Formally elegant, stylistically refined, rarefied in their display of knowledge and skill, Mannerist altarpieces are endlessly fascinating. Whereas previous scholarship aligns Mannerism with the world of secular concerns, the authors included in this volume chart a different course of interpretation. According to our argument, Mannerist altarpieces offer spectators a type of religious experience so stylized, so exquisitely beautiful that it becomes a work of art itself. In this respect, The Mannerist Altarpiece raises new possibilities for thinking about the field of Italian Renaissance art history, its past, present, and future.
Contributors include Mattia Biffis, Steven J. Cody, Sally J. Cornelison, Alexis Culotta, Marcia B. Hall, Tiffany Lynn Hunt, Stuart Lingo, Celeste McNamara, Caroline Paganussi, Giorgio Tagliaferro, and Mary Vaccaro.
Steven J. Cody is Associate Professor of Art History at Purdue University Fort Wayne and the author of Andrea del Sarto: Splendor and Renewal in the Renaissance Altarpiece (Brill 2020). As a scholar of Italian art and culture from the fifteenth and sixteenth centuries, his research explores the intersections of art, philosophy, and theology.
Tiffany Lynn Hunt is a Professor of Art History at the Savannah College of Art and Design. She specializes in Early Modern art and architecture of the global Mediterranean, with a primary research focus on the intersections of pre- and post-Tridentine church history and theology in the visual culture of the papal court in Rome.
Foreword
âMarcia B. Hall
Acknowledgments List of Figures Notes on Contributors
Introduction
âSteven J. Cody
Prologue: the Impact of Catholic Reform on Art
âCeleste McNamara
1 Reworking Religiosity: Raphaelâs Late Altarpieces and the Workshop Perspective
âAlexis Culotta
2 âThe Wind Blows Wherever It Pleasesâ: Aria in Rossoâs Dead Christ
âSteven J. Cody
3 âUpon the Highest Altar Raised to Christâ: Michelangeloâs Last Judgment
âTiffany Lynn Hunt
4 The Mannerist Altarpiece and the Perfections of God
âStuart Lingo
5 A tavola con le tavole: Vasari, the Altarpiece, and the Late Renaissance Refectory
âSally J. Cornelison
6 Style, Devotion, and the Living Body in Prospero Fontanaâs Deposition
âCaroline Paganussi
7 Parmigianinoâs Madonna of the Long Neck, a Mannerist Icon Revisited
âMary Vaccaro
8 Salviati, Raphael, and Venice: Image and Cult
âMattia Biffis
9 In Communion with God: Artfulness and Devotion in Jacopo Tintorettoâs Altarpieces
âGiorgio Tagliaferro
Index
All interested in Italian Renaissance art; the intersections of art and religion in the Early Modern period; Mannerism; Rome, Florence, Bologna, Parma, Venice. Keywords: Italian Renaissance art; art and religion; Mannerism; Council of Trent; Gianfrancesco Penni; Giulio Romano; Rosso Fiorentino; Michelangelo Buonarroti; Agnolo Bronzino, Giorgio Vasari; Prospero Fontana; Parmigianino; Giuseppe Salviati, Jacopo Tintoretto; maniera; aria; Last Judgment; Dead Christ; Eucharist; monastic art; Madonna of the Long Neck; Raphael; Reform; Catholicism; Caterina Vigri