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于A Hundred Years of Avant-Gardes
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Figures

3.1 Filippo Tommaso Marinetti, “Après la Marne, Joffre visita le front en auto” (After the Marne. Joffre Visiting the Front by Car), qtd. in Perloff 2009, 107 69

3.2 Filippo Tommaso Marinetti, “Bombardamento” (Bombing), qtd. in Hulten 1986, 195 72

3.3 Carlo Carrà, Avvolgimenti atmosferici – scoppio di un obice (Atmospheric Swirls. A Bursting Shell), qtd. in Hulten 1986, 165 72

3.4 Carlo Carrà, “Composizione grafica” (Graphic Composition) qtd. in Hulten 1986, 164 74

3.5 Giacomo Balla Trelsì trelno, in D’Ambrosio 2009, 277 75

3.6 Francesco Cangiullo, Grande folla in Piazza del Popolo (Great Crowd in the Piazza del Popolo), qtd. in Hulten 1986, 146 76

4.1 Victor Brauner and Ilarie Voronca’s work “PICTOPOEZIA NO 5721” 93

4.2 Victor Brauner and Ilarie Voronca, PICTOPOEZIA NO. 384 (75HP, p. 9) 94

5.1 Pochta [The Mail/ The Post], text by Samuil Marshak, illustrations by Mikhail Tsekhanovsky, Moscow – Leningrad, ca. 1927 102

5.2 Poczta [The Mail/ The Post], written by Stefan Themerson, illustrated by Franciszka Themerson, Warszawa 1932 103

5.3 Poczta [The Mail/ The Post], written by Stefan Themerson, illustrated by Franciszka Themerson, Warszawa 1932 105

5.4 Spor mezhdu domami (Building disputes) by Nikolay Agnivcev (a rhymed text in verse) and Nikolay Kupreyanov (illustrations) 106

5.5 Poczta [The Mail/ The Post], written by Stefan Themerson, illustrated by Franciszka Themerson, Warszawa 1932 108

5.6 Jacuś w zaczarowanem mieście, written by Stefan Themerson, illustrated by Franciszka Themerson, Vol. 2, Warszawa 1932, page 22 111

5.7 Jacuś w zaczarowanem mieście, text by Stefan Themerson, illustrations by Franciszka Themerson, Vol. 2, Warszawa 1932, page 38 115

5.8 Jacuś w zaczarowanem mieście, text by Stefan Themerson, illustrations by Franciszka Themerson, Vol. 2, Warszawa 1932, pages 38–39 117

5.9 Jacuś w zaczarowanem mieście, text by Stefan Themerson, illustrations by Franciszka Themerson, Vol. 2, Warszawa 1932, pages 44–45 118

5.10 Jacuś w zaczarowanem mieście, text by Stefan Themerson, illustrations by Franciszka Themerson, Vol. 2, Warszawa 1932, pages 70–1 120

9.1 Video still 1 from Katalin Ladik’s Poemim 201

9.2 Video still 2 from Katalin Ladik’s Poemim 201

9.3 Video still 3 from Katalin Ladik’s Poemim 201

9.4 Video still 4 from Katalin Ladik’s Poemim 201

9.5 Video still 5 from Katalin Ladik’s Poemim 201

9.6 Video still 6 from Katalin Ladik’s Poemim 201

9.7 Video still 7 from Katalin Ladik’s Poemim 201

9.8 Video still 8 from Katalin Ladik’s Poemim 201

9.9 Video still 9 from Katalin Ladik’s Poemim 201

9.10 Video still 10 from Katalin Ladik’s Poemim 201

9.11 Video still 11 from Katalin Ladik’s Poemim 201

9.12 Video still 12 from Katalin Ladik’s Poemim 201

10.1 Bogusław Schaeffer, S·alto for saxophone and chamber orchestra of soloists, Polskie Wydawnictwo Muzyczne, Kraków 1965, the part of the third violin 212

10.2 Bogusław Schaeffer, S·alto for saxophone and chamber orchestra of soloists, Polskie Wydawnictwo Muzyczne, Kraków 1965, the part of the harp 213

10.3 Witold Wirpsza, Phaeton, Witold Wirpsza Archive, Książnica Pomorska im. S. Staszica, Szczecin, typescript, p. 1 217

10.4 Witold Wirpsza, Phaeton, Witold Wirpsza Archive, Książnica Pomorska im. P. Staszica, Szczecin, typescript, p. 4 218

15.1 Herta Müller, Der Wächter, card 48 289

15.2 Herta Müller, Der Wächter, card 83 295

15.3 Herta Müller, Der Wächter, card 15 297

15.4 Herta Müller, Der Wächter, card 43 299

15.5 Herta Müller, Der Wächter, card 44 299

15.6 Herta Müller, Der Wächter, card 45 300

15.7 Herta Müller, Der Wächter, card 46 300

16.1 Zenon Fajfer Spoglądając Przez Ozonową Dziurę (2009) 323

17.1 Zenon Fajfer, Odlot, pages 4 and 5. The stage directions relating to the arrangement of seats are on the left, with the footnote occupying the bottom half of the page, while the indication “they are kissing”, reappearing throughout the book, can be seen on the right 331

