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Preliminary Material

In: Patrons and Choir Stalls in the Middle Ages
DOI:
https://doi.org/10.1163/9789004730892_001
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Patrons and Choir Stalls in the Middle Ages

Series:  Visualising the Middle Ages, Volume: 16
Cover Patrons and Choir Stalls in the Middle Ages
E-Book ISBN:
9789004730892
Publisher:
Brill
Print Publication Date:
16 Jul 2025
  • Subjects
    • Art History
      • General
      • Art History
    • History
      • Medieval History
      • Art History
Front Matter
Preliminary Material
Frontispiece
Copyright Page
Dedication
Acknowledgements
Figures
Notes on Contributors
Introduction
1 Patrons and Their Projects: Connecting Choir Stalls
2 Corporate, Monastic, and Lay Patronage of Choir Spaces in San Pancrazio in Florence
3 “Novus Alexander Macedo, Vere Magnus, Vere Pius”: the Patronage of Alessandro Martinengo Colleoni in 16th-Century Bergamo
4 Patrons of the Choir Stalls in the Church of St. Francis in Cres
5 Bishop Juan Arias Dávila and King Henry IV in Segovia Cathedral: a Fake Stalls Patron?
6 In the Heart of the Church: the Choir(s) of the Cathedral of Cuenca in Context
7 L’identité du commanditaire des stalles de Levroux (France) : étude d’un indice gravé
8 George I d’Amboise as Patron of the Stalls in Gaillon Castle
9 Margaret of Austria as Regent and Patron: the Choir Stalls of Brou
10 Choir Stall Patrons in Northwestern Europe
11 Oxford Misericords and Their Patrons, Medieval and Modern: a Brief History
12 Moritz von Spiegelberg and His Patent of Nobility on the Choir Stalls in Emmerich
Back Matter
Glossary
Index of Names and Places

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