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于Brill's Companion to Ancient Greek and Roman Warfare on Film
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Cover illustration: The Persian army marches south into the Greek peninsula. Production still from The 300 Spartans (1962, dir. Rudolph Maté) filmed in Greece. Image from the Michalis Nikolinakos archive. Published with permission from Nikos Nikolinakos.

The Library of Congress Cataloging-in-Publication Data is available online at https://catalog.loc.gov

LC record available at https://lccn.loc.gov/2023039355

Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface.

ISSN 2452-1493

ISBN 978-90-04-68681-6 (hardback)

ISBN 978-90-04-68682-3 (e-book)

DOI 10.1163/9789004686823

Copyright 2023 by Konstantinos P. Nikoloutsos. Published by Koninklijke Brill NV, Leiden, The Netherlands.

Koninklijke Brill NV incorporates the imprints Brill, Brill Nijhoff, Brill Schöningh, Brill Fink, Brill mentis, Brill Wageningen Academic, Vandenhoeck & Ruprecht, Böhlau and V&R unipress.

Koninklijke Brill NV reserves the right to protect this publication against unauthorized use. Requests for re-use and/or translations must be addressed to Koninklijke Brill NV via brill.com or copyright.com.

This book is printed on acid-free paper and produced in a sustainable manner.

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Brill's Companion to Ancient Greek and Roman Warfare on Film

丛编: Brill's Companions to Classical Studies, 卷: 7and Brill's Companions to Classical Studies: Warfare in the Ancient Mediterranean World, 卷: 7
Cover Brill's Companion to Ancient Greek and Roman Warfare on Film
ISBN:
9789004686823
出版社:
Brill
印刷出版日期:
12 Dec 2023
  • Subjects
    • Classical Studies
      • Classical Tradition & Reception Studies
    • Literature and Cultural Studies
      • Theatre Studies
Front Matter
Preliminary Material
Copyright Page
Dedication
Acknowledgments
Figures
Notes on Contributors
Part 1 Introduction
Chapter 1 Swords Made of Rubber: Cinematic Antiquity through the Lens of War
Part 2 Cinema vs. History: Testing the Accuracy of Celluloid Battles
Chapter 2 Form and Function: The Importance of Military Formations in Cinematic Depictions of the Roman Army
Chapter 3 Alexander in Ares’ Mirror: Armed Conflict in Oliver Stone’s Historical Epic
Part 3 The Leading Men of Celluloid Armies
Chapter 4 “Hail! The Sign of the Cross”: Industrial Campaigns and Commanding Performances in The Sign of the Cross (1932) and Cleopatra (1934)
Chapter 5 Richard Burton in Alexander the Great (1956) and the Mechanisms of Hollywood Stardom: Fashioning an Ancient Military Icon in Post-WWII American Cinema
Chapter 6 Brad’s Biceps and Dwayne’s Delts: Stardom as Physicality and Digital Spectacle in Troy (2004) and Hercules (2014)
Part 4 Women and Military Conflict
Chapter 7 Atalanta as Celluloid Warrior in Jason and the Argonauts (2000) and Hercules (2014)
Chapter 8 Women on the Battlefield: Ancient Warrior Queens and Female Military Commanders on the Millennial Screen
Chapter 9 “She Wants to Be Married and Give the Children Names!”: Women and the Roman Army in Post-Gladiator Films
Chapter 10 Women in Captivity: The Human Cost of Armed Conflict from the Trojan War to Modern Greek Cinema
Part 5 Western Colonialism and Racist Attitudes
Chapter 11 Rome vs. Carthage: Imperial and Racist Aspirations in Italian Films of the Twentieth Century
Chapter 12 Porus vs. Alexander in Modi’s Sikandar (1941) and Stone’s Alexander (2004–2014)
Part 6 Ancient Warfare on Film and Modern Politics
Chapter 13 Armed Conflict in Italian Historical Films of the Fascist and Post-WWII Era (1937–1954)
Chapter 14 The Noise of War: Sound, Politics and Space in the Italian Peplum
Chapter 15 “Make Love, Not War”: Roman Soldiers and 1960s Countercultural Masculinity in Fellini-Satyricon
Chapter 16 Epic Combat in Ancient and Modern History: A Comparative Analysis of The Fall of the Roman Empire (1964) and The Longest Day (1962)
Chapter 17 Lysistrata (1972): Political and Sexual Refractions of the Peloponnesian War during the Greek Junta
Part 7 Ancient Battles for Millennial Spectators and the Impact of the Hollywood War Film
Chapter 18 Sensational Violence: Brutality in Twenty-First-Century Cinematic Depictions of Roman Battles
Chapter 19 Rockules’ Revenge: The Portrayal of the Veteran Warrior in Brett Ratner’s Hercules
Chapter 20 Romans and Zealots in the Global War on Terror: Asymmetric Warfare and Counterinsurgency in Risen (2016) and Ben-Hur (2016)
Part 8 Epilogue
Chapter 21 To Be Continued: Considerations of Ancient Warfare in Film
Back Matter
Index

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