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Acknowledgements

In: A Hundred Years of Avant-Gardes
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Acknowledgements

We gratefully acknowledge the support for research, translations, language editing and OA received from the Jagiellonian University in Krakow and University of Warsaw under the “Excellence Initiative – Research University” programmes.

We would like to thank the series editors and reviewers of this volume, whose expert advice helped to shape the present collection, as well as translators and language editors: Chrissie van Mierlo, Guy Torr, and Gerri Kimber for polishing the manuscript.

Last but not least, we extend our gratitude to the editors and staff at Brill: Christa Stevens, Iulia Ivana, Melissa Henson, and Pieter Boeschoten for their patient overseeing of this project, and Masja Horn for her continuous support, advice and kindness.

K.B., A.K., H.S., P.Ch-R., and J.K.

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A Hundred Years of Avant-Gardes

The Literary Experiment in Poland and Beyond 1917-2017

Series:  Avant-Garde Critical Studies Online, Volume: 46 and  Avant-Garde Critical Studies, Volume: 46
Cover A Hundred Years of Avant-Gardes
E-Book ISBN:
9789004730380
Publisher:
Brill
Print Publication Date:
09 Jan 2026
  • Subjects
    • Literature and Cultural Studies
      • General
      • Cultural History
      • Slavic
      • Modernist Studies
Front Matter
Preliminary Material
Copyright Page
Acknowledgements
Figures and Tables
Introduction: the Literary Experiment in Poland 1917–2017
Chapter 1 Pranas Morkūnas’ Morphophonological Poetry: Futurism, Dada and Politics
Chapter 2 ‘Fundamentally Simple and Strictly Phonetical Spelling’: the Orthographical Experiments of the Warsaw Futurists
Chapter 3 The Ear and the Eye: Visual Strategies of Avant-Garde Sound Poetry
Chapter 4 ‘Littérature – le meilleur papier hygiénique du siècle’: 75HP and the Pursuit of Innovation and Syncretism in Romanian Avant-Garde in the 1920s
Chapter 5 Experimenting with the Experimental: Multisensory Works for Children by Franciszka and Stefan Themerson
Chapter 6 Between a Poem, Happening and Performance: Jiří Kolář’s ‘Destatic Poetry’
Chapter 7 The Book as a Material Object: the Concept of the Hyperbook in the Central European Neo-Avant-Garde
Chapter 8 Let the Poem Happen: the Sound in the Poetic Experience of the Yugoslav Avant-Gardes
Chapter 9 Poetical and Institutional Nomadism: Figures of In-betweenness in the Hungarian Neo-Avant-Garde
Chapter 10 From Graphic Scores to Score-Poems: Notational Experiments of the Polish Neo-Avant-Garde (Bogusław Schaeffer – Witold Wirpsza)
Chapter 11 Literature under the Knife and Eraser: Three Case Studies of Erasure Poetics (Racine – Foer – Mokry)
Chapter 12 The Political Nature of Life-Writing Experiments
Chapter 13 Literary Readymade? Experiment as Social Critique
Chapter 14 Found Poems: from Anti-poetry to the Art of Subversion
Chapter 15 Encased History: Herta Müller’s Experimentation with Language, Image and Book Form in Der Wächter nimmt seinen Kamm
Chapter 16 Experience of Distension, Materiality and Transparency: Zenon Fajfer’s DOWN as an Experimental Work of Liberature
Chapter 17 De-touched by the Writer: Zenon Fajfer’s Odlot as an Experiment in Space
Chapter 18 Vodka, Pizza and Alexa: Strategies of Appeal in Experimental Literature in Poland and Slovakia: From Liberature to AI Poetry
Chapter 19 Poetry in the Social Media Interfaces
Chapter 20 Rainer, Playable Literature for the 8-Bit Atari: Technical Report on the Realization of a Digital Experiment
Chapter 21 Stalk-Stanzas: the Organic Nature of Experiment
Chapter 22 An Experiment in Sign Language: Can There Be Experimentation in Sign Language Poetry?
Back Matter
Index of Names
Index of Terms

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