Bruno Schulz and the Magical Realism of Gabriel GarcÃ­a MÃ¡rquez in One Hundred Years of Solitude

Dorota Wojda

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Bruno Schulz and the Magical Realism of Gabriel GarcÃa MÃ¡rquez in One Hundred Years of Solitude

In: (Un)masking Bruno Schulz

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Dorota Wojda

Dorota Wojda
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Type:: Chapter

Pages:: 173â193

DOI:: https://doi.org/10.1163/9789042026957_009

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The aim of this article is to indicate analogies between the writing of Bruno Schulz and the magical realism in Gabriel GarcÃa MÃ¡rquezâs Cien aÃ±os de soledad (One Hundred Years of Solitude, 1967) and consider them in the postcolonial perspective. The irony created by both writers is a strategy that disarms the authoritarian divisions of colonial discourses. Performativeness of narration is significant in the works by Schulz and MÃ¡rquez because it indicates that magical realism â as the poetics, ontology, and strategy of postcolonial discourse â is not only a literary creation which problematizes discourses of power but also a practice which induces thought, writing, and action.

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(Un)masking Bruno Schulz

New Combinations, Further Fragmentations, Ultimate Reintegrations

Series:Â Studies in Slavic Literature and Poetics, Volume: 54Â andÂ Studies in Slavic Literature and Poetics Online, Volume: 54

E-Book ISBN:: 9789042026957

Publisher:: Brill

Print Publication Date:: 01 Jan 2009

Subjects
- Literature and Cultural Studies
  - Slavic

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Bruno Schulz and the Magical Realism of Gabriel GarcÃ­a MÃ¡rquez in One Hundred Years of Solitude

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(Un)masking Bruno Schulz

New Combinations, Further Fragmentations, Ultimate Reintegrations

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Bruno Schulz and the Magical Realism of Gabriel GarcÃa MÃ¡rquez in One Hundred Years of Solitude