Bibliography
ʿAbd al-Muqtadir. 1927. Catalogue of the Arabic and Persian Manuscripts in the Oriental Public Library at Bankipore, vol. 11 (Calcutta: Bengal Secretariat Book Depot).
Adamova, Adel. 1992. âRepetition of Compositions in Manuscripts: The Khamsa of Nizami in Leningradâ, in Timurid Art and Culture, Iran and Central Asia in the Fifteenth Century, ed. Lisa Golombek and Maria Subtelny (Leiden: E.J. Brill), pp. 67â75.
Adhémar, J. 1967. âGentil et les images de lâIndeâ, Les Nouvelles de lâEstampe 5, pp. 171â176.
Afzal al-Din Khaqani Shirvani. SH 1338/1959. DivÄn-i KhÄqÄnÄ« ShÄ«rvÄnÄ«, ed. Ziyaʾ al-Din Sajjadi (Tehran: Zavvar).
Aitken, Molly Emma. 1997. âSpectatorship and Femininity in Kangra Style Paintingâ, in Representing the Body: Gender Issues in Indian Art, ed. Vidya Dehejia (New Delhi: Kali for Women), pp. 82â101.
Aitken, Molly Emma. 2004. âThe Heroineâs Bower: Framing the Stages of Loveâ, in A Celebration of Love: The Romantic Heroine in the Indian Arts, ed. Harsha V. Dehejia (New Delhi: Lustre Press; Roli Books), pp. 105â119.
Aitken, Molly Emma. 2009. âParataxis and the Practice of Reuse from Mughal margins to Mir Kalan Khanâ, Archives of Asian Art 59, pp. 81â103.
Aitken, Molly Emma. 2010. The Intelligence of Tradition in Rajput Court Painting (New Haven: Yale University Press).
Aitken, Molly Emma (ed.). 2016. A Magic World: New Visions of Indian Painting, Marg Publications, vol. 68/2 (Mumbai: The Marg Foundation).
Aitken, Molly Emma. 2018. âDark, Overwhelming yet Joyful: the Monsoon in Rajput Paintingâ, Monsoon Feelings: A History of the Emotions in the Rain, ed. Margrit Pernau, Imke Rajamani, and Katherine Schofield (New Delhi: Niyogi Books), pp. 137â184.
Aitken, Molly Emma. 2022. âEros in Mughal Painting: Revisiting Sakhisâ, in A Festschrift in Honor of Vidya Dehejia, ed. Annapurna Garimella (New Delhi: Women Unlimited), pp. 277â288.
Alam, Muzaffar and Seema Alavi (eds.). 2001. A European Experience of the Mughal Orient. The IÊ¿jaz-i Arsalani (Persian Letters, 1773â1779) of Antoine-Louis Henri Polier (New Delhi: Oxford University Press).
Alam, Muzaffar and Sanjay Subrahmanyam. 2010. âOf Princes and Poets in Eighteenth-Century Lucknowâ, in Markel and Gude (eds.), pp. 187â197.
Alam, Muzaffar and Sanjay Subrahmanyam. 2010. âWitnesses and Agents of Empire: Eighteenth-Century Historiography and the World of the Mughal MunshÄ«â, Journal of the Economic and Social History of the Orient 53/ 1â2, pp. 393â423.
Alavi, Seema. 2000. âPolier, Antoine Louis Henriâ, Oxford Dictionary of National Biography, https://doi.org/10.1093/ref:odnb/63533.
ʿAli b. Ibrahim Qummi. 1386 [1967]. Tafsīr al-Qummī, vol. 1, ed. Tayyib al-Musawi Jazaʾiri (Najaf: Maktabat al-Huda).
Ê¿Ali b. Abi Talib. 1424 [2003]. Diwan al-Imam Ê¿Ali ibn Abi Talib, ed. Ê¿Abd al-Rahman al-Mustfawi (Beirut: DÄr al-MaÊ¿rifah).
Amir Khusrau. 2011. In the Bazaar of Love: The Selected Poetry of Amir Khusrau, trans. Paul Losensky and Sunil Sharma (New Delhi and New York: Penguin Books).
Amir Khusraw Dihlavi. 1343 [1965]. DÄ«vÄn-i KÄmil-i AmÄ«r Khusraw DihlavÄ«, ed. M. Darvish and SaÊ¿id Nafisi (Tehran: IntishÄrÄt-i JÄvÄ«dÄn).
Amuli, Talib. 1346 SH (1967). KulliyÄt-i AshÊ¿Är-i Malik al-ShuÊ¿arÄʾ ṬÄlib ÄmulÄ«, ed. Tahiri Shihab (Tehran: KitÄbkhÄna-yi SanÄʾī).
Archer, Mildred. 1972. âTilly Kettle and the Court of Oudh (1772â1773)â, Apollo: The Magazine of the Arts 95/120, pp. 96â106.
Archer, Mildred; Christopher Rowell and Robert Skelton (eds.). 1987. Treasures from India: The Clive Collection at Powis Castle (London: The Herbert Press).
Archer, Mildred and Graham Parlett. 1992. Company Paintings: Indian Paintings of the British Period (London: Victoria and Albert Museum in association with Mapin Publishing Pvt. Ltd.).
Asif, Manan Ahmed. 2020. The Loss of Hindustan: The Invention of India (Cambridge, MA: Harvard University Press).
Athar Ali, M. 1997. The Mughal Nobility under Aurangzeb (New Delhi: Oxford University Press).
Bahadur, K.P. (tr.). 1972. The RasikapriyÄ of KeshavadÄsa (Delhi and Patna: Motilal Banarsidass).
Barker, Nicholas. 1977. Bibliotheca Lindesiana: The Lives and Collections of Alexander William 25th Earl of Crawford and 8th Earl of Balcarres and James Ludovic 26th Earl of Crawford and 9thEarl of Balcarres (London: B. Quaritch for the Roxburghe Club).
Barnett, Richard B. 1987. North India Between Empires: Awadh, the Mughals and the British 1720â1801 (New Delhi: Manohar).
Bautze, Joachim K. (ed.) 1998. Interaction of Cultures: Indian and Western Painting, 1780â1910: The Ehrenfeld Collection (Alexandria, Virginia: Art Services International).
Bayani, Mahdi. 1345 SH (1966). AḥvÄl va Äs̱Är-i KhushnivÄ«sÄn, vol. 1 (Tehran: IntishÄrÄt-i DÄnishgÄh-i TihrÄn).
Bayani, Mahdi. 1346 SH (1967). AḥvÄl va Äs̱Är-i KhushnavÄ«sÄn, vol. 2 (Tehran: IntishÄrÄt-i DÄnishgÄh-i TihrÄn).
Bayani, Mahdi. 1348 SH (1970). AḥvÄl va As̱Är-i KhvushnivÄ«sÄn, vol. 3â4 (Tehran: IntishÄrÄt-i DÄnishgÄh-i TihrÄn).
Baygdili, Azar. 1340 [1962]. Ätashkadah-i Äáºar, vol. 3, ed. Hasan Sadat Nasiri (Tehran: AmÄ«r KabÄ«r).
Bayly, C.A. 1983. Rulers, Townsmen and Bazaars: North Indian Society in the Age of British Expansion: 1770â1870 (Cambridge: Cambridge University Press).
