General Index
Aertsen, Pieter
37, 224
Akerlof, George
8, 28
ALPHA category
74, 159, 161–166, 196
ALPHA auction house
121, 126, 129, 153, 155, 157
ALPHA master
158–159, 160–165
Alte Pinakothek (Munich)
219
Alternative designation
7, 38, 214
Anonymity
1, 6, 10–12, 34–35, 46, 48, 55–56, 63–65, 68, 71–72, 83, 111, 113, 122, 131, 134, 167, 170, 174, 186, 193, 203, 207, 209, 210, 213, 221, 225, 226–227, 247, 249–252, 260, 262, 263–265
circumstantial
6, 34, 171
cultural
6, 34, 171
intentional
6
procedural
6, 34, 171
Anonymous
48, 49, 54–55, 63, 69, 91, 168, 170, 182, 213, 226, 246, 252, 258, 262
art object
7
artist
132, 148, 150, 151, 153, 172, 179, 190, 208
assistant
43
copies
34
Flemish painting
66, 225, 227
good
24, 118, 264
master
61, 174, 180, 182, 189, 192, 194, 197, 201, 203
old master painting
65–66
painter
48, 61, 111, 131, 151, 181, 190, 185, 204, 222, 224–225, 264
painting
65, 111, 113, 164, 210–214, 221, 227, 231, 232, 238–239, 244, 247
picture
11, 12, 14, 49, 67, 204, 239
output
30, 32, 255
work (of art)
11, 32, 65–69, 75, 114, 121, 133, 145, 155, 158, 166, 179, 212, 227, 233, 239, 242, 245, 248, 256, 264
Antwerp
41–42, 45, 51, 85, 148, 215, 227–229, 230, 233–234, 251–253, 258
mannerism
70, 212–214, 220, 222, 238
mannerists
87, 182, 214, 219–221, 225, 227
guild
40–42, 219
painter
17, 215
painting
239
school
223–224, 228–229, 238, 242, 248
Apprentice
43, 47, 49, 50, 60, 130, 132
Art Prices Current
75
Assistant
43–44, 50, 119, 132, 148, 168, 189, 217
Attribution
5, 7, 13, 20, 54–55, 57–59, 62, 68, 74, 77, 81, 98, 101, 114, 119–123, 125–126, 128–129, 137, 139, 141, 148, 151–153, 155–156, 170, 184–185, 187, 190–191, 193, 209–210, 213, 217, 220, 224, 228, 235–238, 240, 242, 244, 248–249, 251–258, 260
attributionism
17–18, 21, 35, 55–56, 69, 124, 193, 209, 255, 258
attribution qualifier
7, 11, 58, 69, 75, 82, 85, 86, 95, 97–98, 103, 110–111, 113, 114, 119–122, 124, 126, 127, 130, 131–136, 139–140, 142–143, 146–147, 152–154, 157, 167, 192, 198, 222, 244, 246–247, 250, 263
misattribution
248
old Anglo-Saxon attribution system
122, 125–126
reattribution
13, 60, 62, 101–103, 121, 185, 203, 248, 252–255, 261
Auction house
11–12, 65, 72–74, 77, 81–86, 95–98, 100, 108–110, 121–168, 183–185, 192–193, 208, 210–211, 224, 231, 239, 242, 248, 251, 255–256, 261
Authentication
7–8, 10, 18, 47, 55–56, 59, 63, 72, 103, 122, 126, 141, 153, 174, 185, 260
authentication process
11, 55, 62, 113, 124, 132, 136, 142, 154, 166–167, 210, 221, 254, 266
authentication scale
11, 69, 111, 113, 119, 121, 128–129, 131–133, 135, 139, 146, 154, 166–167, 192, 238, 252, 259
authentication system
119–122, 126, 132, 135, 169, 247, 249, 250, 255, 257–259, 261
Authenticity
17, 23, 29, 40, 79, 82, 95–98, 102, 110, 119, 122, 145, 166, 246
authorial authenticity
23–24, 69, 103, 123–124, 130, 133, 263
historical authenticity
24, 69, 86, 98, 107, 123–124, 133, 149, 151, 168, 221, 250, 254, 258, 263
material authenticity
24, 69, 86, 98, 107, 123–124, 130, 133, 149, 151, 168, 221, 250, 254, 258, 263
Authorship
1–2, 8, 32, 34, 59, 61–62, 70, 94–95, 99–100, 119, 121, 124–127, 129–131, 134, 167, 193, 198, 245–246, 250, 260–261
Autograph (work)
24, 94, 98, 111, 113–114, 119, 123, 125, 129, 131, 133–135, 139, 146, 153, 156–169, 192, 209, 246, 250–251, 261, 265–266
Non-autograph (work)
11, 29–30, 32, 66–67, 86, 114, 121–122, 129, 131, 134–135, 137, 140, 148, 154, 156, 158–169, 252, 261, 265–266
Autography
17, 23–24, 31–32, 62, 94, 101, 139, 146, 156, 162, 164, 166–168
Bacon, Francis
5
Banksy
6
Basquiat, Jean-Michel
5
Beazley, John D.
