Scientism and Second-Empire Sculpture: Personifying and Contending with Blackness in Jean-Baptiste Carpeauxâs Fontaine des Quatre-Parties-du-Monde

Hoyon Mephokee

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Chapter 7 Scientism and Second-Empire Sculpture: Personifying and Contending with Blackness in Jean-Baptiste Carpeauxâs Fontaine des Quatre-Parties-du-Monde

äºControversial Monuments

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Hoyon Mephokee

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Page Range:: 225â244

DOI:: https://doi.org/10.1163/9789004748552-009

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Controversial Monuments

Personifying the Continents between the 18th and 21st Centuries

ä¸ç¼ï¼ Brillâs Studies on Art, Art History, and Intellectual History, å·ï¼ 84

ISBN:: 9789004748552

åºçç¤¾:: Brill

å°å·åºçæ¥æ:: 28 Apr 2026

Subjects
- Art History
  - Art History

Front Matter

Part 1 The Continents as Markers of Global Church and Empire

Part 2 An Era of Dramatic Change: Personifications of the Continents in the Age of Revolutions

Part 3 Imperialism, Sculpted Continents and Nineteenth Century World Fairs

Part 4 Continents and Race at the 1931 International Colonial Exhibition in Paris

Part 5 Continent Personification in Twentieth Century United States: Race, Racism and Controversy

Conclusion: Contemporary Artists Revisit the Personifications of Continents

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African Studies	Education	Media Studies
American Studies	History	Middle East and Islamic Studies
Ancient Near East and Egypt	Human Rights and Humanitarian Law	Musicology
Art History	International Law	Philosophy
Asian Studies	International Relations	Religious Studies
Biblical Studies	Jewish Studies	Slavic and Eurasian Studies
Biology	Languages and Linguistics	Social Sciences
Book History and Cartography	Life Sciences	Theology and World Christianity
Classical Studies	Literature and Cultural Studies

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Chapter 7 Scientism and Second-Empire Sculpture: Personifying and Contending with Blackness in Jean-Baptiste Carpeauxâs Fontaine des Quatre-Parties-du-Monde

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Controversial Monuments

Personifying the Continents between the 18th and 21st Centuries

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Chapter 7 Scientism and Second-Empire Sculpture: Personifying and Contending with Blackness in Jean-Baptiste Carpeauxâs Fontaine des Quatre-Parties-du-Monde

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