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In: Palimpsests of Religious Encounter in Asia, 1500–1800
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Cover illustration: Goan artist (attributed), Christ Child as the Navigator on the Ship of Salvation, early 17th century. Ivory, 13 × 9.8 × 0.9 cm. London, British Museum, inv. no. 1959,0721.1. Image © The Trustees of the British Museum. For more information, see: chapter 1, ‘What Remains: The Transcultural Legacy of Making’, by Mia M. Mochizuki.

The Library of Congress Cataloging-in-Publication Data is available online at https://catalog.loc.gov

LC record available at https://lccn.loc.gov/2025007251

Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface.

ISSN 1568-1181

ISBN 978-90-04-52274-9 (hardback)

ISBN 978-90-04-52275-6 (e-book)

DOI 10.1163/9789004522756

Copyright 2025 by Koninklijke Brill BV, Plantijnstraat 2, 2321 JC Leiden, The Netherlands, except where stated otherwise.

Koninklijke Brill BV incorporates the imprints Brill, Brill Nijhoff, Brill Schöningh, Brill Fink, Brill mentis, Brill Wageningen Academic, Vandenhoeck & Ruprecht, Böhlau and V&R unipress.

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Palimpsests of Religious Encounter in Asia, 1500–1800

Series:  Intersections, Volume: 97
Cover Palimpsests of Religious Encounter in Asia, 1500–1800
E-Book ISBN:
9789004522756
Publisher:
BRILL
Print Publication Date:
20 May 2025
Front Matter
Preliminary Material
Copyright Page
Acknowledgements
Illustrations
Notes on the Editors
Notes on the Contributors
A Note on Translation and Transliteration
Chapter 1 What Remains: The Transcultural Legacy of Making
Part 1 Discursive Geographies
Chapter 2 Eagle-Eyed Encounter: Miraculous or Global in Portuguese Asia (1720)
Chapter 3 The Hair Relics of the Prophet Muhammad in Kashmir: Mapping Transregional Connectivities
Chapter 4 India through the Japanese Looking Glass: Cartographic Encounters and the Buddhist World Picture
Part 2 Epistemological Transfers
Chapter 5 ‘Come, Let Us Ascend to the Heavens’: The Jantar Mantar at Jaipur and the Politics of Scientific Architecture
Chapter 6 Toyotomi Hideyoshi and St Francis Xavier: Kami-Making and the Impact of the Cult of Saints in Japan, 1552–1622
Chapter 7 The Agency of Bezoar and Goa Stones in Global Religious Encounter
Part 3 Dialogic Politics
Chapter 8 Carlo Dolci’s Madonna with the Thumb: A Dialogue between Giovanni Battista Sidoti and Arai Hakuseki
Chapter 9 The Paravur Dialogues: The First Modern Prose in Malayalam?
Chapter 10 Taming the Fascist Dragon: Pasquale d’Elia, S.J. and Early Modern Chinese Christian Art
Part 4 Reception Hermeneutics
Chapter 11 Visual and Personal Displacements in the Chinese Reception of Christian Illustrated Prints
Chapter 12 From Rome to Goa: The Question of the First Goan Church
Chapter 13 Material Encounters: Ivory and Metalwork in the Earliest Philippine Devotional Art
Part 5 The Migration of Meaning
Chapter 14 Syncretic Stowaways: Dutch Maritime Imagery in Buddist Temples and Shinto Shrines
Chapter 15 The Mount, the Garden, the Tree: Material Images and Moral Meanings in Constantine Beschi’s Tēmpāvaṇi Chapters 18–19
Chapter 16 The Incipient Devotion to the Martyrs of Japan: The ‘True Images’ of the Calvary of Nagasaki
Back Matter
Index Nominum

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