Pseudos, Kalos and EikÅs Mythos in Plato and Film

Danielle A. Layne; Erik W. Schmidt

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ChapterÂ 2 Pseudos, Kalos and EikÅs Mythos in Plato and Film

äºPlato and the Moving Image

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Danielle A. Layne

Danielle A. Layne
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Erik W. Schmidt

Erik W. Schmidt
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Page Range:: 37â59

DOI:: https://doi.org/10.1163/9789004398290_004

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Abstract

Myths and films do more than serve as prompts for reflection and critical thinking. They also engage us in unique and visceral ways as audience members and philosophers. Understanding that experience is essential to defending their philosophical value. In this paper, we offer an account of that value by describing three ways Plato utilizes myths in his dialogues before showing how those three uses suggest an account of the way we experience film that is broadly Platonic in spirit. In Part 1 we focus on different ways Plato constructs and uses images and myths in his dialogues, distinguishing them into three rough categories of pseudos, kalos, and eikÅsmythos. We argue that each category directs our attention to certain general forms of life. In Part 2, we describe four kinds of existential experience we can have through our engagements with imagery in Plato and contemporary film: self-reflexive or intra-personal experience, relational or interpersonal experiences,phantasticor world-view experiences and finally, erotic experiences or experiences of a motivating desire toward a form of life. We provide multiple brief descriptions of films that offer viewers each of the three types of existential experience. We conclude that these experiences show how images and myth making in Plato and on the screen point to the philosophical value in our experience of them.

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Plato and the Moving Image

ä¸ç¼ï¼ Value Inquiry Book Series, å·ï¼ 332, Value Inquiry Book Series Online, å·ï¼ 332, and Philosophy of Film, å·ï¼ 332

ISBN:: 9789004398290

åºçç¤¾:: Brill

å°å·åºçæ¥æ:: 17 May 2019

Subjects
- Art History
  - General
- Philosophy
  - Aesthetics & Cultural Theory
  - Ancient Philosophy

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African Studies	Education	Media Studies
American Studies	History	Middle East and Islamic Studies
Ancient Near East and Egypt	Human Rights and Humanitarian Law	Musicology
Art History	International Law	Philosophy
Asian Studies	International Relations	Religious Studies
Biblical Studies	Jewish Studies	Slavic and Eurasian Studies
Biology	Languages and Linguistics	Social Sciences
Book History and Cartography	Life Sciences	Theology and World Christianity
Classical Studies	Literature and Cultural Studies

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ChapterÂ 2 Pseudos, Kalos and EikÅs Mythos in Plato and Film

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ChapterÂ 2 Pseudos, Kalos and EikÅs Mythos in Plato and Film

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