179, 182
Beggars’ Revolt
36
Benson, Ambrosius
180
Berenson, Bernard
21, 55, 179
BETA category
74, 157–159
BETA auction house
159–161, 163, 165–166
BETA master
159–161, 164–165, 196
Blanc, Charles
20
Bosch, Hieronymus
62, 70, 123–124
Bought-in work
82, 90
Bourges
228
Bouts, Albrecht
62, 93, 180
Bouts, Dirk
7, 37, 39, 83
Brabant
230
Brand
27–29, 50, 68, 99, 198, 201, 260
Brand equity
27, 30, 201
Branding
29–30, 69, 71, 114, 172, 230, 244, 262
Branding strategy
12, 262
Co-branding
32
Bruegel, Pieter I
1, 14, 17, 37, 56, 77–78, 97–98, 142
Brueghel, Jan I
32, 36, 51, 87
Brueghel, Pieter II
4, 31–33, 45, 62, 91, 97, 106, 142, 152, 251, 253–254
Bruges
36, 39–41, 53, 85, 170, 180–181, 210, 223, 224, 226–230, 233–234, 258
Brussels
36, 39, 45, 85, 184, 223–230, 234, 246, 251–254
Burckhardt, Jacob
119
Buyer’s willingness to pay
10–12, 24–25, 27, 80–81, 104, 106–107, 133, 154, 156–157, 163–164, 167, 172, 199, 203, 212, 238–239, 245, 260
Buyer’s premium
83, 85
By the hand of
85, 86, 97–99, 113, 126, 129, 140, 143, 193
Campin, Robert
14, 16, 35–36, 39, 180, 184
Catalogue raisonné
21, 64, 103
Cavalcaselle, Giovanni Battista
53
Certainty
5, 8, 20, 23, 24, 63, 114, 155
Certificate (of authenticity)
7, 58, 77, 82, 96, 103, 104, 110, 148, 239
Christie’s
1, 11, 73–74, 85, 92, 100, 109, 121–132, 137, 146, 152, 163, 167, 211
Christie’s London
75, 89, 108
Christie’s New York
108, 170
Christus, Petrus
36, 39
Circle of
69, 86, 96–97, 113, 124, 126–126, 134–135, 143, 149–150, 168, 192–193, 254
Claeissins, Pieter II
93, 95
Coecke van Aelst, Pieter
37, 45, 219, 246
Coffermans, Marcellus
77
Collaboration
32
collaborator
44, 50, 119, 168
informal collaboration
44, 48
prestige collaboration
32
Conflation
1, 5, 14, 21, 26, 125, 246
Connoisseur
20, 59, 60, 69, 72, 179
Connoisseurship
11, 55, 57–58, 132, 153, 179, 251
“new” connoisseurship
154, 167
traditional connoisseurship
60, 119, 154, 173, 187, 190
Consumption
4, 27
conspicuous consumption
66
Copy
8, 34, 44–45, 67, 97–98, 114, 118, 119, 121, 123–131, 139, 152–153, 217, 254