Bayly, C.A. 1988. Indian Society and the Making of the British Empire (Cambridge: Cambridge University Press).
Bazmee Ansari, A.S. 1986. âÊ¿ImÄd al-Mulkâ, in Encyclopaedia of Islam, vol. 3, 2nd ed. (Leiden: Brill), pp. 1158â1159.
Beach, Milo Cleveland; Glenn D. Lowry and Stuart Cary Welch (eds.). 1978. The Grand Mogul: Imperial Painting in India, 1600â1660 (Williamstown, Mass.: Sterling and Francine Clark Art Institute).
Beach, Milo Cleveland. 1981. The Imperial Image: Paintings for the Mughal Court (Washington, D.C.: Freer Gallery of Art).
Beach, Milo Cleveland. 1992. Mughal and Rajput Painting, The New Cambridge History of India 1: 3 (Cambridge: Cambridge University Press).
Beach, Milo Cleveland. 1992. âPersian Culture and Mughal Indiaâ, Art of the Persian Courts: Selections from the Art and History Trust Collection, ed. Abolala Soudavar and Milo Beach (New York: Rizzoli).
Beach, Milo Cleveland and Ebba Koch. 1997. King of the World: The Padshahnama: An Imperial Mughal Manuscript from the Royal Library, Windsor Castle (London: Azimuth Editions).
Beach, Milo C.; Eberhard Fischer and B.N. Goswamy (eds.). 2011. Masters of Indian Painting, vol. 1: 1100â1650, Artibus Asiae Supplementum 48 I/II (Zurich: Artibus Asiae Publishers).
Beach, Milo C.; Eberhard Fischer and B.N. Goswamy (eds.). 2011. Masters of Indian Painting, vol. 2: 1650â1900, Artibus Asiae Supplementum 48 I/II (Zurich: Artibus Asiae Publishers).
Beach, Milo C. 2011. âMansurâ in Beach, Fischer, and Goswamy (eds.), vol. 1, pp. 243â258.
Beach, Milo C. (ed.). 2012. The Imperial Image: Paintings for the Mughal Court (Washington, DC and Ahmedabad: Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution and Mapin Publishing).
Beach, Milo C. 2016. âThe Gulshan Album: Reading the Marginal Figuresâ, Artibus Asiae 76/1, pp. 5â36.
Beach, Milo C. 2020. âThe Gulshan Album: Aspects of its Assemblyâ, Artibus Asiae 80/1, pp. 39â98.
Beelaert, Anna Livia. 2011. âḴÄqÄnÄ« Å ervÄnÄ«â, Encyclopedia Iranica, vol. 15, fasc. 5, pp. 522â523, https://www.iranicaonline.org/articles/kaqani-servani-poet.
Behl, Aditya and Wendy Doniger (ed.). 2012. The Magic Doe: Qutban Suhravardiâs Mirigavati (Oxford and New York: Oxford University Press).
Benson, Jake. 2020. âThe QitÊ¿at-i Khushkhatt Album: Authenticity and Provenanceâ, in Iran and the Deccan: Persianate Art, Culture, and Talent in Circulation, 1400â1700, ed. Keelan Overton (Bloomington, IN: Indiana University Press), pp. 337â365.
Benson, Jake. 2023. âThe Advent of AbrÄ«: The First Wave of Paper Marbling During the Long 16th Century (ca. 1496â1615CE)â (PhD diss. Leiden University).
Bergé, Pierre & Associés. 2011. Arts dâorientâextrême orientâminiaturesâobjets de vitrine, orfèvrerie, Jeudi 9 juin 2011 (Paris: Drouot Richelieu), https://www.pba-auctions.com/en/catalog/10104?search=&offset=360&max=20.
Bevilacqua, Daniela. 2017. âAre Women Entitled to Become Ascetics? An Historical and Ethnographic Glimpse on Female Asceticism in Hindu Religionsâ, Kervan: International Journal of Afro-Asiatic Studies 21, pp. 51â79.
Beveridge, Henry and Baini Prashad (eds.). 1911. The MaÄṯáºir-ul-umarÄ: Being Biographies of the Muhammadan and Hindu Officers of the Timurid Sovereigns of India from 1500 to about 1780A.D. / by NawwÄb á¹¢amá¹£Äm-ud-Daula ShÄh NawÄz ḴáºÄn and His Son Ê¿Abdul Ḥayy (Calcutta: Asiatic Society of Bengal).
Beveridge, Henry (ed.). 1978. The Tuzuk-i-Jahangiri; or, Memoirs of Jahangir, trans. Alexander Rogers (New Delhi: Munshiram Manoharlal, 3rd edition, 1978).
Beveridge, Henry and Parvin Loloi. 2004. âBland [formerly Crumpe], Nathaniel (1803â1865), Persian scholarâ, Oxford Dictionary of National Biography, https://doi.org/10.1093/ref:odnb/2613.
Binney, Edwin. 1973. Indian Miniature Painting from the Collection of Edwin Binney, 3rd, vol. 1. (Portland: Portland Art Museum).
Bibliothèque Nationale (ed.). 1986. A la Cour du Grand Moghol (Paris: Union).
Blair, Sheila S. 2003. âYÄqÅ«t and his Followersâ, Manuscripta Orientalia 9/3, pp. 39â47.
Blair, Sheila. 2008. Islamic Calligraphy (Edinburgh: Edinburgh University Press).
Blyberg, Janet C. 2015. âA Taste for Chintz: The Veldman-Eecen Collection at the Peabody Essex Museumâ, Textiles Asia 7/2, pp. 26â31.
Bockholt, Philip. 2021. Weltgeschichtsschreibung zwischen Schia und Sunna: ḪvÄndamÄ«rs ḤabÄ«b as-siyar im Handschriftenzeitalter, Iran Studies, vol. 20 (Leiden: Brill.)
Bose, Melia Belli. 2015. Royal Umbrellas of Stone: Memory, Politics, and Public Identity in Rajput Funerary Art (Leiden: Brill).
Bosworth, C.E. (ed. and tr.). 2011. The History of Beyhaqi (The History of Sultan MasÊ¿ud of Ghazna, 1030â1041), 3 vols. (Boston, MA and Washington, DC: Ilex Foundation and Center for Hellenic Studies Trustees for Harvard University).
Botchkareva, Anastassiia Alexandra. 2018. âTopographies of Taste: Aesthetic Practice in 18th-Century Persianate Albumsâ, Journal 18/6, https://www.journal18.org/issue6/topographies-of-taste-aesthetic-practice-in-18th-century-persianate-albums/
Botchkareva, Anastassiia. 2014. âRepresentational Realism in Cross-Cultural Perspective: Changing Visual Cultures in Mughal India and Safavid Iran 1580â1750â (PhD diss., Harvard University).
Brand, Michael and Glenn Lowry. 1986. Akbarâs India: Art from the Mughal City of Victory (New York: The Asia Society Galleries).
Brizon, Claire. 2023. Collections coloniales: à lâorigine des fonds anciens non-européens dans les musées suisses (Zurich and Geneva: Editions Seismo).
Brockelmann, Carl. 2017. â10. Pseudo-Ê¿Alid Literatureâ, in: Brockelmann in English: The History of the Arabic Written Tradition Online, trans. Jan J. Witkam, https://dx.doi.org.manchester.idm.oclc.org/10.1163/2542-8098_breo_COM_S112100.
