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Index

In: Brill's Companion to Ancient Greek and Roman Warfare on Film
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Index

300 (2007) 3, 6, 9, 10, 13, 16, 36, 72, 91, 169, 176–177, 188, 335, 508, 512, 513, 518, 527, 561, 563, 566, 569, 573, 579
300: Rise of an Empire (2014) 5, 8, 9, 13, 17, 36, 72, 91, 233, 235, 238–239, 244, 335, 564, 568, 579
The 300 Spartans (1962) 5, 6, 10, 11, 13, 35, 89, 91, 161, 561, 563, 569, 579
9/11 attacks 9, 87, 497, 518, 531–533, 537, 551, 554
Abyssinia. see Ethiopia
Achilles 22, 29, 80–81, 86, 178, 185, 186, 283
Character in Troy 21, 164–176, 180, 487, 512, 517, 521, 566
Acousmatic sound 390
Actium, Battle of 18, 20, 69, 218, 241, 568, 577
In Cleopatra (1934) 8, 43, 95, 116, 121–122
In Cleopatra (1964) 9, 50
Adventure film, conventions of 120, 151–152, 180, 372
Aeron, Pictish warrior. see Centurion (2010)
Afghanistan War 24, 485, 498, 530–531, 539, 549, 551, 572. War on Terror
Agamemnon 165–166, 170, 173, 275–278, 282–283, 288, 408, 512, 523–524
Agamemnon (play) 282, 285, 522–523
Character in Iphigenia (1977) 282–283
Character in The Satyricon 408
Character in The Trojan Women (1971) 276–278
Character in Troy (2004) 165–166, 170, 173, 512
Al-Qaeda 539
Alexander the Great 12, 18, 29, 71–88, 132–139, 142–159, 247, 313, 324–348, 450, 521, 561, 563, 576
Character in Alexander (2004–2014) 71–88, 325–326, 334–339, 341–348, 521, 562–563, 567–568
Character in Alexander the Great (1956) 12, 75, 132–139, 142–159, 563, 566, 568, 571
Character in Sikandar (1941) 313, 325–336, 338, 340–343, 347–348, 570
Alexander (2004–2014) 5, 8, 9, 71–88, 324–326, 334–339, 341–348, 521, 561–563, 566–568, 573
Alexander the Great (1956) 10, 12, 75, 131–159, 431, 563, 566, 568, 570–571, 576
Alexander Nevsky (1938) 43–44, 363
Alexandria 8, 9, 50–51, 75, 113
Amanda, wife of Iulius Iuliannus 251–255, 267, 269
Amazon(s) 197, 202, 205, 208, 340, 391–392
Ambition 48, 85, 111, 139, 142–148, 158, 209, 274–275, 335–336, 341–347
Ambush (battle tactic) 51–63, 85, 208, 233, 247, 256–257
Anabasis of Alexander 77, 143
Anachronism(s) 97, 373, 460, 543, 575, 576
Animation 10, 164–165, 172–174, 177, 181–184, 508, 539, 562, 564, 566
Antiquity 3–5, 9–12, 16–31, 43, 66–68, 73–76, 81–82, 86–87, 97, 113, 118–120, 126, 131–133, 138–139, 151, 154, 157, 165, 196, 214, 217–218, 221, 225, 237, 246–247, 262–269, 324, 356, 369, 376, 379–380, 387, 390–392, 405–406, 409, 413, 419–423, 450–452, 457, 460, 466, 471–472, 518, 529, 532–536, 547–550, 573
Anti-war movement 273, 288, 369, 451
Apollodorus of Athens 192–194
Archery 56, 81, 84, 195, 197, 200–201, 203–204, 208, 210, 259, 265, 337, 378, 392, 398
Argonauts. see Jason
Arianne, Briton woman. see Centurion (2010)
Aristophanes 19, 450–454, 456–459, 464, 467–473
Aristotle 139, 340
Armor 5, 9, 10, 12, 25, 28, 49, 65, 72, 76, 79–83, 100–102, 134–136, 141, 154, 157–158, 173–175, 221, 230, 234–235, 237, 261, 268, 330, 378, 481, 486, 496–499
Breastplate 9, 79–80, 136, 154, 157
Aristu. see Sikandar (1941)
Arrian 73–76, 143, 154, 324, 334, 335