copy after
69, 86, 96–98, 113, 124–126, 133, 152, 244, 246
Copycat product
67–68, 240, 262
Courtrai
229
Coxcie, Michiel
37, 83
Creator
1, 12, 131, 167, 173, 199–205, 263
Credibility
62, 102–103, 141, 182, 200, 203, 207–209, 247, 256, 261, 267–278
Crowe, Joseph
53
Cuyp, Aelbert
52
Da Vinci, Leonardo
1
Daret, Jacques
181
Date (variable)
77, 82, 86, 97–98, 100–101, 110, 123, 127–128, 127–128, 137, 174, 193, 200, 202, 203, 205, 206, 223, 231, 237, 238–241, 267–278
approximate date
224, 235–236, 237
David, Gerard
37, 39, 170, 254
De Backer, Jacob
85
De Beer, Jan
37, 217, 220, 223–224
De Cock, Jan Wellens
37, 70, 219
De Coter, Colyn
37
De Keuninck, Kerstiaen I
139
De l’identité de certains maîtres anonymes
180–181
De Momper, Joos II
32
De Paris, Johan
181
De Piles, Roger
19
DELTA category
74, 157–158
DELTA auction house
159–166, 255
DELTA master
159–166, 196
Descamps, Jean-Baptiste
19, 52
Devotio moderna
39, 106
Dijon
228
Dimensions (variable)
66, 77, 82–83, 88, 105, 107, 110, 137, 263
Discourse analysis
137–153
Dou, Gerrit
51
Dutch
31, 34, 263
Dutch fijnschilders
51
Dutch Revolt
36
Dvořák, Max
53
Eighty Years War
36
Ertz, Klaus
32, 251
Exhibition (variable)
21, 77, 79, 82, 96, 101–103, 110, 198, 231, 260
Experience good
9, 198
Expert
12, 16, 32, 55–58, 62–63, 77, 80–82, 103, 106, 110, 119, 121, 124–125, 129, 137–156, 164, 187, 198, 202, 208–209, 210, 213, 214, 236, 239, 250–252, 254, 259
Expertise
32, 58, 62, 109, 140, 199, 237, 239, 241, 243
Exposition des primitifs flamands et d’art ancien (exhibition)
54
ExtravagAnt ! (exhibition)
220
Fake
60, 67, 94, 99, 166
forgery
13, 113
Félibien, André
19
Fievez Gallery
184
(Early) Flemish
art
35, 45, 74, 80–81, 174, 180–182
painters
11, 35–36, 39, 55, 102, 181, 190, 254
painting
34, 46, 63, 68, 72, 89, 93, 104, 106, 110, 182, 197, 260
picture
38, 56, 84
Primitives
17, 35, 36, 50–53, 189, 233, 263
Floris, Frans
37
Follower of
69, 86, 96–98, 113, 119, 125–135, 139–140, 151, 248, 254
Free master
40, 42, 47, 49, 50, 178
Friedländer, Max J.
