Lavishly illustrated and engagingly written, this comprehensive book incorporates previous scholarship while presenting new evidence for the conception and creation of the Bayeux Tapestry. Demonstrating the designer’s debt to existing artworks and traditional methods of composition, it shows the careful structuring of narrative that turns (alleged) historical events into an epic rivalry. In daring use of a secret language that would have been evident only to a few contemporary viewers, the designer expresses his contempt for the Norman conquerors. The study reveals different artists with varying skills and training, while emphasising the complexity and professionalism of this enormous undertaking.
Gale R. Owen-Crocker, BA, PhD (Newcastle-on-Tyne 1968, 1976) is Professor Emerita of The University of Manchester, UK, where she was previously Professor of Anglo-Saxon Culture. Her numerous publications include over 30 articles and 5 edited books on the Bayeux Tapestry.
From scholars of the Bayeux Tapestry, Art History and Medieval England to school teachers, gallery curators and general public. Should be in academic libraries, available to undergraduates and graduate students.