Art 18, 26–29, 139, 167, 179, 191, 194, 195, 199, 220, 223, 239, 276, 389, 401, 409, 421–423, 461, 472
Artemis 192, 196, 198, 199, 208
Artemisia I 218–219, 222–223, 233–239, 567–569
Assembly Women, the (1966) 452–453
Asymmetric warfare 25, 531–533, 547, 550, 561, 564
Atalanta 191–211, 217, 569
Character in Hercules (2014) 206–211
Character in Jason and the Argonauts (2000) 199–204
Calydonian boar hunt 191, 192, 195, 200, 207
Footrace 191–192, 199
Athens 18–19, 78, 158, 273, 279, 450, 452, 456–460, 464–466, 469, 511–512, 518
Audience(s) 5, 7, 11, 16, 22, 25–26, 30–31, 41–46, 49, 52–58, 63, 66–68, 73, 88, 95–97, 101–106, 109–110, 118, 124, 132, 136, 143, 147, 150–151, 165–175, 178–180, 205, 214–215, 254, 266, 269, 273–288, 295, 301, 304, 306, 315, 329–332, 336, 343, 345, 347, 355–356, 359, 363, 373, 379–380, 392, 407–410, 416, 427, 434, 456, 458, 466, 481–492, 498–502, 508–514, 516–518, 520–522, 524, 532–533, 537–538, 543, 545, 549–551, 559–567, 573–575
Augustus, Roman emperor 20, 157, 250, 359, 534, 545
Authenticity in film 4, 6, 28, 42, 49, 57, 65–66, 95–97, 102, 108–109, 114, 118–120, 126, 139, 150, 158, 164–165, 170–173, 176–178, 184, 235, 264, 331, 428, 431, 491, 495–496, 500–501, 562–564, 574–576
Babylon 76, 228, 343–347
Ballomar 439–441
Bana, Eric 172–176, 566
Bara, Theda 109, 113
Barbarian(s) 11, 15, 18, 52–57, 60–65, 234, 238, 248, 363, 391, 394–397, 428, 434, 436, 439–442, 460, 463, 489, 496–500, 520
Bass, Saul 47–49
Bekmambetov, Timur 544, 549
Ben-Hur (1959) 12, 15, 46, 48, 84, 303, 346, 389, 429–430, 530, 561, 564, 566, 572
Ben-Hur (2016) 5, 8, 533, 537–538, 544–551, 564
Ben-Hur: A Tale of the Christ (1880 novel) 7, 23
Biopic (biographical film) 12, 20, 87, 133, 139–141, 146–147, 151, 153, 223, 309, 567–569
Biopolitics 389, 399–401
Boeotia(n) 81, 192
Boudica 215, 218, 220–226, 231–233, 238–239, 257, 258, 500, 534, 565, 567
Boudica: Rise of the Warrior Queen (2019) 16, 223, 225–226
Boudica: Warrior Queen (2003) 223–225, 228, 231–233, 239, 567
Braveheart (1995) 55, 574
Breastplate. see armor
Brisson, Carl 115
Britain 22–23, 30, 46, 140, 146, 220, 224, 239, 256–264, 296, 315, 429, 431–432, 534
Britannia (2018–present) 487
Bronston, Samuel 431–432, 447
Bucephalus 80–81, 85, 337–339, 343–344
Burton, Richard 12–14, 49, 131–133, 137–149, 151, 155–159, 430, 437, 566
Bush, George W. 531
Cabiria (1914) 5, 26–28, 302–311, 315–317, 320, 360–361, 391, 530
Cacoyannis, Michael 168, 274–289, 457, 570
Caesarea 535
Calydonian boar hunt. see Atalanta
Camp (style) 389, 392
Cannae, Battle of 295, 310–314, 361–364, 374
Carthage 295–320
Carthage in Flames (Original title: Cartagine in fiamme) 11, 295–303, 316–320
Hiram 296–303, 316–320
Cassandra 275–278, 285–286
Cassius Dio 221
Cavalry 28, 54, 81, 84–85, 134, 156, 230, 249, 264–266, 312–314, 318–319, 327, 329, 339, 344, 363–364, 377–378, 427, 441, 535
Charges 84, 156–157, 313–314, 318, 329, 364, 441
Censorship 107–109, 327–328, 334, 355, 365, 369, 372–373, 454, 457, 460–462, 466–468, 472, 572
Centaurs 18, 192, 195, 198
Centurion (2010) 16–17, 59–62, 65, 248, 256–262, 265–266, 481, 483, 487–500, 532–533, 543, 546, 561, 564, 567, 569
