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Filippino Lippi
Beauty, Invention and Intelligence
Series:
Filippino Lippi (1457â1504), although one of the most original and gifted artists of the Florentine renaissance, has attracted less scholarly attention than his father Fra Filippo Lippi or his master Botticelli, and very little has been published on him in English. This book, authored by leading Renaissance art historians, covers diverse aspects of Filippino Lippiâs art: his role in Botticelliâs workshop; his Lucchese patrons; his responses to Netherlandish painting; portraits; space and temporality; the restoration of the Strozzi Chapel in Santa Maria Novella; his immediate artistic legacy; and, finally, his nineteenth-century critical reception.
The fourteen chapters in this volume were originally presented at the international conference Filippino Lippi: Beauty, Invention and Intelligence, held at the Dutch University Institute (NIKI) in Florence in 2017.
See inside the book.
The fourteen chapters in this volume were originally presented at the international conference Filippino Lippi: Beauty, Invention and Intelligence, held at the Dutch University Institute (NIKI) in Florence in 2017.
See inside the book.
Paula Nuttall, Ph.D. (1990), Courtauld Institute of Art is Course Director at the V&A Academy, London. She is an art historian specialising in artistic relations between the Netherlands and Italy in the Renaissance, on which she has published widely.
Geoffrey Nuttall, Ph.D. (2013), Courtauld Institute of Art, is an independent scholar specialising in Renaissance Lucca. He has published widely on aspects of Lucchese artistic patronage, and is currently preparing a monograph Lucca at the Dawn of the Renaissance
Michael W. Kwakkelstein, Ph.D. (1994), is Professor of Italian Renaissance Art and Art Theory at the Department of History and Art History at Utrecht University and Director of the Dutch University Institute for Art History in Florence.
Geoffrey Nuttall, Ph.D. (2013), Courtauld Institute of Art, is an independent scholar specialising in Renaissance Lucca. He has published widely on aspects of Lucchese artistic patronage, and is currently preparing a monograph Lucca at the Dawn of the Renaissance
Michael W. Kwakkelstein, Ph.D. (1994), is Professor of Italian Renaissance Art and Art Theory at the Department of History and Art History at Utrecht University and Director of the Dutch University Institute for Art History in Florence.
Contents
Directorâs Remarks
Acknowledgements
List of Illustrations
Notes on Contributors
Introduction
âPaula Nuttall
â1âThe Critic as Artist: Swinburne on Filippino Lippi and Botticelli (1868)
âJonathan K. Nelson
â2âFilippino in Botticelliâs Workshop
âMichelle OâMalley
â3âVisible Rays in Filippinoâs London Adoration of the Magi
âPaul Hills
â4âFilippino Lippiâs Lucchese Patrons
âGeoffrey Nuttall
â5âThe Virgin at the Well in Filippinoâs San Gimignano Annunciation
âJoost Joustra
â6ââ... di naturale tanto bene che non pare che gli manchi se non la parola.â: Filippino Lippi pittore di ritratti
âPatrizia Zambrano
â7âFrom Reiteration to Dialogue: Filippinoâs Responses to Netherlandish Painting
âPaula Nuttall
â8âAnnunciations and Assumptions: Notes on a Particular Constellation in the Carafa Chapel
âJohannes Grave
â9âThe Temporary and the Temporal: Suspense in the Strozzi Chapel
âAlison Wright
â10âGli affreschi di Filippino Lippi nella Cappella Strozzi a Santa Maria Novella a Firenze: il restauro e la tecnica
âAlessandra Popple and Cristiana Conti
â11âNever Being Boring: Filippino Lippi, Michelangelo and the Concept of Chapel Decoration
âCharles Robertson
â12âReconsidering Lucchese Painting after Filippino
âChristopher Daly
â13ââLâun des plus grands maîtres de lâécole Florentineâ: Filippino Lippi and His Workshop in French Collections
âMatteo Gianeselli
â14âSfortuna di Raffaellino del Garbo
âAlessandro Cecchi
Appendix: A Note on the Identification of the Saints in the Background of the London Adoration of the Magi
âJill Dunkerton and Rachel Billinge
List of Photographic Credits
Index
Directorâs Remarks
Acknowledgements
List of Illustrations
Notes on Contributors
Introduction
âPaula Nuttall
â1âThe Critic as Artist: Swinburne on Filippino Lippi and Botticelli (1868)
âJonathan K. Nelson
â2âFilippino in Botticelliâs Workshop
âMichelle OâMalley
â3âVisible Rays in Filippinoâs London Adoration of the Magi
âPaul Hills
â4âFilippino Lippiâs Lucchese Patrons
âGeoffrey Nuttall
â5âThe Virgin at the Well in Filippinoâs San Gimignano Annunciation
âJoost Joustra
â6ââ... di naturale tanto bene che non pare che gli manchi se non la parola.â: Filippino Lippi pittore di ritratti
âPatrizia Zambrano
â7âFrom Reiteration to Dialogue: Filippinoâs Responses to Netherlandish Painting
âPaula Nuttall
â8âAnnunciations and Assumptions: Notes on a Particular Constellation in the Carafa Chapel
âJohannes Grave
â9âThe Temporary and the Temporal: Suspense in the Strozzi Chapel
âAlison Wright
â10âGli affreschi di Filippino Lippi nella Cappella Strozzi a Santa Maria Novella a Firenze: il restauro e la tecnica
âAlessandra Popple and Cristiana Conti
â11âNever Being Boring: Filippino Lippi, Michelangelo and the Concept of Chapel Decoration
âCharles Robertson
â12âReconsidering Lucchese Painting after Filippino
âChristopher Daly
â13ââLâun des plus grands maîtres de lâécole Florentineâ: Filippino Lippi and His Workshop in French Collections
âMatteo Gianeselli
â14âSfortuna di Raffaellino del Garbo
âAlessandro Cecchi
Appendix: A Note on the Identification of the Saints in the Background of the London Adoration of the Magi
âJill Dunkerton and Rachel Billinge
List of Photographic Credits
Index
All those interested in the art of the Italian Renaissance and the history of Florentine painting, including university teachers, post- and undergraduate students, museum curators, art restorers and conservators. Keywords: Italy, Florence, Rome, Sistine Chapel, Renaissance, Rinascimento, Cappella Sistina, art history, painting, fresco, Botticelli, drawing.