âA (Wo)man on a Sofaâ in Bruno Schulzâs Art and Writings. Schulz as a âPainterlyâ and âWriterlyâ Artist

Marta Skwara

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âA (Wo)man on a Sofaâ in Bruno Schulzâs Art and Writings. Schulz as a âPainterlyâ and âWriterlyâ Artist

äº(Un)masking Bruno Schulz

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Marta Skwara

Marta Skwara
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Page Range:: 195â217

DOI:: https://doi.org/10.1163/9789042026957_010

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This article analyzes Bruno Schulzâs creative application of the motif of âa (wo)man on a sofaâ in order to indicate the various games that Schulz plays both with tradition and his spectators/readers, and the ways in which he transgresses the conventions of art and literature. The essay demonstrates how Schulz creates texts which unsettle all the readerâs assumptions by displacing his or her cultural memory and explains in what sense his text has to be created anew in each reader, who is part of the seductive theatre of love.

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(Un)masking Bruno Schulz

New Combinations, Further Fragmentations, Ultimate Reintegrations

ä¸ç¼ï¼ Studies in Slavic Literature and Poetics, å·ï¼ 54and Studies in Slavic Literature and Poetics Online, å·ï¼ 54

ISBN:: 9789042026957

åºçç¤¾:: Brill

å°å·åºçæ¥æ:: 01 Jan 2009

Subjects
- Literature and Cultural Studies
  - Slavic

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âA (Wo)man on a Sofaâ in Bruno Schulzâs Art and Writings. Schulz as a âPainterlyâ and âWriterlyâ Artist

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