Adrianne, Briton woman 257–259
Aeron, Pictish warrior 257–261, 265
Druzilla, Roman aristocrat 257–259
Etain, Brigantian scout 256–261, 499, 546
CGI. see animation
Chaeronea, Battle of 12, 78, 133, 137
Chariot(s) 7, 12, 18, 83, 84, 102, 110–111, 138, 155–158, 181, 193, 209, 221, 230–232, 329, 378, 398, 416–417, 471, 489
Chorus 75, 278, 284–287, 398, 459, 465, 469
Christianity 18, 73, 96, 101–102, 120, 124, 355, 366–371, 378–379, 436, 454, 461, 533, 544, 550, 575
CinemaScope 23, 132–133, 136
Cinematic reception 9, 26, 30–31, 63–65, 68, 71, 95, 103, 107–108, 117, 126, 136–139, 220, 223, 268, 273–274, 281, 288–289, 295, 407, 451–453, 469, 487, 502, 510, 568, 575–576
Cirta 26, 303, 305, 308, 311
Civil war 18–19, 24–25, 248, 275, 278–279, 281, 289, 353, 368, 458, 460, 464–465
Cleopatra VII 18, 49, 95, 103, 109–119, 122, 218, 223, 236, 238, 567–569
Character in Cleopatra (1934) 95, 103, 110–115, 117, 121–122
Cleopatra (1917) 109
Cleopatra (1934) 5, 8, 9, 43, 95–97, 102–126, 170, 172, 565
Cleopatra (1963) 9, 10, 15, 41, 49–56, 61, 65, 141, 301, 392, 429–430, 490, 530
Clytemnestra 275, 281–286, 523
Cohesion (on the battlefield) 50, 61, 66, 68
Cohort(s) (in battle) 48–49, 249, 251, 490, 535
Colbert, Claudette 95, 103, 107–117, 121–122, 126
Cold War 152, 428–438, 446, 530, 572
Colossus of Rhodes, The (1961) 393–397
Commodus 54, 253–255, 335, 436, 439–442
Conan the Barbarian (1982) 391
Constantine 368–370
Costume(s) 50, 57, 61, 80, 83, 104, 157–158, 181–183, 234, 257, 267–269, 413–415, 454, 466, 472, 499
Cotys. see Hercules (2014)
Counterinsurgency (COIN) 531–536, 541–542, 547–550, 561
Crabbe, Buster 103, 124
Crassus, Marcus Licinius 11, 48, 312, 373–374
Crowe, Russell 11, 15, 346–347, 515, 566
Crusades, The (1935) 118
Cyrus the Great. see Legend of Tomiris, The (2019)
D-Day 11, 57, 427–428
DVD 10, 16–17, 71–72, 77, 137, 157, 172, 177, 301, 310, 325, 331, 375, 472
Daesh 539, 551
Dara. see Darius III
Darius III 72–73, 82–86, 137, 146, 153, 155–157, 234, 324, 328, 340
DeMille, Cecil 20, 56, 95–100, 102, 106–110, 113–117, 122–124
Devil and the Deep (1932) 105
Diachronicity 5, 17–18, 24, 28, 139
Disciplina militaris 497
Divismo (star system) 301–302
Douglas, Kirk 15, 140, 168, 316, 346, 375, 430, 490, 566
Dr. Jekyll and Mr. Hyde (1931) 104
Druzilla, Roman aristocrat. see Centurion (2010)
Duel(s) 13, 21, 78, 85–87, 133, 226, 236, 298–299, 312, 317–319, 421, 487, 559, 566
Eagle, The (2011) 22, 62–65, 483, 487–491, 494, 497–501, 532–533, 543, 546
Eisenstein, Sergei 44
Electra. see The Traveling Players (1975)
Electra (1962) 274, 282
Elephant(s) 43, 83–85, 305, 312–313, 327–331, 336–340, 344, 358–359, 362–364, 391
Epic(s) 3, 8–12, 16, 18–20, 42, 48, 55, 71, 75–76, 87–88, 95–96, 102, 107–108, 131–137, 149, 165, 168–169, 180, 184, 200, 210, 228–229, 273, 298, 301, 309, 317, 335, 345–347, 358, 405, 410, 414, 418–419, 423, 426–431, 435–436, 439–441, 447, 482, 487, 490–493, 500, 530–532, 547, 550, 561–563
Epidaurus Festival 453–454, 466
Equipment (military) 49, 54, 57, 61, 63, 66, 81, 229, 330, 432, 438, 464, 541, 562
Eroticism 170, 197, 202, 207, 317, 343, 391, 406, 408, 412, 420–421, 462, 467–468