Bryant, G.J. âSmith, Richard (bap. 1734, d. 1803), army officer in the East India Company and politicianâ, in Oxford Dictionary of National Biography, https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-63539.
Butler Schofield, Katherine. 2018. âMusic, Art and Power in Ê¿Adil Shahi Bijapur, c. 1570â1630â, in Singh (ed.), pp. 69â87.
Butler Schofield, Katherine. 2021. âEmotions in Indian Music History: Anxiety in late Mughal Hindustanâ, South Asian History and Culture 12/3, pp. 182â205, https://doi.org/10.1080/19472498.2021.1878792.
Calendar of Persian Correspondence: Being Letters, Referring Mainly to Affairs in Bengal, Which Passed between Some of the Companyâs Servants and Indian Rulers and Notables (Calcutta: Superintendent Government Printing, 1911).
Canby, Sheila R. 1996. The Rebellious Reformer: The Drawings and Paintings of Riza-yi Abbasi of Isfahan (London: Azimuth Editions).
Cannon, Garland. 1991. The Life and Mind of Oriental Jones: Sir William Jones, the Father of Modern Linguistics (Cambridge: Cambridge University Press).
Catalogue of the Magnificent Collection of Manuscripts from Hamilton Palace (Sotheby, London?), https://hdl.handle.net/2027/uc2.ark:/13960/t0vq3425w.
Carey, Moya. 2017. Persian Art: Collecting the Arts of Iran in the 19th Century (London: V&A Publishing).
Çetin, Nihat. 1998. âThe Era of al-Khatt al-Mansub â The Proportional Scriptâ, in Ihsanoǧlu and Derman (eds.), pp. 24â28.
Channon, G. 1970. The Letters of William Jones (Oxford: Clarendon Press).
Chatterjee, Kumkum. 1996. Merchants, Politics and Society in Early-Modern India. Bihar: 1733â1820, (Leiden, New York, Cologne: Brill).
Chatterjee, Kumkum. 1998. âHistory as Self-Representation: The Recasting of a Political Tradition in Late Eighteenth-Century Eastern Indiaâ, Modern Asian Studies 32/4, pp. 913â948.
Chatterjee, Partha. 2012. The Black Hole of Empire (Princeton: Princeton University Press).
Chida-Razvi, Mehreen. 2016. âA Sultan before the Padshah? Questioning the Identification of the Turbaned Figure in Jahangir Preferring a Sufi Shaykh to Kingsâ, Art Trade and Culture in the Islamic World and Beyond, ed. Alison Ohta, J.M. Rogers, and Rosalind Wade Haddon (London: Gingko Library), pp. 204â214.
Clementin-Ohja, Catherine. 1988. âOutside the Norms: Women Ascetics in Hindu Societyâ, Economic and Political Weekly 23/18, pp. WS34-WS36.
Colas, Gérard and Francis Richard. 1984. âLe Fonds Polier à la Bibliothèque Nationaleâ, Bulletin de lâÃcole française dâExtrême-Orient 73, pp. 99â123.
Cole, J.R.I. 1989. The Roots of North Indian Shīʿism in Iran and Iraq: Religion and State in Awadh, 1722â1859 (Berkeley, Los Angeles and Oxford: University of California Press).
Collaço, Gwendolyn. 2021. ââWorld-seizingâ Albums: Imported Paintings from Ê¿Acem and HindÅ«stÄn in an Eclectic Ottoman Marketâ, Ars Orientalis 51, pp. 133â187.
Crill, Rosemary and Ian Thomas. 2008. Chintz: Indian Textiles for the West, ed. Victoria and Albert Museum (London and New York: V&A Pub.).
Crill, Rosemary and Kapil Jariwala (eds.). 2010. The Indian Portrait, 1560â1860 (London: National Portrait Gallery).
Dadlani, Chanchal. 2015. âTransporting India: The Gentil Album and Mughal Manuscript Cultureâ, Art History 38, pp. 749â761.
Dadlani, Chanchal B. 2018. From Stone to Paper: Architecture as History in the Late Mughal Empire (New Haven: Yale University Press).
Dalrymple, William et al. 2020. Forgotten Masters. Indian Painting for the East India Company (London: Philip Wilson Publishers).
Das, Neeta and Rosie Llewellyn-Jones (eds.). 2013. Murshidabad: Forgotten Capital of Bengal, Marg Publications, vol. 65/2 (Mumbai: The Marg Foundation).
Dehejia, Vidya. 1990. âOn Modes of Visual Narration in Early Buddhist Artâ, The Art Bulletin 72/3, pp. 374â392.
Dehejia, Vidya. 2009. The Body Adorned: Dissolving Boundaries Between Sacred and Profane in Indiaâs Art (New York: Columbia University Press).
Deloche, Jean (ed.). 1971. Voyage en Inde du Comte de Modave, 1773â1776 (Nouveaux mémoires sur lâétat actuel du Bengale et de lâIndoustan) (Paris: Adrien-Maisonneuve).
Derman, UÄur M. 1994. âDerviá¹£ Ali, Büyükâ, in TDV İslâm Ansiklopedisi, vol. 9 (İstanbul: TDV İslâm AraÅtırmaları Merkezi), pp. 191â192.
Derman M.U. and N.M. Ãetin. 1998. The Art of Calligraphy in the Islamic Heritage, trans. Mohamed Zakariya (Istanbul: IRCICA).
Diamond, Debra. 2013. âOccult Science and Bijapurâs Yoginisâ, in Themes, Histories, Interpretations: Indian Painting, Essays in Honour of B.N. Goswamy, ed. Mahesh Sharma and Padma Kaimal (Ahmedabad: Mapin Publishing with Osianama.com), pp. 148â159.
Diba, Layla S. and Maryam Ekhtiar (eds.). 1998. Royal Persian Paintings: The Qajar Epoch 1785â1925 (New York: Brooklyn Museum of Art/I.B. Tauris).
Dihlavi, Ghulam Muhammad Haft Qalami. 1910. The Tadhkira-i KhushnavÄ«sÄn of MawlÄnÄ GhulÄm Muhammad DihlavÄ«, ed. M. Hidayet Husain, Bibliotheca Indica, no. 1233 (Calcutta: Asiatic Society of Bengal).
Divyabanusinh. 1999. âHunting in Mughal Paintingâ, in Flora and Fauna in Mughal Art, Marg Publications, vol. 50/3, ed. Som Prakash Verma (Mumbai: Marg), pp. 94â108.
Doniger OâFlaherty, Wendy. 1984. Dreams, Illusion and other Realities (Delhi: Motilal Banarsidass, 1984).
Doshi, Saryu. 1995. (ed.), The Royal Bequest: Art Treasures of the Baroda Museum and Picture Gallery (Bombay: India Book House).
Eaton, Natasha. 2013. Mimesis across Empires: Artworks and Networks in India, 1765â1860 (London: Routledge, Taylor & Francis Group).
Ebeling, Klaus. 1973. Ragamala Painting (Basil, Paris, New Delhi: Ravi Kumar).
Ehnbom, Daniel J. 1985. Indian Miniatures: The Ehrenfeld Collection (New York: Hudson Hills).
