal Editing in Jean Le Fèvre’s Livre de Leesce
Chapter 6 Silencing through Translation between Occitan, Latin, and Catalan: the Revelations of Constance de Rabastens (fl. ca. 1384–1386)
Chapter 7 Enjoying Sound, Song, and Supralocal French in Aristotle’s India
Chapter 8 Singing in (Different) Tongues: Sonic and Formal Warfare in Langtoft’s “Political Songs”
Chapter 9 Makers of Manuscripts as Readers of Manuscripts: the Montbaston Atelier and the Roman de la Rose
Chapter 10 Before Time: Cosmology and Embodiment in Arsenal 3516
Chapter 11 Grief, Affect, and Embodiment in the Ovide moralisé
Chapter 12 Animal Figures in the Bibles moralisées: Medieval Manuscript Culture and Biopolitics
Chapter 13 Reading Touch in Two Manuscripts of the Roman de Troie (with Jean-Luc Nancy)
Chapter 14 The Modes of Avalon
Chapter 15 Tardif and Technics: Bernard Stiegler’s Technique in the Roman de Renart
Afterword: We Have Never Been (Just) Medieval
Back Matter
Bibliography of Work by Simon Gaunt
Bibliography
Index

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