Etain, Brigantian scout. see Centurion (2010)
Ethiopia 328, 330, 353, 357, 365, 530
EUR (Esposizione universale di Roma) 309
Exotic dance 110, 391–397, 467
Euripides 18–19, 24, 274, 276, 280, 282, 285, 287–289, 451, 454, 510–511, 522
Fabiola (1947) 365–370, 378, 380
Fall of the Roman Empire, The (1964) 10, 11, 42, 51–57, 59, 131, 427–442, 446, 490, 497, 530, 561, 565, 567–568, 572
Fantasy 217, 266–267, 301, 399–400, 569, 575
Fascism 29, 106, 295, 308–310, 315, 320, 326–331, 340, 353–358, 361–365, 367, 372–373, 379–380, 388, 390, 405–406, 412–413, 418–419, 423–424, 439, 454, 457, 462, 498, 529–530, 571–572
Farrell, Colin 72, 325, 338
Fellini, Federico 318, 355, 376, 405–407, 409–424
Fellini-Satyricon (1969) 405–407, 409–424, 490, 567–568, 570, 572, 574
Female warrior 191, 195–211, 214–218, 223–241, 248, 255–261, 265, 492, 499–500, 567–569
Feminism 198, 208, 215–216, 223, 239–240, 459
Femme fatale 234, 236, 238
Foley sound 390
Footrace. see Atalanta
Franco, Francisco 432
French Armed Forces 445
Gallone, Carmine 45, 307–320, 327, 330, 352, 356, 358, 363
Garibaldi, Giuseppe 306, 358, 371
Gaugamela, Battle of 10, 12, 71–74, 77–79, 82, 83, 85–88, 133–137, 155–158, 324, 332, 345–348, 561, 563
In Alexander (2004–2014) 10, 71–74, 77–79, 82–83, 85–88, 332, 345–348, 561, 563
In Alexander the Great (1956) 12, 156–158
Gauls 41, 65
Gender 4, 25, 29, 96–97, 104, 136, 191–211, 215–241, 273, 286–289, 389, 391, 452, 463, 472, 499, 568–569, 572
Gladiator (2000) 4, 10–12, 15–16, 55–59, 62, 65, 72, 165, 171, 248, 253–257, 261–264, 268–269, 309, 487–490, 499, 508, 515–517, 531, 562, 566, 573–574
Lucilla, daughter of Marcus Aurelius 255, 517
Maximus 11, 15, 55, 58, 62, 72, 253–255, 346, 490, 515–517
Golden fleece 199–201, 204
Gordian knot 144–145, 157
Gorgo 237–238, 569
Granicus, Battle at the 12, 72, 78, 80, 136–137, 154, 157–158
Grant, Cary 111
Graphic novel(s) 177–178, 195, 205–207, 520, 544, 566
Great Depression 95–96, 99, 122, 124, 145
Great King. see Legend of Tomiris, the (2019)
Greek tragedy on film 274–276, 451–452, 457
Hadrian’s Wall 59–61, 256, 260–262, 264, 266
Hannibal 43, 295–298, 305–315, 327, 330, 361–364, 422
Hector 81, 172–175
Character in Troy 172–175
Helen of Troy (1956) 5, 8, 75, 168
Hellespont 145, 157
Herakles. see Hercules
Hercules 29, 80, 150, 177–184, 198, 203, 205–211, 296, 375–377, 387–388, 391–392, 397–398, 489, 508–524
Character in Hercules (2014) 164, 177–184, 205–211, 508–524
Hercules (2014) 5, 16, 164, 177–184, 191–193, 195, 199–201, 203–211, 508–524, 565–566, 569, 573
Cotys 178, 183, 200, 206–209, 511–512, 514, 516, 523–524
Herodotus 219, 222, 226, 229, 234, 302, 565
Heston, Charlton 7, 12–13, 140, 346, 566
Hippomenes 192–196
Hiram. see Carthage in Flames (1960)
Hitler, Adolph 138, 158, 437–438
Hollywood 8, 11–13, 26, 29–30, 41, 95, 98–103, 111, 113–121, 126, 131–135, 137, 140–143, 145–151, 166–167, 169, 202, 205–208, 214, 228–229, 239, 247, 301, 308, 310, 335, 345–347, 355–357, 360, 362, 365–366, 370, 376, 389, 391, 397, 405, 410–411, 420, 423, 426–427, 429–431, 433, 436–437, 439, 441, 447, 482, 487–489, 515, 530, 532, 535, 551, 565, 568
