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In: Women Philosophers and Russia
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4.1 The only extant photograph of Olga Tankhilevich from her childhood 112

9.1 Musical intervals form a visual cross 245

9.2 The many steps in The White Explosion are visualized in Gubaidulina’s score 246

9.3 The tune for The Cat incorporates both the cross and the steps 252

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Women Philosophers and Russia

Series:  Contemporary Russian Philosophy, Volume: 9
Cover Women Philosophers and Russia
E-Book ISBN:
9789004760196
Publisher:
Brill
Print Publication Date:
13 Apr 2026
  • Subjects
    • Philosophy
      • 19th & 20th Century Philosophy
    • Slavic and Eurasian Studies
      • History
    • Social Sciences
      • Gender Studies
Front Matter
Preliminary Material
Copyright Page
Foreword
Acknowledgments
Figures
Notes on Contributors
Introduction: Women in (and out of) Philosophy
Part 1 Education for Women
Chapter 1 Man-God, Educational Reform, and the Soul of the Nation: the Theories of Zinaida Stolitsa and Vera Volkovich
Chapter 2 Ayn Rand as a Russian Philosopher
Part 2 Between Materialism and Idealism
Chapter 3 Liubov Isaakovna Akselrod: a Free-Thinking “Orthodox”
Chapter 4 Olga Tankhilevich: Woman, Political Activist, and Philosopher Caught in the Grinders of Repression
Chapter 5 Nelly Motroshilova, Piama Gaidenko, and Russia’s Philosophy of the Late Soviet and Early Post-Soviet Periods
Part 3 Political Philosophy
Chapter 6 Two Revolutions for the Price of One: Aleksandra Kollontai
Chapter 7 Anarchism through Biology: Marie Goldsmith’s Liberatory Science in Practice
Part 4 Philosophy of Art, Literature, and Music
Chapter 8 The Woman Motif in the Works of Myrrha Lot-Borodine
Chapter 9 Dialogue in Sofia Gubaidulina’s Film Music
Chapter 10 Lidiya Ginsburg: an Outside View from a Place Within
Chapter 11 Zinaida Mirkina: Translating from the Divine into the Human
Back Matter
Index

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