Enchanted Socialist Modernity

Art of Central and Eastern Europe (1945–1989) in the Face of Alternative Spirituality

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Central and Eastern Europe, a meeting place of diverse cultural traditions, remains a little-known area in terms of the relationship between art, spirituality and modernity. This pioneering book aims to change this situation. It was written in response to the question of what role alternative forms of spirituality—such as Eastern religions, esotericism and mysticism—played in artistic practices shaped by imposed secularization and Marxist ideology in post-war socialist countries. The articles collected in this volume reveal the complexity and ambiguity of these connections, shedding light on forgotten artists, works and themes. Through this book, we invite you to take part in the enchantment of exploring a previously unknown chapter in the history of modern art.

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Justyna Balisz-Schmelz, Ph.D., is Assistant Professor at the Department of the History of Modern Art, Institute of Art History, at the University of Warsaw. She researches the relevance of Far Eastern spirituality to artistic practices and art theory, as well as Carl Jung’s inspirations on art.

Kamila Dworniczak, Ph.D., is Assistant Professor at the Department of Art Theory, Institute of Art History, at the University of Warsaw. She studies the significance of spirituality for the understanding of post-war realism and the relationship between word and image in spiritual practices.
List of Figures and Tables
Notes on Contributors

Introduction: How to Enchant Socialist Modernity with Art?
 Justyna Balisz-Schmelz and Kamila Dworniczak

Part 1: Persisting Spiritual Traditions in Times of Political Ruptures


1 Josef Kotzian: Apostle of Silesian Media Drawing
 Martin Jemelka

2 “Are There Ghosts in the Fourth Dimension?” Xawery Dunikowski’s Late Paintings and the Cosmic Occulture in Early Communist Poland
 Łukasz Żuchowski

3 The Spirituality of the Carbocene: on Coal and Art in Upper Silesia
 Agata Stronciwilk

4 The Origin and Manifestation of Liudas Truikys’s Theory of the Synthesis of the Arts in Soviet Lithuanian Opera
 Rasa Žukienė

5 Genesis of Jana (Harms) Olexová
 Eva Skopalová

Part 2: Utopias between Social Experiment and Esotericism


6 The Secret Emissary of Saxony: the Mystical “Communist Realism” of Carlfriedrich Claus in Light of Jacob Böhme’s Concepts
 Justyna Balisz-Schmelz

7 The Cultural Policy of Lyudmila Zhivkova between Party Ideology and Esoteric Teachings (1975–1981)
 Zlatina Bogdanova

8 Forecast and Fantasy in the Kinetic-Cybernetic Environments of the Art Group Dvizhenie
 Andres Kurg and Mari Laanemets

9 In Search of Spirituality: Modernist Utopias – between Philosophy, Religion and Science in Romanian Art during Communism
 Ileana Pintilie

Part 3: Art as a Spiritual Practice


10 The Decisive Moment of Contemplation: Photography as a Spiritual Practice in the Work of Andrzej Strumiłło
 Kamila Dworniczak

11 Spiritual Self-Education as a Micropolitics of Resistance: Urszula Broll’s Mandalas
 Justyna Balisz-Schmelz

12 A Journey to Understand Oneself: on Major Arcana Paintings by Maria Anto
 Marta Kudelska

13 The Spiritual Turn and Inner Emigration in Ukrainian Artistic Nonconformism of the 1970s and 1980s on the Example of Oleksandr Aksinin
 Bohdan Pylypushko

14 Making Visible: Mandalas and Fibulae of Genādijs Suhanovs
 Stella Pelše

Part 4: From Spiritual Counter-modernism to the Neo-avant-garde


15 Esotericism, Collectivism, Avant-Garde: Tamás Szentjóby and Béla Hamvas on the Parallel Course Study Track
 Emese Kürti

16 Occult Hungary: the Spiritual in Art in Hungary between 1945 and 1989
 Erzsébet Tatai

17 Karel Malich’s Inner Turn: towards the Wire Plastics from 1976–1988
 Karel Srp

18 A Selection of Metaspiritual Art Theories and Practices in Croatia, Slovenia, and Serbia in the 1960s, 1970s, and 1980s
 Nadežda Elezović

19 The Mediala Art Group and Esotericism in Communist Yugoslavia
 Nemanja Radulović

Part 5: Towards Capitalist Esotericism


20 The Re-enchantment of the East, or towards the Global History of the Occulture in Central-Eastern Europe during the Transition Era
 The Case of Granary Island in Gdańsk, Poland
 Jakub Banasiak

21 Mystical Materialism: Koło Klipsa as a Case Study for Spiritualization in Art
 Jarosław Lubiak

22 Spaces for Spiritual Transformation: New Age-Inspired Architecture in Late and Post-Soviet Estonia
 Ingrid Ruudi

Index
The book is intended for graduates of art history, visual culture studies and religious studies. Its interdisciplinary profile makes it a valuable resource for anyone interested in the history of post-war Central and Eastern Europe.
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