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Front matter
Pages: 1–5
Publication Date: 14 Nov 2022
Art and death in the Netherlands
An Introduction
Pages: 6–21
Publication Date: 14 Nov 2022
Vanitas and trompe-l’œil
Pictorial illusion as a visual strategy of the memento mori
Pages: 58–93
Publication Date: 14 Nov 2022
Encountering Adam and Eve at the Apocalypse
Violence, sensuality, and hope in the Rockox Last Judgment
Pages: 94–121
Publication Date: 14 Nov 2022
Death on display
Execution prints on the eve of the Dutch Revolt
Pages: 122–159
Publication Date: 14 Nov 2022
Embodying the Catholic faith
Posthumous portraits of Catholic priests in the Dutch Republic during the seventeenth century
Pages: 160–183
Publication Date: 14 Nov 2022
Materia mortis
The role of materials in the visualisation of death in early modern Netherlandish funeral monuments
Pages: 184–211
Publication Date: 14 Nov 2022
The stones and the crown
Or the triumphant death throes in the Martyrdom of Saint Stephen by Rubens
Pages: 212–233
Publication Date: 14 Nov 2022
Ars longa vita brevis
Rembrandt’s death and the status of the artist in late seventeenth-century Amsterdam
Pages: 234–271
Publication Date: 14 Nov 2022
Life and death according to the ‘episteme’ of the fort
A picture of the slave trader Dirck Wilre in Elmina, 1669
Pages: 272–305
Publication Date: 14 Nov 2022
Mirrors of the good death
The choir funerary monuments of Ghent’s bishops
Pages: 306–335
Publication Date: 14 Nov 2022
Mourning the Prince of Orange
The death and funeral of the hereditary stadtholder Willem IV (1711-1751)
Pages: 336–368
Publication Date: 14 Nov 2022