Stardom 12–13, 16, 28, 95, 97, 101–120, 139–143, 146–148, 151–152, 157, 164–167, 169–171, 173–174, 178–179, 181–184, 301, 510
Homer 18, 78–81, 85, 168–175, 180, 200, 298, 319, 408, 489, 565
Homoeroticism 71, 120, 389, 408, 411, 414, 423
Humor 106, 179, 182, 332, 424, 514
Huns 376–379
Hunting 113, 191–196, 200, 207, 227, 378
Hybridity 81, 181, 451, 458, 462
Hydaspes, Battle of the 71, 77–78, 81, 84–85, 87, 135, 324–326, 331, 333, 335, 337–339, 343–347, 563, 572
In Alexander (2004) 71, 77–78, 84–85, 87, 337–339, 343–347, 563
In Sikandar (1941) 326, 331, 333, 572
Hydra 179–180, 183, 199, 511–512
Hyginus 192–193
Hyphasis River, Mutiny at 150, 324, 563
Hypsypile. see Jason and the Argonauts (2014)
Iceni 218–220, 223–224, 257, 500, 536
Ideological fantasy 399–400
Iliad 18, 168, 170–171, 173, 175, 180, 489
Immortals (2011) 5, 16–17, 508
Imperialism 46–47, 64, 68, 95–96, 158, 233, 247, 268, 309, 320, 353, 357, 434–435, 463, 469, 482, 493, 532, 536, 546, 549, 562, 571
India 5, 29–30, 80, 85, 145, 159, 248, 324–326, 328–330, 333, 336, 340–341, 343, 347
Infantry 22, 28, 44, 50, 54, 81–84, 153, 156, 250, 312–313, 339, 363–364, 378, 432, 437, 443–445
Iolaus 177–179, 181, 206–207, 514, 521
Iphigenia (1977) 5, 9, 168, 274, 281–283, 287–288
Iraq War 485, 498, 513–514, 531, 542, 549–551, 572. War on Terror
Italy 8, 29–30, 249, 253–296, 300–302, 305, 308–312, 315, 320, 327, 353–357, 359, 361, 364–369, 371, 373, 376–377, 380, 390, 413, 418, 431, 544
Jason 192, 194, 197–206, 210, 392
Argonauts 191, 192, 194, 197–200, 203–205, 207, 511
Jason and the Argonauts (2000) 191, 199–209
Javelin 66, 82, 156, 336–338, 364, 562
Jerusalem 23, 269, 533–536, 538–539, 541–542, 544–548
Jesus of Nazareth 23, 73, 132, 533–538, 541–544, 546, 550
Jews 46, 98, 368, 535–539, 546, 548
Jewish revolt (66–73 CE) 534
Johnson, Dwayne 164, 166, 177–179, 181–184, 195, 205, 509–510, 520, 565–566
Judea 23, 46, 132, 529, 533–536, 541–542, 550
Kapoor, Prithviraj 325, 330–331
Karezi, Jenny 453–456, 461, 467–468, 473
Kazakhstan 30, 222, 226–228, 230, 240
Kazakos, Kostas 282, 453–456, 461, 473
Katabasis 77
Katz, Sam 100
Keith, Ian 122
Kill Bill Vol. 1 (2003) 214, 217
King Arthur (2004) 62, 248, 263–270, 561, 564, 569
Kleos 173–174, 273
Knight(s) 43, 151, 264, 266
Kolossal 356–357, 361–362, 364, 379
Korean War 24, 152
Kubrick, Stanley 47–48, 55–56, 312, 430
Landi, Elissa 103
The Last Legion (2007) 5, 16, 248, 259–266, 269–270, 489–491
Laughton, Charles 95–96, 103–108
Legend of Tomiris, The (2019) 17, 220–231, 239–240, 567
Cyrus 220–222, 228, 239–240
Tomyris 221–222, 226–231, 233, 238–240, 567
Legion (Roman) 41, 48–49, 62–63, 133, 147, 226, 248–249, 256–257, 260, 262–263, 441, 481, 490–491, 496, 500, 538, 548
Leonidas I 237, 512, 513, 518
Lesbianism 195–196, 211
Libya 24, 28, 301–302, 310, 353
Licas’ ship 408, 411, 414–417
Lion(s) 80, 152, 179, 181–183, 196, 508, 514
Livy 49, 65, 295, 499
The Longest Day (1962) 427–435, 437–440, 443–446, 565, 567, 572, 574
Lysistrata (1972) 19, 450–473, 569, 572, 576
Macedonian(s) 12, 19, 67, 71–81, 83–85, 135–139, 143–150, 152, 154–159, 327–336, 338–340, 342, 344, 348, 563
