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Ataş, Aytekin et al., ed. Eyhok: Hakkâri Geleneksel Müziği. Musîka Gelêrî ya Hekariyê. Traditional Music from Hakkâri. Istanbul: Kalan Müzik, 2004.

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Bocheńska, Joanna and Farangis Ghaderi. “‘Gan qey bedenî yeno çi mana’ (What the Soul Means for the Body): Collecting and Archiving Kurdish Folklore as a Strategy for Language Revitalization and Indigenous Knowledge Production,” Folklore 134 (2023): 344–369.

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Bullock, Jon Edward. Radio Kurdistan: Iraqi Kurdish Music, Colonial Power, and the Transmission of Tradition (PhD thesis). University of Chicago, Chicago, 2022.

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Çaçan, Serhat Resul. The Dengbêjî Tradition among Kurdish Kurmanj Communities: Narrative and Performance during the late Nineteenth and Twentieth Centuries (Masters thesis). Boğaziçi University, Istanbul, 2013.

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Castelo-Branco, Salwa El-Shawan. “The Secretariat under Dieter Christensen: New York, USA, 1981–2001”. In Celebrating the International Council for Traditional Music: The First Seven Decades, ed. S. Pettan, D. Niles, and N. Ceribasic, 143–149. Ljubljana, Slovenia: University of Slovenia Press, 2022.

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Christensen, Dieter. Die Musik der Kate und Sialum. Beiträge zur Ethnographie Neuguineas (PhD thesis). Freie Universität Berlin, 1957.

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Christensen, Dieter. “Kurdische Brautlieder aus dem Vilayet Hakkâri, Südost-Türkei,” Journal of the International Folk Music Council 13 (1961): 70–72.

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Christensen, Dieter. “Tanzlieder der Hakkâri-Kurden,” Jahrbuch für musikalische Volks- und Völkerkunde 1 (1963): 11–47.

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Christensen, Dieter. Kurdish Folk Music from Western Iran (Vol. LP FE 3103). New York: Ethnic Folkways Library, 1965.

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Christensen, Dieter. “Volks- und Hochkunst in der Vokalmusik der Kurden,” in Volks- und Hochkunst in Dichtung und Musik. Tagungsbericht Colloquium Universität Saarbrücken, 128–131. Witterschlick bei Bonn, 1966.

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Christensen, Dieter. “Die Musik der Kurden,” Mitteilungen der Berliner Gesellschaft für Anthropologie, Ethnologie, und Urgeschichte 1 (1967): 113–119.

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Christensen, Dieter. “Zur Mehrstimmigkeit in kurdischen Wechselgesängen,” in Festschrift Walter Wiora, ed. L. Finscher & C.‑H. Mahling, 171–177. Kassel: Bärenreiter, 1967.

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Christensen, Dieter. “Ein Tanzlied der Hakkâri-Kurden und seine Varianten,” Baessler-Archiv 23 (1975): 195–215.

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Christensen, Dieter. “On Variability in Kurdish Dance Songs”. Asian Music 6 (1975): 1–6.

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Christensen, Dieter. “Kurden,” in Die Musik in Geschichte und Gegenwart (2nd ed.), Vol. 5, ed. L. Finscher, 626–635. Kassel: Bärenreiter, 1996.

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Christensen, Dieter. “Kurden,” in Musik in Geschichte und Gegenwart (2nd ed.), Vol. 5, ed. L. Finscher, 626–635. Kassel: Bärenreiter, 1997.

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Christensen, Dieter. “Erich M. von Hornbostel, Carl Stumpf and the Institutionalization of Comparative Musicology,” in The Berlin Phonogramm-Archiv 1900–2000, ed. Artur Simon, 141–150. Berlin: VWW, 2000.

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Christensen, Dieter. “Kurdish Music,” in The New Grove Dictionary of Music and Musicians (2nd ed.), Vol. 14, ed. S. Sadie, 36–41. London: Macmillan, 2001.

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Christensen, Dieter. “Kurdistan,” in Garland Encyclopedia of World Music (Vol. 6 Middle East), ed. V. Danielson & M. Reynolds, Dwight Scott, 742–752. Harvard: Routledge, 2001.

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Christensen, Dieter. “Musik und Gesellschaft in Zentralkurdistan um 1960,” Kurdische Studien 2 no. 2 (2002): 57–74.

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Christensen, Dieter. “Music in Kurdish Identity Formations,” in Congreès des musiques dans le monde de l’islam. Assilah, 8–13 Aout 2007.

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Christensen, Dieter. “What is Kurdish about Makam Kurdi?” in Proceedings of International Musicological Symposium “Space of Mugham”, 107–111. Baku: Şarq-Qarb, 2009.