21, 53–59, 64, 68, 173, 179, 181–182, 185–190, 199–208, 214–220, 262
Die altniederländische Malerei
56, 182, 192, 195, 200, 215
Die Antwerpener Manieristen von1520
181, 214, 270–271
Die niederländische Manieristen
214
Von Van Eyck bis Bruegel
56
Fritz Lugt’s Répertoire des ventes publiques
75
Galerie Moderne
83
GAMMA category
74, 157–158, 159
GAMMA auction house
159–166, 226, 255
GAMMA master
159–166, 196
Gelée, Claude
52
Gemäldegalerie
56, 182
Genre of
97, 113, 253
Georges Petit Gallery
170
Getty Provenance Index
75
Ghent
36, 85, 228–229, 234
Glossary
85, 97, 100, 119, 120–131, 136, 146, 149, 252
Glück, Gustav
58
Gossaert, Jan
37, 93, 219
Grove Dictionary of Art
185, 199–201, 205
Guicciardini, Lodovico
42
Guild
39–42, 46, 47, 50, 87, 219, 228, 230
Harmenszoon van Rijn, Rembrandt
31, 34
Rembrandt Research Project
60–61
Hedonic regression
11, 76–80, 93, 95, 133, 160–162, 198, 236, 258
hedonic pricing model
76, 263
Hislop’s Art Sales Index
73, 75
Historiography
19, 35, 40, 50, 52, 54, 58, 65, 70, 114, 173, 178, 180, 213, 217, 220, 250
Hofstede de Groote, Cornelis
58
Hotho, Heinrich
53
Hulin de Loo, Georges
53–54, 180, 184
Identification strategy
7–12, 30, 63, 68–71, 110–114, 140, 171, 190–191, 196–197, 207–210, 213, 221, 236, 244–247, 250, 252, 255, 259–266
Identity
6–8, 17, 21, 24, 29, 35, 46, 53, 55, 63, 67–71, 81, 98, 99, 114, 146, 170–174, 180, 182, 184, 187, 189, 199, 203, 209, 221, 227, 246, 250, 252, 260, 264
Imitation
67–68, 113
Immerzeel, Johannes
20
Indeterminate (work)
5, 20, 48–50, 57, 64–71, 168, 174, 193, 222, 229, 240, 244–245, 248, 261–265
Information
imperfect information
7–8, 11, 63, 199, 248
information asymmetry
8–12, 63, 65, 71, 74, 81, 85, 98, 125, 133, 136, 166, 194, 200, 207, 225, 227, 256, 259–262
information signal/signalling
9–10, 111, 137, 172, 262–263
lack of information
8–9, 66, 264
symmetric information
8
Intermediary
9, 16, 28, 38, 45–46, 137, 172, 227
Jordaens, Jacob
34
Journeymen
43, 47, 50, 130
Key, Willem
105
Köller
108–109
Koons, Jeff
5
Label
7, 12, 27, 45, 68, 100, 109, 192, 197, 199, 214, 225, 233–234, 238, 254, 258, 260
Lancaster, Kelvin
76
Lempertz
74, 109
Leuven
36, 39, 85, 228–229, 234
Liège
229
Lippmann, Friedrich
56
Literature (variable)
82, 103, 110, 198, 231
Locality
226, 232–233, 259
London
50, 73, 92
Longhi, Roberto
55
Lot
10, 27, 29, 69, 74–75, 80–81, 83, 86, 89–90, 92, 98–100, 109, 124–125, 128, 135–137, 139–140, 149, 152–153, 155, 192–195, 200, 211–212, 227–228, 232, 239, 242, 248
lot designation
184, 252
lot essay
102, 251, 257
lot position
82–83, 102, 110, 231
lot note
136, 137, 199, 244, 256
lot number
96
Mâle, Émile
18
Manner of
69, 86, 95–97, 118, 127–130, 133–135, 139–140, 152
Marcus Decree
131, 258
Marienkirche, Lübeck
219
Mariette, Jean-Pierre
1
Market reception
12, 14, 31–34, 71, 94, 112, 200, 203, 209, 258, 260, 263–264
Market visibility
12, 13, 173, 194, 201, 203, 205–207
Marlier, Georges
119, 208, 217
Master of 1499
