Notes on the Editors
Karl A.E. Enenkel
is Professor of Medieval Latin and Neo-Latin at the University of Münster (Germany). Previously he was Professor of Neo-Latin at Leiden University (Netherlands). He is a member of the Royal Netherlands Academy of Arts and Sciences. He has published widely on international Humanism, early modern culture, paratexts, literary genres 1300â1600, Neo-Latin emblems, word and image relationships, and the history of scholarship and science. Among his major book publications are Francesco Petrarca: De vita solitaria, Buch 1. (1991); Die Erfindung des Menschen. Die Autobiographik des frühneuzeitlichen Humanismus von Petrarca bis Lipsius (2008); Die Stiftung von Autorschaft in der neulateinischen Literatur (ca. 1350âca. 1650). Zur autorisierenden und wissensvermittelnden Funktion von Widmungen, Vorworttexten, Autorporträts und Dedikationsbildern (2015); The Invention of the Emblem Book and the Transmission of Knowledge, ca. 1510â1610 (2019), and Ambitious Antiquities, Famous Forebears. Constructions of a Glorious Past in the Early Modern Netherlands and Europe (with Koen Ottenheym, 2019). He has (co)edited and co-authored some 35 volumes on a variety of topics; key topics are addressed in Modelling the Individual. Biography and Portrait in the Renaissance (1998), Recreating Ancient History (2001), Mundus Emblematicus. Studies in Neo-Latin Emblem Books (2003), Cognition and the Book (2004), Petrarch and his Readers (2006), Early Modern Zoology (2007), Meditatio â Refashioning the Self. Theory and Practice in Late Medieval and Early Modern Intellectual Culture (2011), Portuguese Humanism (2011), The Authority of the Word (2011), Discourses of Power. Ideology and Politics in Neo-Latin Literature (2012), The Reception of Erasmus (2013), Transformation of the Classics (2013), Neo-Latin Commentaries and the Management of Knowledge (2013), Zoology in Early Modern Culture (2014), Iohannes de Certaldo. Beiträge zu Boccaccios lateinischen Werken und ihrer Wirkung (2015), Discourses of Anger in the Early Modern Period (2015), Jesuit Image Theory (2016), Emblems and the Natural World (2017), The Figure of the Nymph in Early Modern Culture (2018), Solitudo. Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures (2018), The Quest for an Appropriate Past in Literature, Art and Architecture (2018), Artes Apodemicae and Early Modern Travel Culture, 1550â1700, and Reinventing Ovidâs Metamorphoses. Pictorial and Literary Transformation in Various Media, 1500â1800. He has founded the international series Intersections. Studies in Early Modern Culture (Brill); Proteus. Studies in Early Modern Identity Formation; Speculum Sanitatis: Studies in Medieval and Early Modern Medical Culture (500â1800) (both Brepols), and Scientia universalis. Studien und Texteditionen zur Wissensgeschichte der Vormoderne (LIT-Münster). He is currently preparing a critical edition of and a commentary on Erasmusâs Apophthegmata, books VâVIII.
Walter S. Melion
is Asa Griggs Candler Professor of Art History at Emory University in Atlanta, where he directed the Fox Center for Humanistic Inquiry between 2017 and 2023. He is the author of three monographs and a critical edition of Karel van Manderâs Foundation of the Noble, Free Art of Painting, co-author of two exhibition catalogues, editor or co-editor of more than twenty-five volumes, and has published more than one hundred articles. Melion is also editor of two book series: Brillâs Studies on Art, Art History, and Intellectual History and Lund Humphriesâ Northern Lights. He was elected Foreign Member of the Royal Netherlands Academy of Arts and Sciences in 2010 and Fellow of the American Academy of Arts and Sciences in 2023. He is president emeritus of the Sixteenth Century Society, current president of the Historians of Netherlandish Art, and a board member of the Print Council of America.