This volume examines the image-based methods of interpretation that pictorial and literary landscapists employed between 1500 and 1700. The seventeen essays ask how landscape, construed as the description of place in image and/or text, more than merely inviting close viewing, was often seen to call for interpretation or, better, for the application of a method or principle of interpretation.
Contributors: Boudewijn Bakker, William M. Barton, Stijn Bussels, Reindert Falkenburg, Margaret Goehring, Andrew Hui, Sarah McPhee, Luke Morgan, Shelley Perlove, Kathleen P. Long, Lukas Reddemann, Denis Ribouillault, Paul J. Smith, Troy Tower, and Michel Weemans.
Karl A.E. Enenkel is Professor of Medieval Latin and Neo-Latin at the University of Münster. Previously he was Professor of Neo-Latin at the University of Leiden. He has published widely on international Humanism, early modern culture, paratexts, literary genres 1300â1600, Neo-Latin emblems, word and image relationships, and the history of scholarship and science.
Walter S. Melion is Asa Griggs Candler Professor of Art History at Emory University. He has published widely on early modern image cultures, on the art and art theory of the Low Countries, on scriptural image-making, on emblems and emblematics, and on Jesuit image theory.
Acknowledgements List of Illustrations Notes on the Editors Notes on the Contributors
Part 1: Introduction: The Hermeneutic and Exegetical Potential of Landscapes
1 Introduction: Landscape and the Visual Hermeneutics of Place, 1500â1700
âWalter S. Melion
2 Parabolic, Periphrastic, and Emblematic Ekphrasis in Hans Bolâs Emblemata Evangelica of 1585
âWalter S. Melion
Part 2: Constructions of Identity: Landscapes and the Description of Reality
3 Landscape Description and the Hermeneutics of Neo-Latin Autobiography: the Case of Jacopo Sannazaro
âKarl Enenkel
4 Landscape in Marcus Gheeraertsâs Fable Illustrations
âPaul J. Smith
5 Order or Variety? Pieter Bruegel and the Aesthetics of Landscape
âBoudewijn Bakker
6 Schilderachtig: A Rhyparographic View of Early 17th-Century Dutch Landscape Painting
âReindert Falkenburg
7 Landscape with Landmark: Jacob van Ruisdaelâs Panorama of Amsterdam (1665â1670)
âStijn Bussels
8 Jacob van Ruisdaelâs The Jewish Cemetery, c. 1654â1655: Religious Toleration, Dutch Identity, and Divine Time
âShelley Perlove
9 âCar la terre ici nâest telle quâun fol lâestimeâ: Landscape Description as an Interpretative Tool in Two Early Modern Poems on New France
âWilliam M. Barton
Part 3: Constructions of Artificial Landscapes: Gardens, Villegiatura, Ruins
10 Hermeneutics and the Early Modern Garden: Ingenuity, Sociability, Education
âDenis Ribouillault
11 The Politics of Space of the Burgundian Garden
âMargaret Goehring
12 The Stratigraphy of Poetic Landscape at the Esquiline Villa
âSarah McPhee
13 Poussinâs Allegory of Ruins
âAndrew Hui
14 âFalse Artâs Insolent Addressâ: The Enchanted Garden in Early Modern Literature and Landscape Design
âLuke Morgan
Part 4: Constructions of Imaginary Landscapes
15 Narrative Vitality and the Forest in the Furioso
âTroy Tower
16 Epic Salvation: Christâs Descent into Hell and the Landscape of the Underworld in Neo-Latin Christian Epic
âLukas Reddemann
17 World Landscape as Visual Exegesis: Herri met de Blesâs Penitent Saint Jerome
âMichel Weemans
18 Cities of the Dead: Utopian Spaces, the Grotesque, and the Landscape of Violence in Early Modern France
âKathleen Long
Index Nominum
Scholars, (post-graduate) students and all others specialized or interested in the history of landscape in the literary and pictorial arts of early modern Europe. Keywords: landscape, hermeneutics, description, place, panorama, terrain, variety, pastoral, garden, pleasure ground.