Maciste 302–305, 307, 311, 317, 320, 376, 388, 394–398, 400–401
Maniple(s) 43, 49, 312
Mankiewicz, Joseph 49–51
Mark Antony 21–22, 29, 49, 95, 107, 110, 112, 114–117, 119–121, 123–124, 141, 236, 430
March, Fredric 95, 101–105, 114, 133, 360
Martial arts 216–218, 230, 234–235, 261
Mann, Anthony 52–54, 56, 335, 428, 430, 442–443
Marcus Aurelius 11, 20, 55, 65, 72, 253, 256, 260–262, 314, 434–436
Marshall, Neil 59–62, 256, 494
Masculinity 20, 22, 82, 104, 107, 113, 116, 124, 172, 176, 196–197, 199, 203, 214–216, 219–220, 223, 228, 240, 288, 320, 335, 346, 406, 418–419, 427, 488–489, 493–495, 498–502, 517–518, 524, 550, 565–568
Massagetae 17, 220–222, 227–229
Mata Hari (1931) 110
Matrona of Ephesus, The 411, 413–414
Matsas, Nestoras 453–454, 469
Maximus. see Gladiator (2010)
Medea 201–205
Messianism 153, 375, 536
Military commander(s) 11, 16, 22, 44, 72, 76, 82, 95, 105, 117–118, 124, 134, 137–139, 144, 150, 153, 155, 218, 223–224, 233, 248–250, 261–264, 267, 413, 430, 435–436, 440, 444, 446, 497, 548, 563, 568
Minotaur, the 197, 388, 412, 421
Modi, Sohrab 313, 314, 325–331, 336
Moloch 297–298, 302–307, 316–317
Music 7, 121, 175, 309–310, 331, 359, 379–400, 410, 454, 471–473
Mussolini, Benito 253–254, 308, 310, 315, 320, 327–328
North Atlantic Treaty Organization (NATO) 354, 429–432, 435, 437–438
National Theater of Greece 453–454
Nazi(s) 46, 152, 278, 379, 438, 497, 531
Negrepontis, Yannis 457–458, 460, 467, 472
Nero Claudius Caesar 23, 95, 105–108, 114, 116, 221, 224, 233, 254, 258, 407
Ninchi, Annibale 327, 360
Noise 386–391, 393–399, 401, 442
Nomad(s) 222, 226–230, 239–240
Normandy 152, 427–443
O’Brien, George 114
Olympias 153, 343, 568–569
Olynthus, siege of 133, 138
Orientalism 83, 228, 296, 320, 390–391, 422
Orpheus 203, 205
Ovid 93, 196, 407
Paramount (studio) 95–102, 114, 118, 124, 131–132, 174, 544
Pastrone, Giovanni 26–29, 300–303, 306–308, 320, 376
Patriarchy 198, 217, 223–226, 276, 282, 285, 320, 489, 497–502
Pax Romana 20, 362, 497
Peloponnesian War 19, 24, 450, 452, 458, 472
Peplum (genre) 177, 296, 316–317, 325–326, 356, 566, 571
Persian(s) 6, 11, 82–84, 145, 153–158, 218, 222, 229, 231, 234–236, 240, 324, 335, 442, 518, 561
Petronius 405–410, 413–414, 420–424
Phalanx (battle formation) 67, 72, 78, 80–82, 85, 87, 156
Phrygian mode 92, 399–400
Philip II 78–81, 138–139, 152–153, 335, 343
Philoctetes 522–525
Phoenician(s) 26, 296, 302, 304
Photoplay 97, 99, 103–104, 113, 116, 120
Picturegoer 97, 109, 114, 117
Pilate, Pontius 536–542, 547
Pitt, Brad 164–177, 184, 566
Platoon (1986) 74, 78, 532
Plutarch 73, 75, 79–81, 143, 154, 219
Politics 25, 29, 98, 218–220, 225–226, 236–239, 258, 273–275, 278, 281, 287, 315, 325, 331, 342, 353, 355–357, 361, 364–365, 370–371, 387–389, 398, 406, 420, 423, 429, 433–436, 442, 450–456, 462–464, 469, 473, 486, 489, 501–502, 529, 531–532, 534–537
Poppaea Sabina 95, 103, 107, 110
Porus 80, 135, 335–339, 572
Post-traumatic stress disorder (PTSD ) 518–521, 542–543, 549, 570
Priapus 408, 422–423
Propaganda 29, 42, 100–101, 113, 178, 328, 330, 355–356, 361, 431, 454, 485, 530