174, 177, 271
Master of 1518
174, 182, 208, 214, 219, 270
Master of Alkmaar
174, 183, 271
Master of Amiens
174
Master of Antwerp
226
Master of Delft
174, 184, 269
Master of Flémalle
180, 183–184, 267
Master of Frankfurt
37, 174, 176, 183, 267
Master of Moulins
181
Master of Our Lady of the Seven Sorrows
181
Master of Saint Bartholomew
172
Master of Saint Giles
183, 206, 269
Master of the André Madonna
174, 274
Master of the Antwerp Adoration
182–183, 206, 219, 270
Master of the Antwerp Crucifixion
183, 198, 219, 271
Master of the Assumption of Mary
180
Master of the Clemens Madonna
189
Master of the Death of the Virgin
180, 183–184
Master of the Diapara Virgo
180
Master of the Embroidered Foliage
170, 187, 193–194, 272
Master of the Female Half-Lengths
174, 176, 183–184, 193–194, 286
Master of the Grog Madonna
191, 278
Master of the Khanenko Adoration
174, 272
Master of the Legend of Saint Barbara
174
Master of the Legend of Saint Catherine
181, 206, 272
Master of the Legend of Saint Lucy
181, 183, 268
Master of the Legend of Saint Ursula
37, 269
Master of the Lyversberg Passion
178
Master of the Martyrdom of Saint John
219
Master of the Milan Adoration
220
Master of the Parrot
7, 174, 183, 189, 193–194, 275
Master of the Plump-Cheeked Madonnas
170–171, 174, 278
Master of the Prodigal Son
174, 269
Master of the Solomon Triptych
274
Master of the van Gelder Madonna
189, 191, 278
Master of the View of Saint-Gudula
7, 37, 183, 271
Master of the Von Groote Adoration
174, 182, 219, 270
Masters with provisional names
12, 71, 111, 170, 173, 175, 178, 183–185, 189–208, 239
Material (variable)
40–41, 44, 59–60, 77–82, 87, 99, 105, 107, 110, 113, 132, 142, 147, 152–153, 167, 239, 252, 256–258, 262–263, 265
Mechelen
49, 229–230
Memling, Hans
37, 39, 93, 116, 156, 228
Met de Bles, Herri
37, 100
Metropolitan Museum of Art
170
Metsu, Gabriel
51
Metsys, Quinten
37, 93
Michiels, Joseph Alfred
20
Minor master
37, 175, 207, 263
Modigliani, Amedeo
5
Monogrammist J.V.E.
180
Monograph
21, 61, 64, 102–103, 220
Month of the sale
77, 82, 110
Mor, Anthonis
37, 105
Morelli, Giovanni
55
Mosan
230
Munch, Edvard
5
Name
artist’s name
1–32, 45, 48, 55–56, 58, 61–64, 71, 77, 82, 84, 93–94, 100, 110, 113–114, 119–120, 125, 129, 137, 145, 156, 167, 171–174, 197, 207, 240, 245, 250–251, 253–256, 259–266
author’s name
4, 15, 26, 58, 264
brand name
12, 15, 27–32, 65, 84, 109, 111, 142, 170, 172, 196, 199–200, 218–219, 203–204, 210, 226, 250, 258–259, 261–262
city name
238
historical name
7, 9, 28, 31–32, 70, 85, 111, 112, 172, 174, 193–198, 208, 248, 258
indirect name
7, 11–12, 69, 95, 97, 111–112, 119, 122, 134–136, 142, 156, 158, 164, 166–167, 192, 209, 211, 238, 244–248, 254–255, 260
master’s name
4, 46, 85, 99, 201, 253
name’s attributes
6, 14–15, 16–17, 25–31, 55, 63, 64, 85, 93–94, 114, 156, 163, 198, 200, 246, 260–264
premium brand name
29, 31–32
proper name
14–15, 20, 27, 198, 250
provisional name
