| 4.1 | The three construction types: Frame type, strengthened frame type and bowl type (in Christoffersson R., Med tre röster och tusende bilder. Om den samiska trumman (Uppsala: 2010) | 76 |
| 4.2 | Illustration types according to Manker. Upper line: à sele type, Sorsele type, Rana type (Sorsele and Rana types together form Umeå type), Piteå type. Lower line: Luleå type, Torneå type, Finnmark type, Kemi type (in Manker E., Die lappische Zaubertrommel 2 (Stockholm: 1950) | 77 |
| 4.3 | A map shoving the geographical distribution of both the illustration and construction types, in Pentikäinen J. â Pulkkinen R., Saamelaisten mytologia (Helsinki: 2018) 379 | 78 |
| 4.4 | A drum (Torne Sámi, segment type), a hammer and a pointer (sizes not comparable), in Pentikäinen J. â Pulkkinen R., Saamelaisten mytologia (Helsinki: 2018) 339 | 79 |
| 4.5 | The Bindalen drum, in Bjørklund I., Bindalstromma (Ottar 1997) 8 | 80 |
| 4.6 | A map of Norwegian reindeer herding districts. Bindal is number 89, on the border of southern Nordland | 81 |
| 4.7 | The sketch of the drum top drawn on the basis of the information given by Kristine Andersen Vesterfjell, in Vonheim H., âRunebommen fra Velfjordâ, Ottar (1997) 11 | 82 |
| 4.8 | A photograph of the drum in Västerbottens Museum, Umeå | 83 |
| 4.9 | Detail of the drum | 85 |
| 4.10 | Details of the drum | 87 |
| 5.1 | The central painted section of the rock art scene at Hossa-Värikallio, northern Karelia, Finland, above Lake Somerjärvi | 99 |
| 5.2 | The central painted section of the rock art scene at Hossa-Värikallio, close-up | 100 |
| 5.3 | Rock painting, Verlankoski near Kouvola, south-eastern Finland | 102 |
| 5.4 | The sleeping giant at Astuvansalmi on Lake Yövesi | 103 |
| 5.5 | Illustrations taken from Manker E., Die Lappische Zaubertrommel. vol. 1 | 107 |
| 5.6 | A cosmological landscape on Lake Kivijärvi near Lappeenranta, part natural and part man-made | 108 |
| 5.7 | The smaller of the two stone figures whose body and head are slightly elevated east towards the large stone face | 109 |
| 5.8 | The triangular shaped head of the larger stone figure is seen here just above the waterâs edge | 110 |
| A side view of both of the smaller stone figures. The head and facial features of the large natural sieidi in the rock formation seem more apparent from this angle, two eyes, a nose, mouth and ear are evident on the figures face | 111 | |
| 5.10 | Image from Manker, 1950 | 115 |
| 5.11 | Image from Manker, 1950, drum number 25 | 116 |
| 5.12 | Drum number 26 in Mankerâs 1950 inventory | 117 |
| 5.13 | Drum number 44 in Mankerâs 1950 inventory | 118 |
| 5.14 | Images from drum number 57 in Mankerâs 1950 inventory | 118 |
| 5.15 | Images from drum number 58 in Mankerâs 1950 invent | 119 |
| 5.16 | A horned figure holding a piece of antler or axe illustrated on the painted panel at Astuvansalmi | 122 |
| 6.1 | Alexander Lauréus: Lappalaisia nuotiolla [Sámi by a campfire], 1813, oil on canvas, 39,0 à 57,0 cm. Antell Collection, Finnish National Gallery, Ateneum Art Museum | 138 |
| 6.2 | Juho Kustaa Kyyhkynen: Pororaito [Reindeer Sled], 1902, oil on canvas, 65 Ã 172,5 cm, The collection of Rovaniemi City, Rovaniemi Art Museum, Finland | 143 |
| 6.3 | Juho Kustaa Kyyhkynen: Sámi Village, 1908. Copy of the painting in Valistus geographical teaching aids | 144 |
| 6.4 | Anton Lindforss: Kolttatyttö, Claudia Kopteff [Skolt Sámi girl, Claudia Kopteff] 1935, oil on canvas, 58 à 48 cm | 148 |
| 6.5 | Andreas Alariesto: Kolttalappalaisen asunto [Home of Skolt] no year, oil and mixed media on paper, 60 Ã 42 cm. The collection of Rovaniemi City, Rovaniemi Art Museum, Finland | 151 |
| 8.1 | Norwegian colourful posters dominate the noticeboard of the Sámi secondary school | 178 |
| 8.2 | An educational poster in Sámi language made by students at the school | 179 |
In: Practices and Mediations of Sámi Culture
Editor:
Jan Borm
Jan Borm
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