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Notes on the Editor

In: Self-Commentary in Early Modern European Literature, 1400–1700
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Notes on the Editor

Francesco Venturi is Associate Professor of Italian Literature at the University of Oslo and Honorary Fellow at Durham University (UK). He received his doctorate from the University of Siena in 2012 and was subsequently a postdoctoral researcher at the University of Pavia, working on two projects funded by the Italian Ministry of Education, University, and Research (Prin and Firb, 2012–2014). From 2014 to 2016 he was an International Postdoctoral Fellow (Marie Curie Co-fund) and part-time lecturer in the School of Modern Languages and Cultures at Durham. Since 2017 he has been a participant in the project “Petrarch Commentary and Exegesis in Renaissance Italy, c. 1350–c. 1650”, funded by the British Arts and Humanities Research Council, which brings together scholars from the Universities of Oxford, Leeds, and Manchester. His research has primarily focused on both Renaissance literature and twentieth-century Italian poetry and novels. His monograph on Andrea Zanzotto explored this contemporary poet’s archive and manuscripts (Genesi e storia della ‘trilogia’ di Andrea Zanzotto, 2016); he has also undertaken extensive research on Carlo Emilio Gadda, arguably Italy’s greatest modernist writer. Amongst his forthcoming publications is a critical and annotated edition of the Rime by sixteenth-century poet Annibal Caro.

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Self-Commentary in Early Modern European Literature, 1400–1700

Series:  Intersections, Volume: 62
Cover Self-Commentary in Early Modern European Literature, 1400–1700
E-Book ISBN:
9789004396593
Publisher:
Brill
Print Publication Date:
07 May 2019
  • Subjects
    • Classical Studies
      • Classical Tradition & Reception Studies
    • History
      • Early Modern History
    • Literature and Cultural Studies
      • Literature, Arts & Science
      • Comparative Studies & World Literature
      • Biography, Autobiography, Life-Writing
Front Matter
Copyright page
Acknowledgements
Illustrations
Notes on the Editor
Notes on the Contributors
Introduction
Chapter 1 Alberti’s Commentarium to His First Literary Work: Self-Commentary as Self-Presentation in the Philodoxeos
Chapter 2 Elucidation and Self-Explanation in Filelfo’s Marginalia
Chapter 3 Vernacular Self-Commentary during Medieval Early Modernity: Reginald Pecock and Gavin Douglas
Chapter 4 On the Threshold of Poems: a Paratextual Approach to the Narrative/Lyric Opposition in Italian Renaissance Poetry
Chapter 5 Self-Commentary on Language in Sixteenth-Century Italian Prefatory Letters
Chapter 6 ‘All Outward and on Show’: Montaigne’s External Glosses
Chapter 7 Companions in Folly: Genre and Poetic Practice in Five Elizabethan Anthologies
Chapter 8 The Journey of the Soul: The Prose Commentaries on His Own Poems by St John of the Cross
Chapter 9 Blood, Sweat, and Tears: Annotation and Self-Exegesis in La Ceppède
Chapter 10 Can a Poet be ‘Master of [his] owne Meaning’? George Chapman and the Paradoxes of Authorship
Chapter 11 Critical Failures: Corneille Observes His Spectators
Chapter 12 Self-Criticism, Self-Assessment, and Self-Affirmation: The Case of the (Young) Author in Early Modern Dutch Literature
Chapter 13 Reading the Margins: The Uses of Authorial Side Glosses in Anna Stanisławska’s Transaction (1685)
Chapter 14 Mockery and Erudition: Alessandro Tassoni’s Secchia rapita and Francesco Redi’s Bacco in Toscana
Afterword
Back Matter
Index Nominum

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