The works and biography of Heinrich von Kleist have fascinated authors, artists, and philosophers for centuries, and his enduring relevance is evident in the emblematic role he has played for generations. Kleistâs prose works remain âutterly uniqueâ seventy years after Thomas Mann described their singular appeal, his dramas remain âdisturbingly currentâ four decades after E.L. Doctorow characterized their modernity, and twenty-first century readers need not read far before finding the unresolved questions of the current century in Kleist. Heinrich von Kleist: Artistic and Aesthetic Legacies explores examples of Kleistâs impact on artistic creations and aesthetic theory spanning over two centuries of seismic metaphysical crises and nightmare scenarios from Europe to Mexico to Japan to manifestations of the American Dream.
Jeffrey L. High received his Ph.D. from the University of Massachusetts, Amherst and is Professor of German Studies at California State University, Long Beach, as well as Guest Professor at Portland State Universityâs Deutsche Sommerschule am Pazifik. He is the co-editor of the volumes Schillerâs Literary Prose Works (2008), Who Is This Schiller (Now)? (2011); Heinrich von Kleist: Artistic and Political Legacies (2013); Inspiration Bonaparte? Napoleonic Occupation and German Culture (2021); and Heinrich von Kleist: Artistic and Philosophical Paradigms (2022). He is a 2018 recipient of the CSULB âPresidentâs Award for Outstanding Faculty Achievement in Scholarship and Mentoring,â the 2019 recipient of the University Honors Programâs âMost Valuable Professorâ award, and the 2020 recipient of CSULB awards for both Advising and Mentoring.
Carrie Collenberg-González received her Ph.D. from the University of Minnesota and is Associate Professor and Section Head of German, and Director of the Deutsche Sommerschule am Pazifik at Portland State University. She has published articles on Heinrich von Kleist, German cinema, Goetheâs Faust, the aesthetics of terrorism, and the Red Army Faction, including articles in Feminist German Studies and the Goethe Yearbook. She is co-author of Cineplex: German Language and Culture Through Film (2014) and co-editor of Moving Frames: Photographs in German Film (2022). She is actively involved in the American and Oregon Association of Teachers of German and in the Coalition of Women in German.
Foreword: Interrogating Kleist? Acknowledgments Notes on Contributors
Introduction: The Artistic and Aesthetic Legacies of Heinrich von Kleist
âJeffrey L. High and Carrie Collenberg-González
Kleist and Hegelâs Phenomenology of Spirit
âValerio Rocco Lozano
Operatic Reception of Kleistâs Das Käthchen von Heilbronn: From Holbeinâs Stage Adaptation to the Operas of Hoven, Lux, and Reinthaler
âGlen Gray
Stranger than Fiction: Thomas Mann and Stefan Zweig on Goethe, Kleist, and the Struggle with the Daemon
âElaine Chen
Brecht, Kleist, and the Early GDR: The Berliner Ensembleâs Playbill for Der zerbrochne Krug (1952) and Its Renegotiation of Formalism, Realism, and Cultural Heritage
âMarkus Wessendorf
Penthesilea and Her Sisters: Visualizing the Feminine in the German Cultural Imagination of the 1970s and 1980s
âSeán Allan
Victories of Insurrection: Heinrich von Kleist, Aleksandr Bek, and Heiner Müller
âWolf Kittler
Coetzee and Kafka with Kleist (and Job): Debating the âKohlhaasian Solutionâ
âTim Mehigan
Film Adaptations of Kleistâs Michael Kohlhaas: On Triage, Recasting, and Restructuring
âSophia Clark and Jeffrey L. High
An Earthquake in Chile in Mexico: Juan Villoro on Kleist
âCraig Epplin
The Vanishing Point: Heinrich von Kleist, Frank Stella, and the American Dream
âCarrie Collenberg-González
Righteous Rebels: Kleistâs Michael Kohlhaas and Andrei Zvyagintsevâs Leviathan
âCassio de Oliveira
Kleist in Yoko Tawadaâs Works
âSusan C. Anderson
Index of Names Index of Kleistâs Works
Students, scholars, professors and avid readers of Kleist and German Literature.