7, 9, 12, 58, 69, 71, 85, 111–112, 170–175, 178–178, 180–221, 244, 255, 260–263
Namur
229
National Gallery London
54
Nomenclature
221–223, 225, 227, 234–244, 258–259
Nominal alternative
7, 58, 172, 207, 238, 261
Norton Simon Museum
83
Old masters
5, 12, 30, 32, 34, 46, 60, 62, 65, 107, 121, 125, 157, 207, 230, 248, 261
old master paintings
4, 10, 12, 30, 34, 48, 59, 64, 79, 81, 90–91, 93, 97, 99, 103, 106, 110, 119, 133, 154, 166, 249, 252, 254, 257–259, 261–263
market for old masters
67, 73–74, 82–83, 164, 265, 92, 95, 109, 172, 206
Onser Liever Vrouwen Pand
41
Ordinary least squares method
83
Original
142, 150–152, 167
Originality
17, 23–24, 29, 31, 40, 67, 131, 168, 178
Panofsky, Erwin
18
Parke-Bernet
73
Pastiche
45, 67
Patinir, Joachim
37
Picasso, Pablo
1, 5, 28
Pinacoteca de Brera
219
Popularity
15, 16, 29
Potter, Paulus
59
Price
price determinant
11–12, 30, 32, 62, 76, 82, 93, 110, 173, 192, 194, 198, 212, 232, 236, 244, 260
hammer price
83, 85, 91
price formation mechanism
4, 25, 30, 40, 81, 110, 203, 227, 237, 249, 260, 263
price index
11, 30, 66, 76, 78, 89–90, 92, 95, 110–112, 194–197, 231–232, 245, 260
Primitifs flamands anonymes (exhibition)
185–186
Product differentiation
46, 122, 133, 244, 255–256, 258
Prototype
44, 142, 152, 174
Provenance
23, 64, 77, 79, 100, 96, 101, 110, 170, 198, 203–204, 231, 244
Pseudo
7, 70–71
Pseudo-Blesius
70, 219
Pseudo-Dornicke
70
Pseudo-Mostaert
70
pseudonym
70, 85
Purchasing behaviour
9, 65, 233
Quality
8, 10, 21–22, 26–30, 46, 49, 55, 58, 65–68, 79, 81–82, 84, 87, 90, 95–96, 99, 102, 107, 109–110, 113, 122, 133, 148, 150, 154, 162, 166–168, 196–203, 212–213, 232–233, 238, 246–247, 256–259, 261, 265–266
artistic merit
9, 79, 131, 133, 239, 256
quality criteria
212, 227, 236–237, 239–245
quality standard
28, 40–41, 211, 221, 245, 252
Rarity
17, 22, 23, 67, 98, 257
scarcity (effect)
38, 81, 90, 110, 167–168, 197, 200, 230, 233, 265
Recognition
12, 15, 16, 29, 101, 173, 185, 199–201, 206–208, 260
Rehabilitation
52–55, 262
Reitlinger, Gerald
73
Repeat sales regression
78
Replica
67, 94
Reputation
3, 11, 15–16, 25, 29–30, 39–40, 45, 49–50, 94, 99, 103, 105, 122, 156–157, 159, 164, 166, 172, 182, 196–199, 207, 212, 246, 252, 258, 260
Riegl, Aloïs
18, 261
Rubens, Peter Paul
34, 49, 61, 125
Sales volume
90, 92, 134, 135, 158–160, 166, 194, 196, 231–232, 235
Sales catalogue
51, 58, 74–76, 81, 102, 114, 136, 141, 183, 200, 212, 225, 231, 247, 252, 255–257
Schnaase, Karl
53
School of
86, 96–97, 113–114, 125, 131, 135, 193
Schopenhauer, Johanna
53
Scientific investigations (variable)
82, 110, 147
Signalling theory
9, 244, 261
Signature (variable)
1, 6, 7, 26, 31, 47, 77, 82, 86, 98–99, 100–101, 110, 123, 127, 137, 194, 198, 231, 250–251
Sleeper
227, 240, 248
Sotheby’s
11, 73, 85, 91–92, 100, 122–132, 137, 146, 152, 163–164, 167, 211
Sotheby’s London
1, 75, 83, 89, 108–109
Sotheby’s New York
108
Southern Low Countries
34–38, 192, 227