Ptolemy 50–51, 71, 75, 77, 85–86, 347
Publicity 7, 14, 96–97, 102–104, 107, 109, 114–118, 124, 132, 134–135, 143, 147–148, 165–168, 170, 172, 375, 433–435, 481, 565
Punic Wars 26, 297–302, 317, 326, 364, 530
Queen Cleopatra (2023) 569, 573
Quo Vadis (1951) 23, 132–133, 309, 370, 431, 490, 530
Rakhi 341
Rape 5, 192, 199, 225, 237, 239, 276, 279–280, 289, 484, 570
Ratner, Brett 182, 205, 209, 516
Reconstruction (1970) 274, 281–287, 312
Reeves, Steve 178, 183, 296, 515
Reynolds, Kevin (director) 537, 540
Richard the Lionheart 118
Risen (2016) 16, 23, 490, 529, 533–544, 547–550, 561, 564
The Robe (1953) 14, 75, 104, 132–133, 141, 149, 538
Romanitas 58, 62, 64
Rossen, Robert 75, 78, 133–139, 143, 147–148, 152–159
Runaway production 430–431
Russia 46, 296, 390
Salgari, Emilio 295–297, 302, 303, 305, 316
Samson 304, 387
Sarissa 67, 81–82, 339
Sarmatian(s) 264, 267
Satire 408
Satyricon, the 406–410, 424
Saving Private Ryan (1998) 11, 16, 55, 57, 487, 530, 574
Scipio Africanus (1937) 5, 33, 45, 307–315, 357–364
The Scorpion King (2002) 509
Scott, Ridley 10, 15–16, 55–59, 165–166, 174, 214, 487, 515
Scythia 227
Self-censure 472
The Sign of the Cross (1932) 95–96, 100–102, 105–108, 123–124, 565
Shakir. see Aristotle
She Done Him Wrong (1933) 110, 124
Sikandar (1941) 6, 313–315, 325–343, 347–348, 363, 563, 570, 576
Solomos, Alexis 453–455
Soundscape 286, 393–394, 397, 399
Spain 5, 133–134, 137, 274, 296, 298, 429, 431–432, 515, 539
Spartaco (1953) 372–374, 378, 380
Spartacus (1960) 5, 41, 47–49, 51–58, 60, 75, 346, 363, 430, 490, 530, 561, 566, 572–573
Spartan(s) 237, 458–459, 463–466, 512, 563, 566
Spear (weapon) 22, 79, 84, 145, 152, 154, 157, 171, 194, 208, 312, 317, 329, 331, 364, 415, 520, 562
Stardom. see Hollywood
Stone, Oliver 71–87, 325, 334, 337–339, 343–346, 563–564, 568
Submarine 105, 455
Sword (weapon) 11–12, 14–17, 21–22, 72, 79–80, 86, 98, 118–119, 133, 154–155, 171–172, 180, 199, 210, 217, 224, 226, 260, 266, 337–338, 374–375, 414–416, 441, 562
Ten Commandments, The (1956) 96, 100, 122, 132, 566, 575
Testudo (battle formation) 50–51, 56–58, 50, 62–63, 65, 67, 481, 497, 563
Thucydides 19, 24, 273, 565
“Tomb of the Diver” 411–421
Trojan Women, The (1971) 5, 274–279, 282–289, 457
Troy (2004) 3, 16, 71–72, 164–176, 180, 184, 200, 487, 508, 512, 517, 521, 566–567, 570
Ultraviolence 10, 482–483, 487–489, 491, 493, 495, 502
Ulysses (1954) 168
United Artists 133–135
United States Armed Forces 433, 435, 437–438, 485
Vanguardism 406–407
Vecchia Guardia (1934) 367
Veteran(s) 29, 335, 508–524, 541–543
Virility 107, 116–118, 419–420, 423
virtus (masculinity) 492–494
War on Terror 9, 24, 529–532, 541, 549–551
“Warrior Abbey” concept 250, 268
Wilcoxon, Henry 95, 104–109, 114–126
Wolves 183, 211, 513
Wyler, William 46–48, 544
Zanuck, Darryl F. 428–432, 444–447
Zealot(s) 23, 436, 537, 547–548

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Brill's Companion to Ancient Greek and Roman Warfare on Film

Series:  Brill's Companions to Classical Studies, Volume: 7 and  Brill's Companions to Classical Studies: Warfare in the Ancient Mediterranean World, Volume: 7
