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Acknowledgements

于Self-Commentary in Early Modern European Literature, 1400–1700
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Acknowledgements

This volume had its origins in a conference with the same title held at Durham University in February 2016, under the aegis of the Institute of Medieval and Early Modern Studies. I would like to thank Carlo Caruso, my postdoctoral mentor at Durham, for his guidance and encouragement. I am also grateful to a number of colleagues in the School of Modern Languages and Cultures and the Department of English Studies for their valuable help and insights, in particular Kathryn Banks, Laura Campbell, Annalisa Cipollone, Jan Clarke, Daniel Derrin, Patrick Gray, Richard Maber, John O’Brien, Marc Schachter, Kimberley Skelton, Luke Sunderland, Dario Tessicini, and Thomas Wynn. Thoughtful comments were also provided by Mishtooni Bose, Gabriele Bucchi, Tom Deneire, Gloria Hernández, Michael Hetherington, Jane Newman, David Oxlade, Paul Smith, and Michael Wyatt. Special thanks should be extended to the anonymous readers for their accurate feedback, and to Stuart Oglethorpe for his careful reading. Over the last year I have greatly benefitted from conversations with Guyda Armstrong, Giacomo Comiati, Simon Gilson, and Federica Pich. The concluding stages of the editing process received the support of the Department of Literature, Area Studies and European Languages at the University of Oslo.

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Self-Commentary in Early Modern European Literature, 1400–1700

丛编: Intersections, 卷: 62
Cover Self-Commentary in Early Modern European Literature, 1400–1700
ISBN:
9789004396593
出版社:
Brill
印刷出版日期:
07 May 2019
  • Subjects
    • Classical Studies
      • Classical Tradition & Reception Studies
    • History
      • Early Modern History
    • Literature and Cultural Studies
      • Literature, Arts & Science
      • Comparative Studies & World Literature
      • Biography, Autobiography, Life-Writing
Front Matter
Copyright page
Acknowledgements
Illustrations
Notes on the Editor
Notes on the Contributors
Introduction
Chapter 1 Alberti’s Commentarium to His First Literary Work: Self-Commentary as Self-Presentation in the Philodoxeos
Chapter 2 Elucidation and Self-Explanation in Filelfo’s Marginalia
Chapter 3 Vernacular Self-Commentary during Medieval Early Modernity: Reginald Pecock and Gavin Douglas
Chapter 4 On the Threshold of Poems: a Paratextual Approach to the Narrative/Lyric Opposition in Italian Renaissance Poetry
Chapter 5 Self-Commentary on Language in Sixteenth-Century Italian Prefatory Letters
Chapter 6 ‘All Outward and on Show’: Montaigne’s External Glosses
Chapter 7 Companions in Folly: Genre and Poetic Practice in Five Elizabethan Anthologies
Chapter 8 The Journey of the Soul: The Prose Commentaries on His Own Poems by St John of the Cross
Chapter 9 Blood, Sweat, and Tears: Annotation and Self-Exegesis in La Ceppède
Chapter 10 Can a Poet be ‘Master of [his] owne Meaning’? George Chapman and the Paradoxes of Authorship
Chapter 11 Critical Failures: Corneille Observes His Spectators
Chapter 12 Self-Criticism, Self-Assessment, and Self-Affirmation: The Case of the (Young) Author in Early Modern Dutch Literature
Chapter 13 Reading the Margins: The Uses of Authorial Side Glosses in Anna Stanisławska’s Transaction (1685)
Chapter 14 Mockery and Erudition: Alessandro Tassoni’s Secchia rapita and Francesco Redi’s Bacco in Toscana
Afterword
Back Matter
Index Nominum

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