Enderlein, Volkmar. 1979. âZur Geschichte der indischen Sammelalben im Berliner Islamischen Museumâ, in Hickmann (ed.), pp. 5â9.
Ernst, Carl. 2008. âAccounts of Yogis in Arabic and Persian Historical and Travel Textsâ, Yohanon Friedmann Festschrift Volume: Jerusalem Studies in Arabic and Islam, 32, pp. 409â426.
Evans, R.H. 1831. Catalogue of the Library of the Late Sir William Jones Judge of the Supreme Court of Bengal and President of the Asiatic Society: With the Books Added Subsequently to His Death by His Widow Lady Jones ⦠(London: Mr. Evans).
Falk, Toby and Mildred Archer (eds.). 1981. Indian Miniatures in the India Office Library (London: Sotheby Parke Bernet).
Farebrother, Clark & Lye. 1853. Catalogue of the Valuable Contents of Daylesford House, Worcestershire, the Seat of the Late Right Hon. Warren Hastings (London: J. Davy and Sons).
Farnie, D.A. 2004. âRylands [née Tennant], Enriqueta Augustina (1843â1908)â, in Oxford Dictionary of National Biography, https://doi.org/10.1093/ref:odnb/48940.
Faught, C. Brad. 2013. Clive: Founder of British India (Washington, DC: Potomac Books).
Fazaʾili, Habibullah. 1352 SH (1974). Aá¹las-i Khaá¹á¹ (Tehran: IntishÄrÄt-i MashÊ¿al).
Fetvacı, Emine. 2019. The Album of the World Conqueror: Cross-Cultural Collecting and the Art of Album Making in Seventeenth-Century Istanbul (Princeton: Princeton University Press).
Franklin, Michael J. (ed.). 1995. Sir William Jones: Selected Poetical and Prose Works (Cardiff: University of Wales Press).
Fraser, Marcus. 1921. âMuhammad Riza-i Hindi. An Important Indo-Persian Artist of the Mid-Eighteenth Centuryâ, Journal of the David Collection 5, pp. 178â229.
Gacek, Adam. 2009. Arabic Manuscripts: A Vademecum for Readers (Leiden: Brill and Boston).
Gadebusch, Raffael. 2000. âCelestial Gardens: Mughal Miniatures from an Eighteenth-Century Albumâ, Orientations 31/9, pp. 69â74, https://www.britishmuseum.org/collection/object/W_1974-0617-0-5-2.
Gadon, Elinor. 1986. âDara Shikuhâs Mystical Vision of Hindu-Muslim Synthesisâ, in Facets of Indian Art, ed. Robert Skelton et al. (London: V&A Publishing), pp. 153â157.
Gahlin, Sven. 1991. The Courts of India: Indian Miniatures from the Collection of the Fondation Custodia, Paris (Paris: Waanders Publishers).
Galloway, Francesca (ed.). 2022. Court, Epic, Spirit: Indian Art 15th-19th Century (London: Francesca Galloway).
Gangoly, O.C. 1935 (reprint 2004). RÄgas and RÄginÄ«s: A Pictorial and Iconographic Study of Indian Musical Modes based on Original Sources, vol. 1: Text (New Delhi: Munshiram Manoharlal Publishers).
Gentil, [Jean-Baptiste-Joseph]. 1822. Mémoires sur lâindoustan ou Empire Mogol (Paris: Petit, Palais-Royal, Galeries de Bois, no. 257).
Ghelichkhani, Hamidreza. 1392 SH (2013). Muḥammad Ḥusayn Kashmīrī (Tehran: Paykara).
Ghelichkhani, Hamidreza. 1395 SH (2016/17). Ê¿AlÄ« RiÅ¼Ä Ê¿AbbÄsÄ« (Tehran: Paykara).
Ghulam Husain Khan Tabatabai. 1902. Sëir Mutaqherin: Or Review of Modern Times, vol. 2 (Calcutta and Madras: Cambray & Co).
Ghulam Husain Salim. 1902. The Riyaáºu-s-á¹ alÄtÄ«n: A History of Bengal (Calcutta: Baptist Mission Press).
Ghulam Husayn Khan and Haji Mustafa (tr.). 1789. A Translation of Sëir Mutaqherin Vol. III: Views of Modern Times being an History of India, from the Year 1118 to the Year 1195 of the Hidjrah (Calcutta: James White).
Ghulam Husayn Khan. 1833. Seear-ool Mutakh-reen: The Exploits of the Moderns, ed. Hukeem Abdool Mujeed (Calcutta: Medical Press).
GladiÃ, Almut von. 2010. Albumblätter: Miniaturen aus den Sammlungen Indo-Islamischer Herrscherhöfe (München: Edition Minerva).
Glynn, Catherine. 1974. âAn Early Mughal Landscape Painting and Related Worksâ, Los Angeles County Museum of Art Bulletin 20/2, pp. 64â72.
Godard, Yedda. 1937. âUn Album de Portraits des Princes Timurides de lâIndeâ, Athar-e Iran 2, pp. 179â277.
Goetz, Herrmann. 1952â1953. âThe Early Oudh School of Mughal Painting: Two Albums in the Baroda Museumâ, Bulletin of the Baroda Museum and Picture Gallery 9/1â2, pp. 9â24.
Gole, Susan. 1988. Maps of Mughal India: Drawn by Colonel Jean-Baptiste-Joseph Gentil, agent for the French Government to the Court of Shuja-ud-daula at Faizabad, in 1770 (London: Kegan Paul).
Gonnella, Julia; Friederike Weis and Christoph Rauch (eds.). 2016. The Diez Albums: Contexts and Contents (Leiden and Boston: Brill).
Gray, Basil C. 1949. The Art of India and Pakistan: a Commemorative Catalogue of the Exhibition Held at The Royal Academy of Arts London, 1947â1948 (New York: Coward-McCann Inc.).
Grivel, Marianne. 1986. Le commerce de lâestampe à Paris au XVIIe siècle (Geneva: Droz).
Grose, John Henry. 1766. Voyage to the East Indies (London: printed for the author).
Grube, Ernst; Eleanor Sims and John Carswell (eds.). 1981. Islamic Art 1 (New York: The Islamic Art Foundation).
Gruber, Christiane. 2014. âThe Rose of the Prophet: Floral Metaphors in Late Ottoman Devotional Artâ, in Envisioning Islamic Art and Architecture: Essays in Honor of Renata Holod, ed. David J. Roxburgh (Leiden: Brill), pp. 223â249.
Gude, Tushara Bindu. 2010. âHybrid Visions: The Cultural Landscape of Awadhâ, in Markel with Gude (eds.), pp. 69â101.
Gupta, Vivek. 2020. âWonder Reoriented: Manuscripts and Experience in Islamicate Societies of South Asia (ca. 1450â1600)â (PhD diss., School of Oriental and African Studies).
Guy, John and Deborah Swallow (eds.). 1990. Arts of India: 1550â1900 (London: Victoria and Albert Museum).
Guy, John. 1998. Woven Cargoes: Indian Textiles in the East (New York: Thames and Hudson).
Haase, Claus-Peter. 2004. âKalligraphische Meisterwerkeâ, in Kröger and Heiden (eds.), pp. 116â122.