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Christensen, Dieter. “Music and Migration: Kurds in Berlin.” Migrações Journal, Special Issue: Music and Migration (2010): 187–201. doi: http://www.oi.acidi.gov.pt/docs/Revista_7EN/Migracoes7_EN.pdf

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Christensen, Dieter., and S.E.‑S. Castelo-Branco. Traditional Arts in Southern Arabia. Music and Society in Sohar, Sultanate of Oman. Berlin: VWB-Verlag fur Wissenschaft und Bildung, 2009.

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Christensen, Nerthus, and Dieter Christensen. “Notizen zur kurdischen Töpferei,” Baessler-Archiv, N.F.7. (1959): 351–597.

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Christensen, Nerthus, and Dieter Christensen. “Die Töpferei von San Martín Totoltepec,” Zeitschrift für Ethnologie 91 no. 2 (1966): 248–286.

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Darati, Sayid Resul. A World through Words: Dengbêjî, Kilam and Collective Memory (PhD thesis). Georg-August-Universität Göttingen, Göttingen, 2023.

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During, Jean. Musique et mystique dans les traditions de l’Iran. Paris: Institut français de recherche en Iran; Diffusion, Editions Peeters, 1989.

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During, Jean. “The Sacred Music of the Ahl-i Haqq as a Means of Mystical Transmission,” in Manifestations of Sainthood in Islam, ed. G.M. Smith and C.W. Ernst, 27–41. Istanbul: Isis, 1993.

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Fox, Aaron “The Archive of the Archive. The Secret History of the Laura Boulton Collection,” in The Routledge Companion to Cultural Property, ed. J. Anderson and H. Gaismar, 194–211. New York: Routledge, 2017.

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Gerson-Kiwi, Edith. “The Music of Kurdistan Jews,” Yuval II (1971): 59–72.

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Gökçen, Amed. Kadim bir Nefes: Ezidi Ağıtları. Istanbul: Istanbul Bilgi Üniversitesi Yayınları, 2015.

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Greve, Martin. Die Musik der imaginären Türkei: Musik und Musikleben im Kontext der Migration aus der Türkei in Deutschland. Stuttgart: J.B. Metzler, 2022.

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Greve, Martin and Dieter Christensen. Dieter Christensen: Hakkâri/Colemêrg. Travels to the Eastern Taurus (1958, 1965). Bonn: Max Weber Stiftung, 2023.

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Hongur, Gönenç. Politics, Struggle, Violence, and the Transformation of Expressive Culture: An Ethnography of Kurds’ Musical Practices in Turkey (PhD thesis). Istanbul Teknik Üniversitesi, Istanbul, 2014.

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Hooshmanddrad, Partow. Performing the Belief: Sacred Music Practice of the Kurdish Ahl-e Haqq of Gûrân (PhD thesis). University of California, Berkeley, 2004.

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Hooshmanddrad, Partow. Ritual Music of Guran. Regional Music of Iran 41. Tehran: Mahoor Institute of Culture and Arts, 2013.

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Hornbostel, Erich Moritz von, Klaus Wachsmann, D. Christensen, and P. Reinecke. Opera omnia. The Hague: Martinus Nijhoff, 1975.

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Merati, Mohammad Ali. Les formes fondamentales de la musique kurde d’Iran et d’Irak: hore, siâw-çamane, danses, maqâm (PhD thesis). Université Paris Ouest, Paris, 2015.

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Merriam, Alan P. The Anthropology of Music. Evanston, IL: Northwestern University Press, 1964.

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Mokri, Mohammad. “La musique sacrée des Kurdes ‘Fideles de vértité’, en Iran,” in Encyclopédie des Musiques Sacrées, ed. J. Porte, 441–453. Paris: Labergerie, 1968.

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Mürer, George and Argun Çakır. “Introduction: New Contours in Kurdish Music Research,” The World of Music 11 no. 2 (2022): 5–24.

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Pınar, Mehmet. “Berlin Hür Üniversitesi Etnoloji Enstitüsü tarafından 1957 tarihinde Doğu Anadolu’da yapılan Tetkik Seyahatı hakkında Rapor,” in Türkiye’de Aşiret Tartışmaları, ed. Suat Parin, 296–306. Istanbul: Bağlam, 2017.

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Reigle, Robert. “A brief History of Kurdish Music Recordings in Turkey,” Hellenic Journal of Music, Education and Culture 4 (2013).

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Reinhard, Kurt. Chinesische Musik. Eisenach: E. Röth, 1956.

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Rudolph, Wolfgang. “Bericht über eine Exkursion des Institutes für Ethnologie der Freien Universität nach Ostanatolien,” Sociologus, N.F. (1959): 66–73.

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