Fish on Paper: Ichthyology and the Disciplining of Natural History (1680–1820)

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In the eighteenth century, the underwater world became a site of increased investigation. Naturalists produced sumptuously illustrated books and manuscripts that captured its dazzling diversity on paper. By drawing on unique and previously unexplored visual and textual materials from libraries, archives and museums, Fish on Paper offers – for the first time – a history of how the study of fish developed into a distinct field of knowledge, ichthyology. This book shows how ichthyologists established themselves as authoritative knowers of fish through the rise of the classificatory method, defining the very category of ‘fish’ along the way. At the core of such avid attempts to chart living nature were epistemological discussions about how to best preserve fish as specimens, as well as in texts and images. The epilogue reflects on how such historical sources of past species occurrence can inform ecological research in the present.

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Didi van Trijp, Ph.D. (2021), Leiden University, is a historian of science and curator of natural history. Her research focuses on the history of collecting and the material and visual culture of knowledge, particularly in the early modern period.
Acknowledgements
List of Figures
Abbreviations
Notes

Introduction: No Such Thing as a Fish
 1 Disciplinary Histories
 2 Angling for Authority
 3 Practices of Natural History
 4 Sources and Structure

1 From Aquatilia to Fish
 1 Different Ways to Define a Fish
 2 “Useful Studies and Designs”
 3 Formats for Description
 4 The Best Figures
 5 Conclusion

2 Fresh Fish: Observation Up Close in Francis Willughby and John Ray’s Historia piscium
 1 A Wider Cast
 2 Knowledge at the Fish Market
 3 Detail and Distinction
 4 Conclusion

3 Demarcating a Discipline: Peter Artedi’s Ichthyologia and the Classification of Knowledge
 1 The Short Career of Peter Artedi
 2 Demarcating a Field
 3 Classifying Fish
 4 Lost in Preservation?
 5 Conclusion

4 Swimming on the Page: Illustration and Image in Marcus Élieser Bloch’s Allgemeine Naturgeschichte der Fische
 1 Collections, Identities, and Reputations
 2 Charting German and “Foreign” Fish
 3 Colonial Collecting on the Coast of Coromandel
 4 To Capture Fishes on Paper
 5 Conclusion

Conclusion: Shared Sites of Investigation
 1 The Ichthyologist and the Artisan
 2 Fish as Specimen, Text and Image
 3 Disciplined

Epilogue: Using Historical Sources to Understand Ecologies of the Past
Bibliography
Index
This book caters to historians of science, book historians, as well as art historians. It is also suited for biologists and ecologists who take a historical interest.
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