Haase, Claus-Peter. 2009. âIskandar, Sohn des Darabâ, Antike Welt 40/5, pp. 22â28.
Habib. 1305 (1887/88). Khaá¹á¹ ve Khaá¹á¹Äá¹Än (Istanbul: Ebu l-Ziya).
Hagerman, Christopher A. 2009. âIn the Footsteps of the âMacedonian Conquerorâ: Alexander the Great and British Indiaâ, International Journal of the Classical Tradition 16/ 3â4, pp. 344â392.
Haidar, Navina Najat and Marika Sardar (eds.). 2015. Sultans of Deccan India, 1500â1700: Opulence and Fantasy (New York: Metropolitan Museum of Art).
Hannam, Emily. 2018. Eastern Encounters: Four Centuries of Paintings and Manuscripts from the Indian Subcontinent (London: Royal Collection Trust).
Harris, Lucian. 2001. âArchibald Swinton: A New Source for Albums of Indian Miniatures in William Beckfordâs Collectionâ, The Burlington Magazine 143/1179, pp. 360â366.
Harris, Lucian Guthrie. 2002. âBritish Collecting of Indian Art and Artefacts in the 18th and Early 19th Centuriesâ (PhD diss., Sussex University).
Harris, Lucian. 2003. âThe Exploration of Nawabi Culture by European Collectors in 18th-Century Lucknowâ, in Llewellyn-Jones (ed.), pp. 104â117.
Hartner, Willy and Richard Ettinghausen. 1964. âThe Conquering Lion, the Life Cycle of a Symbolâ, Oriens 17, pp. 161â171.
Harvey, Robert. 1998. CliveâThe Life and Death of a British Emperor (London: Hodder & Stoughton).
Hauptman, William. 1996. âBeckford, Brandoin, and the âRajahâ: Aspects of an Eighteenth-Century Collectionâ, Apollo 143/411, pp. 30â39.
Hickmann, Regina (ed.). 1979. Indische Albumblätter: Miniaturen und Kalligraphien aus der Zeit der Moghul-Kaiser (Leipzig and Weimar: Gustav Kiepenheuer Verlag).
Hilali Jughtaʾi. 1337 SH [1959]. DÄ«vÄn-i HilÄlÄ« JughtÄʾī: bÄ ShÄh va darvÄ«sh, va á¹¢ifÄt al-Ê¿ÄshiqÄ«n-i Å«, ed. SaÊ¿id Nafisi (Tehran: KitÄbkhÄna-yi SanÄʾī).
Hodgson, John. 2020. ââSpoils of Many a Distant Landâ: The Earls of Crawford and the Collecting of Oriental Manuscripts in the Nineteenth Centuryâ, Journal of Imperial and Commonwealth History 48/6, pp. 1011â1047, https://doi.org/10.1080/03086534.2020.1765532.
Hodivala, Shahpurshah Hormasji. 1923. Occasional Memoirs of the Numismatic Society of India. II: Historical Studies in Mughal Numismatics (Calcutta: Baptist Mission Press).
Hoey, William. 1889. Memoirs of Delhi and Faizabad: Being a Translation of the âTarikh-i-Farahbakhshâ of Muhammad Faiz Bakhsh Vol. 2 (Allahabad: The Government Press, North-Western Province and Oudh).
Hurel, Roselyne. 2010. Miniatures et peintures indiennes: Collection du département des Estampes et de la photographie de la Bibliothèque nationale de France, vol. 1 (Paris: Bibliothèque nationale de France).
Husayn WaÊ¿iz al-Kashifi and J.W.J. Ouseley (ed.). 1851. AnvÄr-i SuhelÄ« or Lights of Canopus, being the Persian version of the Fables of BÄ«dpai by Ḥusain Vaiz̤ KÄshifÄ« (Hertford: Stephen Austin).
Hutton, Deborah. 2006. Art of the Court of Bijapur (Bloomington and Indianapolis: Indiana University Press).
IhsanoÄlu, Ekmeleddin and UÄur Derman (eds.). 1998. The Art of Calligraphy in the Islamic Heritage (Istanbul: IRCICA).
Imbert, Isabelle. 2011. âLa Commande Européenne de Muraqqaâ Indiens: Les Collections Gentil, Johnson, Polier et Cliveâ, Carnet de lâEcole Doctorale Histoire de lâArt et Archéologie de lâUniversité Paris-Sorbonne, Art et politique, 1, https://124revue.hypotheses.org/2361.
Imbert, Isabelle. 2021. âPatronage and Productions of Paintings and Albums in 18th-Century Awadhâ, Journal of Islamic Manuscripts 12, pp. 174â201.
İpÅiroÄlu, Mazhar Å. 1964. Saray-Alben: Diezâsche Klebebände aus den Berliner Sammlungen, Verzeichnis der orientalischen Handschriften in Deutschland, vol. 8 (Wiesbaden: Franz Steiner Verlag).
Irwin, John and Katherine Brett. 1970. Origins of Chintz, (London and Toronto: Royal Ontario Museum).
Ivanov, A.; V.G. Lukonin and L. Smesova. 1984. Oriental Jewellery from the Collection of the Special Treasury, the State Hermitage Oriental Department (Moscow: Iskusstvo).
Jalal al-Din Rumi. 2020. The Masnavi of Rumi: A New Annotated Edition and Translation. Book 2, ed. Mohammad Esteʿlami, trans. Alan Williams (London England: I.B. Tauris).
James, David. 1987. âThe Millenial Album of Muhammad Quli Qutb-Shahâ, Islamic Art II, pp. 243â255.
James, David. 1992. âThe Problem of Yaqut al-Mustaʾsimiâ, in idem, The Master Scribes: Qurans of the 10th to 14th centuries A.D. (London: Nour Foundation).
Jasanoff, Maya. 2005. Edge of Empire: Conquest and Collecting on the Eastern Frontiers of the British Empire, 1750â1850 (London: Harper Perennial).
Joffe, Jennifer. 2017. âA Mandir for the Masses or Apparatus of Imperial Authority? The Amba Mata Temple in Udaipurâ, in Rethinking Place in South Asian and Islamic Art, 1500-Present, ed. Deborah S. Hutton and Rebecca M. Brown (London and New York: Routledge), pp. 38â59.
Jones, Owen. 1856. The Grammar of Ornament (London: Day and Son).
Jones, William. 1788. âOn the Literature of the Hindus, from the Sanscrit, communicated by Goverdhan Caul, with a short Commentaryâ, Asiatick Researches 1, no. XVIII, pp. 340â355.
Jones, William. 1792. âOn the Musical Modes of the Hindoos, Written in 1784, and Since Much Enlarged by the Presidentâ, Asiatick Researches 3, no. VI, pp. 55â87.
Kamal al-Din Ê¿Abd al-Razzaq Samarqandi. 1383 SH (2004/05). Maá¹laÊ¿-i saÊ¿adayn u majmaÊ¿-i baḥrayn, vol. 2, part 1, ed. Ê¿Abd al-Husayn Navaʾi (Tehran: PazhÅ«hashgÄh-i Ê¿UlÅ«m-i InsÄnÄ« va MutÄlaÊ¿Ät-i FarhangÄ«).
Keene, Henry (ed.). 1894. An Oriental Biographical Dictionary, Founded on Materials Collected by the Late Thomas William Beale (London: Allen & Co.).
