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Notes on Contributors

In: Aesop’s Heritage
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Notes on Contributors

Paola Cifarelli

is full professor of French at the University of Turin; she studies the diachrony of French in 15th- and 16th-century literary texts and is particularly interested in short narratives, French-Italian cultural relations and the transition of medieval texts from manuscript to print.

Paul Pelckmans

is Emeritus Professor of French and General Literature at Antwerp University. His publications on literary anthropology are essentially focused on French 17th- and 18th-century novels and correspondences. Recent books: Op wereldreis met Voltaire (2020) and Sterven in brieven (2022).

Stefan Schoettke

was an assistant at the University of Geneva, a lecturer at Yale and a FNRS fellow at Paris III. From 1998 to 2024, he was a lecturer at the Geneva School of Business Administration (University of Applied Sciences Western Switzerland). His research focuses on 17th-century French literature, in particular the works and the reception of La Fontaine, on the relationship between fables and emblems, and on the iconography of fables in the decorative arts of the first half of the 18th century.

Lisanne Wepler

is an art historian and graphic artist who owns her own company, drukdrukpaint. From 2022 till 2025 she worked as an art historical researcher and curator of 17th-century Dutch paintings (2023 ad interim) at the Rijksmuseum Amsterdam. She is author of Bilderzählungen in der Vogelmalerei des niederländischen Barocks (2014) and Tierfabeln von Äsop bis La Fontaine in Gemäldeserien seit 1600 (2021). She has expanded her interest to trees in art, for which she is developing a research project (artist book: Bomen – onze buren, 2025).

Céline Zaepffel

is a Lecturer in French Literature and Culture at Leiden University. She was Johan Huizinga Fellow at the Rijksmuseum in Amsterdam in 2022–2023. Her research focuses on the role of literature and visual culture in the transmission of knowledge and ideas, with a particular interest in children’s literature, popular culture, and the history of education. Her work also explores the uses of fiction in educational and ideological contexts. She is the author of Apprendre encore les Fables de La Fontaine. Itinéraire de la fable ésopique illustrée dans la pédagogie française (1500–2020) (2025) and The Goose and the Machine: Board Games in the Dutch Industrial Revolution (2026).

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Aesop’s Heritage

Word, Image, and Education in France, the Low Countries, and Beyond (1500–1800)

Series:  Intersections, Volume: 103
Cover Aesop’s Heritage
E-Book ISBN:
9789004752771
Publisher:
Brill
Print Publication Date:
22 Apr 2026
  • Subjects
    • Art History
      • Art History
    • Book History and Cartography
      • History of the Book
    • Classical Studies
      • Classical Tradition & Reception Studies
    • History
      • Art History
    • Literature and Cultural Studies
      • Literature, Arts & Science
Front Matter
Preliminary Material
Copyright Page
Acknowledgements
Figures and Tables
Notes on Editors
Notes on Contributors
Introduction
Part 1 16th-Century Bi-Mediality: Gilles Corrozet, Marcus Gheeraerts, and Others
Chapter 2 Between Text and Image: The 16th-Century Editions of an Eclectic Fable Collection – La vie et fables d’Esope Phrygien, 1547
Chapter 3 At the Origins of the Emblematic Fable: Gilles Corrozet and His Flemish Readers Eduard de Dene and Marcus Gheeraerts
Chapter 4 Drawings in Dresden: 111 Drawings Identified as the Work of Marcus Gheeraerts
Chapter 5 Marcus Gheeraerts, Fables and Tapestries: New Facts and Findings
Chapter 6 Revisiting Roelant Savery’s Aesop in the Light of Philostratus’ Imagines
Part 2 La Fontaine in Word and Image
Chapter 7 ‘Paraphras’d in verse, adorn’d with sculpture’: Revisiting John Ogilby and Jean de La Fontaine, with an Excursus on Philip Ayres
Chapter 8 J.-B. Oudry and the Fables of La Fontaine: From Book to Canvas (1747), and Back Again (1755–1759)
Chapter 9 La Fontaine in The Hague – A Painting Series as Room Decoration in the Johan de Witthuis
Part 3 Fables and Education
Chapter 10 La Fontaine’s Implied Reader: ‘I use animals to instruct’ … the Dauphin?
Chapter 11 Florian’s Useless Lessons
Chapter 12 From Selection to Transposition: Turning Jean de La Fontaine’s Fables into Children’s Books in the 18th and 19th Century
Back Matter
Index Nominum
Index of Fable Protagonists (Gods, Humans, Animals, Plants, Objects)

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