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Director’s Remarks

In: Filippino Lippi
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Director’s Remarks

In the fall of 2017 Paula and Geoffrey Nuttall concluded their stay at the NIKI with a conference on the Florentine painter Filippino Lippi (1457-1504). As Scholars-in-Residence in Florence both had worked on different topics, Paula on a group of comic-grotesque drawings attributed to Verrocchio, and Geoffrey on the di Poggio, Magrini and Bernardi families of Lucca. In the introduction to this volume Paula explains why they choose the Florentine painter as the subject of a conference. The incredible efficiency and speed with which they brought together eighteen colleagues from various countries attests to the fact that interest in Filippino Lippi is very much alive, as the great turnout also demonstrated. A group of international scholars discussed this most versatile, original and dazzling of renaissance artists. The papers, here collected, offer new insights into Filippino’s artistic relationship to his father, to Botticelli and to his Lucchese patrons. The authors explore variously questions of style and vision with reference to Lippi’s portraits, his response to Netherlandish painting, his treatment of space and light, his followers and aspects of his artistic legacy, as well as presenting new technical evidence on the Strozzi Chapel. I wish to conclude these brief remarks by expressing my sincere gratitude to Paula and Geoffrey Nuttall for their dedication to editing the conference proceedings and for having provided us with the opportunity to continue the debate and enrich our knowledge and appreciation of this exceptional painter.

Michael W. Kwakkelstein

Director Dutch University Institute for Art History in Florence

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Filippino Lippi

Beauty, Invention and Intelligence

Series:  NIKI Studies in Netherlandish-Italian Art History, Volume: 13
Cover Filippino Lippi
E-Book ISBN:
9789004434615
Publisher:
Brill
Print Publication Date:
10 Jul 2020
  • Subjects
    • Art History
      • Art History
    • History
      • Art History
Front Matter
Copyright Page
Director’s Remarks
Acknowledgements
Illustrations
Notes on Contributors
Introduction
The Critic as Artist: Swinburne on Filippino Lippi and Botticelli (1868)
Filippino in Botticelli’s Workshop
Visible Rays in Filippino’s London Adoration of the Magi
Filippino Lippi’s Lucchese Patrons
The Virgin at the Well in Filippino’s San Gimignano Annunciation 
‘... Di naturale tanto bene che non pare che gli manchi se non la parola.’: Filippino Lippi pittore di ritratti
From Reiteration to Dialogue: Filippino’s Responses to Netherlandish Painting
Annunciation and Assumption: Notes on a Particular Constellation in the Carafa Chapel
The Temporary and the Temporal: Suspense in the Strozzi Chapel
Gli affreschi di Filippino Lippi nella Cappella Strozzi a Santa Maria Novella a Firenze: il restauro e la tecnica
Never Being Boring: Filippino Lippi, Michelangelo and the Concept of Chapel Decoration
Reconsidering Lucchese Painting after Filippino
‘L’un des plus grands maîtres de l’école Florentine’: Filippino Lippi and His Workshop in French Collections
Sfortuna di Raffaellino del Garbo
Appendix: A Note on the Identification of the Saints in the Background of the London Adoration of the Magi
List of Photographic Credits
Back Matter
Index

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