Cover Brill's Companion to Ancient Greek and Roman Warfare on Film
E-Book ISBN:
9789004686823
Publisher:
Brill
Print Publication Date:
12 Dec 2023
  • Subjects
    • Classical Studies
      • Classical Tradition & Reception Studies
    • Literature and Cultural Studies
      • Theatre Studies
Front Matter
Preliminary Material
Copyright Page
Dedication
Acknowledgments
Figures
Notes on Contributors
Part 1 Introduction
Chapter 1 Swords Made of Rubber: Cinematic Antiquity through the Lens of War
Part 2 Cinema vs. History: Testing the Accuracy of Celluloid Battles
Chapter 2 Form and Function: The Importance of Military Formations in Cinematic Depictions of the Roman Army
Chapter 3 Alexander in Ares’ Mirror: Armed Conflict in Oliver Stone’s Historical Epic
Part 3 The Leading Men of Celluloid Armies
Chapter 4 “Hail! The Sign of the Cross”: Industrial Campaigns and Commanding Performances in The Sign of the Cross (1932) and Cleopatra (1934)
Chapter 5 Richard Burton in Alexander the Great (1956) and the Mechanisms of Hollywood Stardom: Fashioning an Ancient Military Icon in Post-WWII American Cinema
Chapter 6 Brad’s Biceps and Dwayne’s Delts: Stardom as Physicality and Digital Spectacle in Troy (2004) and Hercules (2014)
Part 4 Women and Military Conflict
Chapter 7 Atalanta as Celluloid Warrior in Jason and the Argonauts (2000) and Hercules (2014)
Chapter 8 Women on the Battlefield: Ancient Warrior Queens and Female Military Commanders on the Millennial Screen
Chapter 9 “She Wants to Be Married and Give the Children Names!”: Women and the Roman Army in Post-Gladiator Films
Chapter 10 Women in Captivity: The Human Cost of Armed Conflict from the Trojan War to Modern Greek Cinema
Part 5 Western Colonialism and Racist Attitudes
Chapter 11 Rome vs. Carthage: Imperial and Racist Aspirations in Italian Films of the Twentieth Century
Chapter 12 Porus vs. Alexander in Modi’s Sikandar (1941) and Stone’s Alexander (2004–2014)
Part 6 Ancient Warfare on Film and Modern Politics
Chapter 13 Armed Conflict in Italian Historical Films of the Fascist and Post-WWII Era (1937–1954)
Chapter 14 The Noise of War: Sound, Politics and Space in the Italian Peplum
Chapter 15 “Make Love, Not War”: Roman Soldiers and 1960s Countercultural Masculinity in Fellini-Satyricon
Chapter 16 Epic Combat in Ancient and Modern History: A Comparative Analysis of The Fall of the Roman Empire (1964) and The Longest Day (1962)
Chapter 17 Lysistrata (1972): Political and Sexual Refractions of the Peloponnesian War during the Greek Junta
Part 7 Ancient Battles for Millennial Spectators and the Impact of the Hollywood War Film
Chapter 18 Sensational Violence: Brutality in Twenty-First-Century Cinematic Depictions of Roman Battles
Chapter 19 Rockules’ Revenge: The Portrayal of the Veteran Warrior in Brett Ratner’s Hercules
Chapter 20 Romans and Zealots in the Global War on Terror: Asymmetric Warfare and Counterinsurgency in Risen (2016) and Ben-Hur (2016)
Part 8 Epilogue
Chapter 21 To Be Continued: Considerations of Ancient Warfare in Film
Back Matter
Index

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