Southern Netherlands
11, 36, 40, 61, 86, 113, 178, 213, 229
Spatiotemporal designation
7, 9, 12, 71, 85, 111–112, 195–196, 209–213, 220–239, 243–260, 263
Spence, Michael
9
Splendours of Mannerism in Flanders 1500–1575 (exhibtion)
220
Sterling, Charles
55
Studio
6, 34, 39, 43–50, 66, 82, 119, 130, 132, 134, 140, 143, 146, 150–152, 189, 217, 252–253
Studio of
86, 96–97, 99, 113, 120, 127–128, 143, 147–149, 193, 244–246, 253
Style criticism
57, 114, 141–142, 155, 182, 186, 251
Style of
69, 86, 96–97, 113–114, 117–119, 124–125, 127, 131, 135, 193, 224, 246, 253
Subject matter (variable)
77, 82, 104–107, 110, 149, 174, 194, 206, 231, 263
Taste
6, 58, 264
Taste of
113, 118, 124
Taxonomy
20, 179
Technical Art History
18, 59–62, 111, 119, 130, 134–135, 157, 167, 164, 167
Technique (variable)
15, 22, 59, 77, 82, 87, 105, 107, 110, 153, 155, 263
Temporality
209, 224, 232–233, 236, 259
Teniers, David II
34, 51, 124–125
Tertiary market
10, 34, 73–74, 80, 121, 134, 136, 138, 154, 157, 168, 170
Thieme–Becker
184–185, 192, 199, 201, 205
Tournai
36, 39, 228, 267
Transparency
73, 121, 136, 249, 251, 255
Turner, J. M. William
4–5
Typology
24, 74, 120, 157, 173, 200, 202, 204–205
Uncertainty
7–12, 23, 58, 63, 65, 71, 129–130, 146, 155, 167, 225, 240, 258, 260, 262–264
Unbranded
65, 67
Unlabelled
67, 262
US Consumer Price Index (US CPI)
83
Valuation
12, 21, 66, 73, 104, 119, 121, 140, 154, 167, 169, 173, 233, 265
Value
aesthetic value
8, 22
affective value
23
artistic value
12, 22, 248
brand value
22
co-creation of value
12, 172, 199, 203, 207, 261
cultural-heritage value
22, 24–26, 57, 66, 138, 167, 169, 249–250, 261
economic value
24–26, 29–30, 32, 55, 64, 66, 76, 111, 121, 132, 168, 169, 210, 248–250, 252, 254, 261–262, 264, 266
fiduciary value
17, 23, 29, 62, 64
implicit value
32, 76, 99, 255
market value
3, 10–12, 16, 18, 28–29, 32, 62–65, 75, 82, 93, 95, 98–99, 140, 167, 173, 199, 238
material value
22
perceived value
22–23, 26–27, 29, 66, 137, 156, 166, 207, 254, 256, 262
symbolic value
2, 15, 17
use value
23
value-creation mechanisms
40, 136, 172, 198, 202, 258
Van Cleve, Hendrik III
139
Van Cleve, Joos
45, 62, 115, 180, 183–184, 219
Van de Velde, Adriaen
51
Van der Goes, Hugo
37, 118
Van der Werff, Adriaen
51
Van der Weyden, Rogier
7, 36, 39, 82, 117, 152, 228
Van Eeckele, Jan
180
Van Eyck, Hubert
91
Van Eyck, Jan
17, 35–36, 39, 54, 93–94
Van Leyden, Lucas
37
Van Mander, Karel
19
Van Meegeren, Han
60
Van Orley, Barend
37, 219
Van Ostade, Adriaen
51
Van Reymerswaele, Marinus
93, 95
Van Scorel, Jan
37
Van Steenwijk, Hendrik I
37
Vasari, Giorgio
19
Vernet, Joseph
52
Vogelsang, Willem
58
Von Bode, Wilhelm
20, 54, 56, 58
Von Tschudi, Hugo
180, 267
Waagen, Gustave Friedrich
20, 53, 178
Wallraf Richartz Museum
56
Warburg, Aby
18
Warhol, Andy
28
Weale, James
53
Wölfflin, Heinrich
18, 250
Workshop of
50, 60–62, 99, 153, 228
World Collectors Annuary
75
Year of the sale
77, 231
Ysenbrant, Adriaen
181, 215