The Mannerist Altarpiece

Painting and Religious Experience in Sixteenth-Century Italy

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Formally elegant, stylistically refined, rarefied in their display of knowledge and skill, Mannerist altarpieces are endlessly fascinating. Whereas previous scholarship aligns Mannerism with the world of secular concerns, the authors included in this volume chart a different course of interpretation. According to our argument, Mannerist altarpieces offer spectators a type of religious experience so stylized, so exquisitely beautiful that it becomes a work of art itself. In this respect, The Mannerist Altarpiece raises new possibilities for thinking about the field of Italian Renaissance art history, its past, present, and future.

Contributors include Mattia Biffis, Steven J. Cody, Sally J. Cornelison, Alexis Culotta, Marcia B. Hall, Tiffany Lynn Hunt, Stuart Lingo, Celeste McNamara, Caroline Paganussi, Giorgio Tagliaferro, and Mary Vaccaro.

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Steven J. Cody is Associate Professor of Art History at Purdue University Fort Wayne and the author of Andrea del Sarto: Splendor and Renewal in the Renaissance Altarpiece (Brill 2020). As a scholar of Italian art and culture from the fifteenth and sixteenth centuries, his research explores the intersections of art, philosophy, and theology.

Tiffany Lynn Hunt is a Professor of Art History at the Savannah College of Art and Design. She specializes in Early Modern art and architecture of the global Mediterranean, with a primary research focus on the intersections of pre- and post-Tridentine church history and theology in the visual culture of the papal court in Rome.
Foreword
 Marcia B. Hall

Acknowledgments
List of Figures
Notes on Contributors

Introduction
 Steven J. Cody

Prologue: the Impact of Catholic Reform on Art
 Celeste McNamara

1 Reworking Religiosity: Raphael’s Late Altarpieces and the Workshop Perspective
 Alexis Culotta

2 “The Wind Blows Wherever It Pleases”: Aria in Rosso’s Dead Christ
 Steven J. Cody

3 “Upon the Highest Altar Raised to Christ”: Michelangelo’s Last Judgment
 Tiffany Lynn Hunt

4 The Mannerist Altarpiece and the Perfections of God
 Stuart Lingo

5 A tavola con le tavole: Vasari, the Altarpiece, and the Late Renaissance Refectory
 Sally J. Cornelison

6 Style, Devotion, and the Living Body in Prospero Fontana’s Deposition
 Caroline Paganussi

7 Parmigianino’s Madonna of the Long Neck, a Mannerist Icon Revisited
 Mary Vaccaro

8 Salviati, Raphael, and Venice: Image and Cult
 Mattia Biffis

9 In Communion with God: Artfulness and Devotion in Jacopo Tintoretto’s Altarpieces
 Giorgio Tagliaferro

Index
All interested in Italian Renaissance art; the intersections of art and religion in the Early Modern period; Mannerism; Rome, Florence, Bologna, Parma, Venice. Keywords: Italian Renaissance art; art and religion; Mannerism; Council of Trent; Gianfrancesco Penni; Giulio Romano; Rosso Fiorentino; Michelangelo Buonarroti; Agnolo Bronzino, Giorgio Vasari; Prospero Fontana; Parmigianino; Giuseppe Salviati, Jacopo Tintoretto; maniera; aria; Last Judgment; Dead Christ; Eucharist; monastic art; Madonna of the Long Neck; Raphael; Reform; Catholicism; Caterina Vigri
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