| Figures | ||
| 2.1 | László Moholy-Nagy, paintings in the Sturm Gallery, Berlin, 1924. Public domain. EM3, 2, 1 are the second, third, and fourth paintings from the left. | 53 |
| 2.2 | Samuel Beckett, Quad II, still from filmed lecture-performance by Pan Pan Theatre and Irish Modern Dance Theatre | 54 |
| 3.1 | The members of the Novo mesto Spring avant-garde movement at the opening of the 1st art exhibition in Novo mesto, September 26, 1920. From left to right sitting: Fran AnÄik, Miran Jarc, Anton PodbevÅ¡ek, Rihard JakopiÄ, Božidar Jakac, Zdenko Skalicky, Marjan MuÅ¡iÄ, Ferdo Avsec. In the second line standing: Emil StefanoviÄ, Jože Žabkar, Leon Å tukelj, Emil Pureber, Slavko Å epic, Stanko Å proc, Fran Herman, Viktor Schweiger, Karel Pleiweis, Ljubo StefanoviÄ, Ermin Teply, Slavko Kvas. In the third line standing: Marijan PolenÅ¡ek, Stanko Schweiger, Karel BarboriÄ. The photograph is held in the Miran Jarc Library in Novo mesto. https://upload.wikimedia.org/wikipedia/commons/d/d5/Novome%C5%A1ka_pomlad_-_udele%C5%BEenci.jpg | 71 |
| 3.2 | Veno Pilon, The Portrait of the Composer Marij Kogoj, oil on canvas, 94 x 72 cm. 1923. From the collection of the Museum of Modern Art, Ljubljana. Veno Pilon was an avant-garde painter who studied in Prague and Florence. This portrait reveals the eccentricity and enigmatic nature of the composer Marij Kogoj and is perhaps a sad anticipation of his medical illness, for which he was hospitalized in 1932. | 73 |
| 3.3 | Edvard StepanÄiÄ, Avgust Äernigoj, Giorgio Carmelich, Josip Vlah, Trieste Constructivist Cabinet, 1927. https://www.mg-lj.si/en/exhibitions/2839/trieste-constructivist-space/. In 2011, The Cabinet was reconstructed in the Museum of Modern Art Ljubljana. The reconstruction was led by Dragan Živadinov and Miha TurÅ¡iÄ. | 74 |
| 3.4 | OHO, Vojin KovaÄ â Chubbyâs Walk in Pajamas in the Streets of Ljubljana. Photographer: Tone Stojko. | 75 |
| 3.5 | Members of the Laibach group pose at their exhibition in the Å kuc Gallery, Ljubljana, 1984. | 81 |
| 3.6A & 3.6B | In 1987, it was the turn of the Association of Socialist Youth of Slovenia to organize a youth relay during the Youth Day celebration, which invited Neue Slowenische Kunst to participate. The poster announcing |
82 |
| 3.7A & 3.7B | Marko Peljhan, Macrolab, 1997â. An independent and self-sufficient system and research structure in isolation. Courtesy of the artist. | 88 |
| 4.1 | Hans Arp, El Lissitzky, Kunstism 1914â1924, Eugwen Rentsch Verlag, Erlenbachk, Zürich, Munchen, Leipzig, 1925. Private collection, Belgrade. | 106 |
| 4.2 | Back cover of Ma no. 1, 1922. Private Collection, Belgrade | 109 |
| 4.3 | Ljubomir MiciÄ, Ivan Goll, BoÅ¡ko Tokin, The Manifesto of Zenitism, Zenit books, no. 1, Zagreb, 1921. Private collection Belgrade. | 116 |
| 4.4 | Dragan AleksiÄ, Dada, Dada Tank no. 1, Zagreb, 1922. Private collection Belgrade. | 117 |
| 5.1 | The cover of Tank Magazine, 1927, Iconotheque of SLOGI (Slovene Theatre Institute) | 131 |
| 5.2 | August Äernigoj. Teater â Masse, Architecture of Tankâs Theatre, 1928. | 132 |
| 5.3 | August Äernigojâs sketch for the scenography of Tone Äuferâs Tovarna [Factory], 1927. Iconotheque of SLOGI, Slovene Theatre Institute | 133 |
| 10.1 | Trieste Constructivist Ambient (1927), reconstruction for the exhibition 20th Century: Continuities and Ruptures, Museum of Modern Art, Ljubljana, 2011. | 253 |
| 10.2 | Herman PotoÄnik Noordung, depiction of a space station from his book (technical drawing of the habitat wheel) The Problem of Space Travel (1929). | 254 |
| 10.3 | Živadinov::ZupanÄiÄ::TurÅ¡iÄ, Noordung::1995â2005â2045, first reprise, the hydro-laboratory at Star City, Moscow, 2005. | 254 |
| 10.4 | Živadinov::ZupanÄiÄ::TurÅ¡iÄ, Postgravity art::Syntapiens, 2009. | 255 |
| 10.5A & 10.5B | Živadinov::ZupanÄiÄ::TurÅ¡iÄ, Postgravityart::SISTEMATICS, informance, City Art Gallery, Ljubljana, 2014. | 256 |
| 10.6 | Živadinov::ZupanÄiÄ::TurÅ¡iÄ, Noordung::1995â2015â2045, second reprise, KSEVT, Vitanje (Slovenia), 2015. | 257 |
| 10.7 | Živadinov::ZupanÄiÄ::TurÅ¡iÄ, BIO::logic â BIO::graphics â BIO::mehanics (Umbot::MG), MSU, Zagreb, 2015. | 258 |
| 10.8A & 10.8B | Eduard StepanÄiÄ//ZupanÄiÄ::TurÅ¡iÄ::Živadinov, Programmed Visualisation // Postgravityart::SYSTEMATICS, exhibition informance, ZKÅ T â Savinov likovni salon, Žalec, 2014/2015 (L: suprarchitecton; R: DNA holders, UV-digprint on Dibond plates, test tubes). | 259 |
In: The European Avant-Garde â A Hundred Years Later
Editor:
Polona Tratnik
Polona Tratnik
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