Keene, Manuel and Salam Kaoukji. 2001. Treasury of the World: Jewelled Arts of India in the Age of the Mughals (London: Thames & Hudson).
Keskiner, Bora. 2021. YÄqÅ«t al-MustaʿṣimÄ« and the Practice of Naql in Islamic Calligraphy (London: Kent Antiques Cultural Publications).
Khatibi, Abdelkebir and Mohamed Sijelmassi. 1976. The Splendour of the Islamic Calligraphy (London: Thames and Hudson).
Khera, Dipti. 2013. âPicturing Indiaâs âLand of Kingsâ Between the Mughal and British Empires: Topographical Imaginings of Udaipur and its Environsâ (PhD diss., Columbia University).
Khobrekar, V.G. (ed.). 1972. English Translation of TÄrÄ«kh-i dilkushÄ: Memoires of Bhimsen Relating to Aurangzibâs Deccan Campaigns, trans. Sir Jadunath Sarkar (Bombay: Department of Archives, Maharashtra, 1972).
Kinra, Rajeev. 2015. Writing Self, Writing Empire: Chandar Bhan Brahman and the Cultural World of the Indo-Persian State Secretary (Berkley: University of California Press).
Koch, Ebba. 1988. Shah Jahan and Orpheus: The Pietre Dure Decoration and the Programme of the Throne in the Hall of Public Audiences at the Red Fort of Delhi (Graz: Akademische Druck-u. Verlagsanstalt).
Koch, Ebba. 1997. âThe Hierarchical Principles of Shah Jahani Paintingâ, in King of the World: The Padshahnama, ed. Milo Cleveland Beach and Ebba Koch (London: Azimuth Editions), pp. 130â143.
Koch, Ebba. 1998. Dara-Shikoh Shooting Nilgais: Hunt and Landscape in Mughal Painting, Occasional Papers, vol. 1 (Washington D.C.: Freer Gallery of Art an Arthur M. Sackler Gallery).
Koch, Ebba. 1999. âThe Just Hunter: Renaissance Calendar Illustrations and the Representation of the Mughal Huntâ, in Islam and the Italian Renaissance, ed. Charles Burnett and Anna Contadini (London: Warburg Institute), pp. 167â184.
Koch, Ebba. 2010. âThe Mughal Emperor as Solomon, Majnun and Orpheus or the Album as a Think Tank for Allegoryâ, Muqarnas 27, pp. 277â311.
Koch, Ebba and Ali Anooshar (eds.). 2019. The Mughal Empire from Jahangir to Shah Jahan: Art, Architecture, Politics, Law and Literature, Marg Publications, vol. 70/2â3 (Mumbai: The Marg Foundation).
Kostiukovitch, Elena (ed.). 1996. The St. Petersburg MuraqqaÊ¿: Album of Indian and Persian Miniatures from the 16th through the 18th Century and Specimens of Persian Calligraphy by Ê¿ImÄd al-ḤasanÄ« (Milan: Leonardo Arte).
Kröger, Jens and Desirée Heiden (eds.). 2004. Islamische Kunst in Berliner Sammlungen (Berlin: Parthas).
Kühnel, Ernst. 1922. âMihr Tschand, ein unbekannter Mogulmalerâ, in Berliner Museen 43/11â12, pp. 115â122.
Kühnel, Ernst. 1942. Islamische Schriftkunst (Berlin and Leipzig: Heintze & Blanckertz).
Kühnel, Ernst. 1943. âDas Qazwini-Fragment der Islamischen Abteilungâ, Jahrbuch der PreuÃischen Kunstsammlungen 64/3â4 (1943), pp. 59â72.
Kühnel, Ernst. 1957. âArbeiten des RizÄ Ê¿AbbÄsi und seiner Schuleâ, Forschungen und Berichte 1, pp. 122â131.
Lafont, Jean-Marie. 2001. Chitra: Cities and Monuments of Eighteenth-century India from French Archives (New Delhi: Oxford University Press).
Lafont, Jean-Marie. 2002. Indika: Essays in Indo-French Relations, 1630â1976 (New Delhi: Manohar and Centre des Sciences Humaines).
Langer, Axel. 2020. âAuf dem Weg zu einem transkulturellen Stil: Die Rezeption europäischer und indischer Bildquellen in der spätsafavidischen Buchmalerei in Persien von 1600 bis 1700â (PhD diss., University of Zurich).
Langer, Axel (ed.). 2022. In the Name of the Image: Figurative Representation in Islamic and Christian Culture (Berlin: Hatje Cantz, 2022).
Lawrence, Jonathan. 2021. âBuilding a Library: The Arabic and Persian Manuscript Collection of Sir William Jonesâ, Journal of the Royal Asiatic Society 31/1, pp. 1â70, https://doi.org/10.1017/S1356186320000607
Lawrence, Sir Henry Montgomery. 1859. Essays, Military and Political, Written in India, (London: Wm. H. Allen & Co.).
Leach, Linda York. 1995. Mughal and Other Indian Paintings from the Chester Beatty Library, 2 vols. (London: Scorpion Cavendish).
Leach, Linda York. 1998. Paintings from India: Nasser D. Khalili Collection of Islamic Art, vol. 8 (London: Nour Foundation).
Lemire, Beverly. 2003. âDomesticating the Exotic: Floral Culture and the East India Calico Trade with England, c. 1600â1800â, Textile 1/1, pp. 1â17.
Lemire, Beverly and Giorgio Riello. 2008. âEast & West: Textiles and Fashion in Early Modern Europeâ, Journal of Social History 41/4, pp. 887â916.
Lemire, Beverly. 2009. âRevising the Historical Narrative: India, Europe, and the Cotton Trade, c. 1300â1800â, in The Spinning World. A Global History of Cotton Textiles, 1200â1850, ed. Giorgio Riello and Prasannan Parthasarathi (Oxford: Oxford University Press), pp. 214â217.
Lentz, Thomas W. and Glenn D. Lowry. 1989. Timur and the Princely Vision: Persian Art and Culture in the Fifteenth Century (Los Angeles and Washington, DC: Los Angeles County Museum of Art / Smithsonian Institution Press).
Llewellyn-Jones, Rosie. 1992. A Very Ingenious Man: Claude Martin in Early Colonial India (New Delhi: Oxford University Press).
Llewellyn-Jones, Rosie (ed.), 2003. Lucknow Then and Now, Marg Publications, vol. 55/1 (Mumbai: Marg).
Llewellyn-Jones, Rosie. 2020. âPainting in Lucknow 1775â1800â, in Dalrymple et al. (eds.), pp. 26â33.
Losensky, Paul E. 1998. Welcoming FighÄnÄ«: imitation and poetic individuality in the Safavid-Mughal ghazal (Costa Mesa, CA: Mazda Publishers).
Losty, Jeremiah P. 1982. The Art of the Book in India (London: British Library).
Losty, J.P. 2002. âTowards a New Naturalism: Portraiture in Murshidabad and Awadh, 1750â1780,â in Barbara Schmitz (ed.), pp. 35â55.
Losty, J.P. 2003. âPainting at Lucknow 1775â1850â, in Llewellyn-Jones (ed.), pp. 118â133.
