Source critical analyses of the Pentateuch in recent scholarship have focused primarily on literary means for detecting distinct literary voices, and, in some recent publications, historical aspects of, particularly, the P source. In this article, I formulate a distinct approach to source criticism that supports this resurgence of documentary analysis, examining in particular the ritual of blood and oil daubing on bodies in Exod. 19–24, Lev. 8 and 14. After summarizing the main point at issue (namely, access to the divine), I offer a documentary approach using ritual theory in the study of these texts. Finally, I highlight the manner in which the ritual study of Exod.19–24, Lev. 8 and 14 is consistent with both key historical and recent arguments in the documentary approach to the composition of the Pentateuch.
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Source critical analyses of the Pentateuch in recent scholarship have focused primarily on literary means for detecting distinct literary voices, and, in some recent publications, historical aspects of, particularly, the P source. In this article, I formulate a distinct approach to source criticism that supports this resurgence of documentary analysis, examining in particular the ritual of blood and oil daubing on bodies in Exod. 19–24, Lev. 8 and 14. After summarizing the main point at issue (namely, access to the divine), I offer a documentary approach using ritual theory in the study of these texts. Finally, I highlight the manner in which the ritual study of Exod.19–24, Lev. 8 and 14 is consistent with both key historical and recent arguments in the documentary approach to the composition of the Pentateuch.
| All Time | Past 365 days | Past 30 Days | |
|---|---|---|---|
| Abstract Views | 619 | 72 | 4 |
| Full Text Views | 70 | 7 | 0 |
| PDF Views & Downloads | 195 | 15 | 0 |