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Front matter
Seiten: 1–5
Publikationsdatum: 14 Nov 2022
Art and death in the Netherlands
An Introduction
Seiten: 6–21
Publikationsdatum: 14 Nov 2022
Vanitas and trompe-l’œil
Pictorial illusion as a visual strategy of the memento mori
Seiten: 58–93
Publikationsdatum: 14 Nov 2022
Encountering Adam and Eve at the Apocalypse
Violence, sensuality, and hope in the Rockox Last Judgment
Seiten: 94–121
Publikationsdatum: 14 Nov 2022
Death on display
Execution prints on the eve of the Dutch Revolt
Seiten: 122–159
Publikationsdatum: 14 Nov 2022
Embodying the Catholic faith
Posthumous portraits of Catholic priests in the Dutch Republic during the seventeenth century
Seiten: 160–183
Publikationsdatum: 14 Nov 2022
Materia mortis
The role of materials in the visualisation of death in early modern Netherlandish funeral monuments
Seiten: 184–211
Publikationsdatum: 14 Nov 2022
The stones and the crown
Or the triumphant death throes in the Martyrdom of Saint Stephen by Rubens
Seiten: 212–233
Publikationsdatum: 14 Nov 2022
Ars longa vita brevis
Rembrandt’s death and the status of the artist in late seventeenth-century Amsterdam
Seiten: 234–271
Publikationsdatum: 14 Nov 2022
Life and death according to the ‘episteme’ of the fort
A picture of the slave trader Dirck Wilre in Elmina, 1669
Seiten: 272–305
Publikationsdatum: 14 Nov 2022
Mirrors of the good death
The choir funerary monuments of Ghent’s bishops
Seiten: 306–335
Publikationsdatum: 14 Nov 2022
Mourning the Prince of Orange
The death and funeral of the hereditary stadtholder Willem IV (1711-1751)
Seiten: 336–368
Publikationsdatum: 14 Nov 2022