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Preliminary Material

In: Speculative Imagemaking in Late Medieval and Early Modern Art
DOI:
https://doi.org/10.1163/9789004742086-001
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Speculative Imagemaking in Late Medieval and Early Modern Art

Festschrift in Honor of Reindert L. Falkenburg

Series:  Brill’s Studies on Art, Art History, and Intellectual History, Volume: 87
Cover Speculative Imagemaking in Late Medieval and Early Modern Art
E-Book ISBN:
9789004742086
Publisher:
Brill
Print Publication Date:
29 Jun 2026
  • Subjects
    • Art History
      • Art History
      • Art Theory
    • History
      • Early Modern History
    • Religious Studies
      • Religion and the Arts
Front Matter
Preliminary Material
Frontispiece
Copyright Page
Acknowledgements
Illustrations
Notes on the Editors
Notes on the Contributors
Introduction
Exordium
Chapter 1 Paradoxes of Painting from Van Hoogstraten to Falkenburg: Or the Invisible World
Part 1 Interpreting Visual Complexity
Chapter 2 Petrarch Imagery in Early Sixteenth-Century Germany
Chapter 3 Scratch and Hatch: Albrecht Dürer’s Discursive Experiments in Etching
Chapter 4 Untangling Chaos: the Sculptor Jan Pietersz Beelthouwer on Creation ex nihilo
Chapter 5 Bruegel in Solaris in the Viewer
Part 2 Reforming the Soul
Chapter 6 Mystery, Echoes, and an Indeterminate Resurrection in Rogier van der Weyden’s Farewell at the Tomb
Chapter 7 Beweeglijkheid, Rhetorical and Devotional
Chapter 8 “Children Themselves Show It to Us”: Experimentation and Speculation in Pieter Bruegel’s Children’s Games
Chapter 9 Fair Dolls—Faith Idols. To Play or Not to Play with the Sacred Images
Chapter 10 From the Grotesque to Outsider Art: an Exploration of the Boundaries between Art History and Anthropology
Chapter 11 In liefde ghetrau: Karel van Mander on Spiritual Fidelity and the Love of Art
Part 3 Vision and Speculation
Chapter 12 Late Medieval Enclosed Gardens of the Low Countries: the Final States of the Arts
Chapter 13 The Comet as a Color Event: Dürer and Celestial Phenomena
Chapter 14 Bruegel on Seeing and Seizing the Moment: Bruegel’s London Adoration of the Magi (1564)
Chapter 15 A Nightly Vision by Bassano: Discursive Images and the “Dalpontiana Methodus”
Chapter 16 Envisioning Historical Distance in Cornelis van Dalem’s Landscape with the Dawn of Civilization
Chapter 17 Who is Matthew? a New Interpretation of Caravaggio’s Calling of St. Matthew in the Contarelli Chapel
Chapter 18 Saint Peter and the Angel In and Out of Prison
Part 4 Landscape
Chapter 19 Saint Christopher’s Quest
Chapter 20 God’s Face—Devil’s Mouth: Surface, Volume and Incorporation according to Pieter Bruegel
Chapter 21 Nature and the Painter’s Ethos in the Dutch Republic
Chapter 22 Haunted Landscapes: Joseph Werner’s Ghosts
Chapter 23 Drawing as Discourse: the Draftsman in the Landscape in Early Modern Art
Chapter 24 Worldscapes, or the Ecology of Representation
Back Matter
Index Nominum

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