Losty, J.P. and Malini Roy. 2012. Mughal India: Art, Culture and Empire: Manuscripts and Paintings in the British Library (London: The British Library).
Losty, J.P. 2013. A Princeâs Eye: Imperial Mughal Painting from a Princely Collection (London: Francesca Galloway).
Losty, J.P. 2013. âMurshidabad Painting 1750â1820â, in Das and Llewellyn-Jones (eds.), pp. 82â105.
Losty, J.P. and Malini Roy. 2013. The Mughals: Life, Art, and Culture: Mughal Manuscripts and Paintings in the British Library (New Delhi: Lustre Press).
Losty, J.P. 2017. âEighteenth-century Mughal paintings from the Swinton collectionâ, The Burlington Magazine 159/1375, pp. 789â799.
Losty, J.P. 2019. âDating the Dara Shikoh Albumâ, in Koch and Anooshahr (eds.), pp. 247â287.
Losty, J.P. 2022. âThe Late Mughal Artist Hunhar IIâ, Artibus Asiae 82/2, pp. 179â207.
Makariou, Sophie (ed.). 2012. Les Arts de lâIslam au Musée du Louvre (Paris: Musée du Louvre and Hazan).
Makariou, Sophie. 2013. Un album impérial de peintures mogholes (Paris: Somogy Ãditions dâArt).
Mallinson, James. c. 2014. âYogic Identities: Tradition and Transformationâ, Online publication under the auspices of the Freer Gallery of Art, https://asia-archive.si.edu/essays/yogic-identities/.
Margoliouth, D.S. 1904. Catalogue of the Oriental Manuscripts in the Library of Eton College (Oxford: Horace Hart).
Markel, Stephen with Tushara Bindu Gude (eds.). 2010. Indiaâs Fabled City: The Art of Courtly Lucknow (Los Angeles: DelMonico Books).
Marshall, Peter James (ed.). 1970. The British Discovery of Hinduism in the Eighteenth Century (Cambridge: Cambridge University Press).
McInerney, Terence. 2002. âMughal Painting during the Reign of Muhammad Shahâ, in Schmitz (ed.), pp. 13â33.
McInerney, Terence. 2011. âMir Kalan Khanâ, in Beach, Fischer, and Goswamy (eds.), vol. 2, pp. 607â622.
McInerney, Terence. 2019. âThe Patronage of Shuja-ud-Daula of Awadh and the Work and Influence of His Principal Court Artistsâ, Artibus Asiae 79/1, pp. 51â99.
Melikian-Chirvani, A.S. 1999. âSaʿīdÄ-ye GÄ«lÄnÄ« and the Iranian Style Jades of Hindustanâ, Bulletin of the Asia Institute 13, pp. 83â140.
Melville, Firuza. 2021. âHilali and Mir Ê¿Ali: Sunnis among the ShiÊ¿is, or ShiÊ¿is among the Sunnis between the Shaybanids, Safavids and the Mughalsâ, Iran: Journal of the British Institute of Persian Studies 59/2, pp. 245â262.
Minissale, Gregory. 2006. Images of Thought: Visuality in Islamic India, 1550â1759 (Newcastle: Cambridge Scholars).
Minorsky, Vladimir. 1945. âKhÄqÄnÄ« and Andronicos Comnenosâ, Bulletin of the School of Oriental and African Studies 11, pp. 550â578.
Minorsky, Vladimir. 1958. The Chester Beatty Library: A Catalogue of the Turkish Manuscripts and Miniatures (Dublin: Hodges Figgis).
Mir Taqi al-Din Kashani. 1393 SH [2014]. KhulÄá¹£at al-ashÊ¿Är wa-zubdat al-afkÄr: Bakhsh-i KhurÄsÄn, vol. 6.8, ed. Ê¿Abd al-Ê¿Ali Khan Burumand and Muhammad Husayn Nasiri Kahnamuyi (Tehran: MÄ«rÄs̱-i MaktÅ«b).
Morren, Pierre. 1970. La vie lausannoise au XVIIIe siècle: Dâaprès Jean Henri Polier de Vernand, Lieutenant Baillival (Geneva: Labor et Fides).
Moura Carvalho, Pedro. 2012. MirʾÄt al-quds (Mirror of Holiness): a Life of Christ for Emperor Akbar, A Commentary on Father Jerome Xavierâs Text and the Miniatures of Cleveland Museum of Art (Leiden: Brill).
Muhammad ShafiÊ¿ Tihrani. 1383 SH (2004/05). MirʾÄt-i wÄridÄt, ed. Mansur Sifat Gul (Tehran: MÄ«rÄs-i MaktÅ«b).
MuÊ¿in al-Din Muhammad Zamchi Isfizari. 1339 SH (1960/61). Rawá¸at al-jannÄt fÄ« awá¹£Äf madÄ«nat HarÄt, vol. 2, ed. Sayyid Muhammad Kazim Imam (Tehran: IntishÄrÄt-i DÄnishgÄh-i Tihran).
Mumtaz, Murad Khan. 2020. âContemplating the Face of the Master: Portraits of Sufi Saints as Aids to Meditation in Seventeenth-Century Mughal Indiaâ, Art Orientalis 50, pp. 106â128.
Natif, Mika. 2018. Mughal Occidentalism: Artistic Encounters between Europe and Asia at the Courts of India, 1580â1630, Studies in Persian Cultural History, vol. 15 (Leiden: Brill).
Nawwab Samsam-ud-Daula Shah Nawaz Khan and Ê¿Abdul Hayy. 1952. The MaÄthir-ul-UmarÄ, vol. 2, trans. H. Beveridge, ed. Baini Prashad (Calcutta: The Asiatic Society).
Nünlist, Tobias. 2018. âDevotion and Protection: Four Amuletic Scrolls from Safavid Persiaâ, in Image-Making in Eurasia, ed. Yuka Kadoi (Edinburgh: Edinburgh University Press).
Nünlist, Tobias. 2020. Schutz und Andacht im Islam: Dokumente in Rollenform aus dem 14.â19. Jh. (Leiden: Brill).
Okada, Amina. 1988. Versprochene Unsterblichkeit. Bildnisse vom Hof der Moghul-Kaiser des 17. Jahrhunderts aus dem Musée Guimet in Paris (Zurich: Museum Rietberg).
Olearius, Adam. 1647. Offt begehrte Beschreibung der Newen Orientalischen Reise (SchleÃwig: Zur Glocken).
Overton, Keelan. 2012. ââMaid Killing a Snakeâ and âDervish Receiving a Visitorâ: A Re-examination of Bijapuri Masterpieces through the Lens of the Lucknow Copyâ, in Patel and Leonard (eds.), pp. 37â60.
Pal, Pratapaditya (ed.). 1972. Aspects of Indian Art (Leiden: Brill).
Pal, Pratapaditya. 1983. Court Painting of India: 16thâ19th centuries (New York: Navin Kumar).
Pal, Pratapaditya (ed.). 1991. Master Artists of the Imperial Mughal Court, (Bombay: Marg Publications).
Palmer, E.H. 1886. Oriental Penmanship: Specimens of Persian Handwriting, Illustrated with Facsimiles from Originals in the South Kensington Museum (London: W.H. Allen & Company).