17.2 Zenon Fajfer, Odlot, dir. Anna Augustynowicz, Teatr Współczesny in Szczecin 343

20.1 Tbxx, Kaz, Maro, Pin, Deszczownik/Rainer, 2019. The game title screen 388

20.2 Tbxx, Kaz, Maro, Pin, Deszczownik/Rainer, 2019. The game running on a vintage Atari computer and the accompanying cat-rat sculpture 388

20.3 Tbxx, Kaz, Maro, Pin, Deszczownik/Rainer, 2019. The game menu 389

20.4 Tbxx, Kaz, Maro, Pin, Deszczownik/Rainer, 2019. A screenshot of the game 389

20.5 Tbxx, Kaz, Maro, Pin, Deszczownik/Rainer, 2019 390

Table

22.1 “Kot” by Katarzyna Szymura, based on fingerspelt alphabet 413

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A Hundred Years of Avant-Gardes

The Literary Experiment in Poland and Beyond 1917-2017

丛编: Avant-Garde Critical Studies Online, 卷: 46and Avant-Garde Critical Studies, 卷: 46
Cover A Hundred Years of Avant-Gardes
ISBN:
9789004730380
出版社:
Brill
印刷出版日期:
09 Jan 2026
  • Subjects
    • Literature and Cultural Studies
      • General
      • Cultural History
      • Slavic
      • Modernist Studies
Front Matter
Preliminary Material
Copyright Page
Acknowledgements
Figures and Tables
Introduction: the Literary Experiment in Poland 1917–2017
Chapter 1 Pranas Morkūnas’ Morphophonological Poetry: Futurism, Dada and Politics
Chapter 2 ‘Fundamentally Simple and Strictly Phonetical Spelling’: the Orthographical Experiments of the Warsaw Futurists
Chapter 3 The Ear and the Eye: Visual Strategies of Avant-Garde Sound Poetry
Chapter 4 ‘Littérature – le meilleur papier hygiénique du siècle’: 75HP and the Pursuit of Innovation and Syncretism in Romanian Avant-Garde in the 1920s
Chapter 5 Experimenting with the Experimental: Multisensory Works for Children by Franciszka and Stefan Themerson
Chapter 6 Between a Poem, Happening and Performance: Jiří Kolář’s ‘Destatic Poetry’
Chapter 7 The Book as a Material Object: the Concept of the Hyperbook in the Central European Neo-Avant-Garde
Chapter 8 Let the Poem Happen: the Sound in the Poetic Experience of the Yugoslav Avant-Gardes
Chapter 9 Poetical and Institutional Nomadism: Figures of In-betweenness in the Hungarian Neo-Avant-Garde
Chapter 10 From Graphic Scores to Score-Poems: Notational Experiments of the Polish Neo-Avant-Garde (Bogusław Schaeffer – Witold Wirpsza)
Chapter 11 Literature under the Knife and Eraser: Three Case Studies of Erasure Poetics (Racine – Foer – Mokry)
Chapter 12 The Political Nature of Life-Writing Experiments
Chapter 13 Literary Readymade? Experiment as Social Critique
Chapter 14 Found Poems: from Anti-poetry to the Art of Subversion
Chapter 15 Encased History: Herta Müller’s Experimentation with Language, Image and Book Form in Der Wächter nimmt seinen Kamm
Chapter 16 Experience of Distension, Materiality and Transparency: Zenon Fajfer’s DOWN as an Experimental Work of Liberature
Chapter 17 De-touched by the Writer: Zenon Fajfer’s Odlot as an Experiment in Space
Chapter 18 Vodka, Pizza and Alexa: Strategies of Appeal in Experimental Literature in Poland and Slovakia: From Liberature to AI Poetry
Chapter 19 Poetry in the Social Media Interfaces
Chapter 20 Rainer, Playable Literature for the 8-Bit Atari: Technical Report on the Realization of a Digital Experiment
Chapter 21 Stalk-Stanzas: the Organic Nature of Experiment
Chapter 22 An Experiment in Sign Language: Can There Be Experimentation in Sign Language Poetry?
Back Matter
Index of Names
Index of Terms

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