Evolution and Time in the Chants de Maldoror
In: Biological Time, Historical TimeSearch for other papers by Frank Jäger in
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The present study argues that the omnipresent use of “savage”, “violent” and animal-like metaphors, found in Lautréamont’s Chants de Maldoror, constitutes a specific form of literary transformation and (re-)creation of concepts and ideas found in nineteenth-century natural history such as evolutionary theory or metamorphosis. By analysing some of the recurrent imagery and metaphors used by Lautréamont, the study aims to shed light on the intertwined interactions between the emerging fascination for natural history and its impact on artistic writing.