Pandey, Anshuman. 2005. âProposal to Encode the Kaithi Scriptâ, Plane 1 of ISO/IEC 10646, October 25, 2005, https://www.unicode.org/L2/L2005/05343-kaithi.pdf.
Parodi, Laura et al. 2010. âTracing the History of a Mughal Album Page in the Los Angeles County Museum of Artâ, Asianart.com (https://www.asianart.com/articles/mughal/index.html).
Parodi, Laura. 2021. âThe Making, Unmaking, and Making Sense of an Illustration from an Imperial Mughal Akbarnamaââ in The Making of Islamic Art: Studies in Honour of Sheila Blair and Jonathan Bloom, ed. Robert Hillenbrand (Edinburgh: Edinburgh University Press), pp. 242â259.
Parodi, Laura E. 2021. âMughal Religious Architectureâ, in The Religious Architecture of Islam, vol. 1: Asia and Australia, ed. Hasan-Uddin Khan and Kathryn Blair Moore (Turnhout: Brepols), pp. 372â391.
Parodi, Laura E. and Bruce Wannell. 2023. âThe Earliest Datable Mughal Painting An Allegory of the Celebrations for Akbarâs Circumcision at the Sacred Spring of Khwaja Seh Yaran near Kabul (1546AD)â, Asianart.com (https://www.asianart.com/articles/parodi/index.html#44).
Patel, Alka and Karen Leonard (eds.). 2012. Indo-Muslim Cultures in Transition (Leiden: Brill).
Phillip, Filiz Ãakır (ed.). 2017. Arts of the East: Highlights of Islamic Art from the Bruschettini Collection (Toronto: Aga Khan Museum).
Polier, Antoine. 1788. âInscriptions on the staff of Firuz Shah translated from the Sanscrit, as explained by Radhacanta Sarman by the Presidentâ, Asiatick Researches 1, no. XXI, pp. 379â382.
Polier, Antoine. 1788. âThe Process of Making Attar, or Essential Oil of Rosesâ, Asiatick Researches 1, no. XVII, pp. 332â335.
Polier, Antoine Louis Polier and Marie-Elisabeth de Polier. 1809. Mythologie des Indous: travaillée par Mdme la Chnsse de Polier sur des Manuscrits authentiques apportés de lâInde par feu Mr. le Colonel de Polier, 2 vols (Paris: F. Schoell).
Polier, Antoine Louis Henri. 1947. Shah Alam II and his Court: A Narrative of the Transactions at the Court of Delhy from the Year 1771 to the Present Time (Calcutta: S.C. Sarkar and Sons Ltd).
Porter, Venetia. 2011. Arabic and Persian Seals and Amulets in the British Museum, (London: The British Museum).
Pozzi, Jean. Miniatures Indiennes au Temps des Grands Moghuls (Paris: Les Ãditions Du Chêne).
Qadi Ahmad Qummi. 1959. Calligraphers and Painters: A Treatise by QÄá¸Ä« Aḥmad, Son of MÄ«r-MunshÄ« (circa A.H.1015/ A.D.1606), trans. V. Minorsky (Washington DC: Freer Gallery of Art Occasional Papers).
Qureshi de Unger, Adeela. 2022. The Hunt as Metaphor in Mughal Painting, Artibus Asiae Suppl. 56 (Zurich: Artibus Asiae Publishers).
Rahman, Munibur. 2000. âTaḥsÄ«nâ, Encyclopaedia of Islam, Second Edition, Volume 10 (Leiden: Brill).
Rahman, Pares Islam Syed Mustafizur. 1979. Islamic Calligraphy in Medieval India (Dacca: University Press).
Rajabi, Mohammad Ê¿Ali (ed.). 2005. Iranian Masterpieces of Persian Painting / ShÄhkÄrhÄ-yi nigÄrgarÄ«-yi ĪrÄn (Tehran: Museum of Contemporary Art).
Rauch, Christoph. 2022. ââIm Wettkampfe mit den Bibliotheken anderer Nationenâ: Der Erwerb arabischer Handschriftensammlungen an der Königlichen Bibliothek zu Berlin zwischen 1850 und 1900â, in SammlerâBibliothekareâForscher: Zur Geschichte der orientalischen Sammlungen an der Staatsbibliothek zu Berlin, ed. Sabine Mangold-Will, Christoph Rauch, and Siegfried Schmitt (Frankfurt am Main: Vittorio Klostermann), pp. 87â150.
Ray, Simon. 2000. Gopis, Goddesses and Demons: Indian and Islamic Works of Art (London: Spink and Sons).
Rezakhani, Khodadad. 2017. ReOrienting the Sasanians: East Iran in Late Antiquity (Edinburgh: Edinburgh University Press).
Rice, Yael. 2016. âCosmic Sympathies and Painting at Akbarâs Courtâ, in Aitken (ed.), pp. 88â99.
Rice, Yael. 2022. âPainters, Albums, and Pandits: Agents of Image Reproduction in Early Modern South Asiaâ, Ars Orientalis 51, pp. 27â64.
Rice, Yael. 2023. The Brush of Insight: Artists and Agency at the Mughal Court (Seattle: University of Washington Press).
Richard, Francis. 1996. âJean-Baptiste Gentil, collectionneur de manuscrits persansâ, Dix-huitième siècle 28, pp. 91â110.
Richards, John F. 1998. âThe Formulation of Imperial Authority Under Akbar and Jahangirâ, in The Mughal State 1526â1750, ed. Muzaffar Alam and Sanjay Subrahmanyam (Delhi: Oxford University Press), pp. 126â167.
Rieu, Charles. 1881. Catalogue of the Persian Manuscripts in the British Museum, vol. 2 (London: British Museum).
Rieu, Charles. 1883. Catalogue of the Persian Manuscripts in the British Museum, vol. 3 (London: British Museum).
Rizvi, Kishwar. 2017. âBetween the Human and the Divine: The MajÄlis al-ushshÄq and the Materiality of Love in Early Safavid Artâ, in Ut pictura amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500â1700, ed. Walter S. Melion, Joanna Woodall, and Michael Zell (Leiden: Brill, 2017), pp. 230â263.
Roberts, M.; D. Etherington and M.R. Brown. 1982. Bookbinding and the Conservation of Books: A Dictionary of Descriptive Terminology (Washington: Library of Congress).
Robinson, B.W. 2002. The Persian Book of Kings: An Epitome of the Shahnama of Firdawsi (London: Routledge Curzon).
Rowell, Christopher. 1987. âClive of India and His Family: The Formation of the Collectionâ, in Archer, Rowell, and Skelton (eds.) 1987, pp. 17â30.
Roxburgh, David. 2003. âOn the Transmission and Reconstruction of Arabic Calligraphy: Ibn Bawwab and Historyâ, Studia Islamica 96, pp. 39â53.
Roxburgh, David J. 2005. The Persian Album, 1400â1600: From Dispersal to Collection (New Haven and London: Yale University Press).
Roy, Malini. 2009. âIdiosyncrasies in the Late Mughal Painting Tradition: The Artist Mihr Chand son of Ganga Ram (fl. 1759â1786)â (PhD diss., School of Oriental and African Studies).
Roy, Malini. 2010. âOrigins of the Late Mughal Painting Tradition in Awadhâ, in Markel with Gude (eds.), pp. 165â185.
Roy, Malini. 2010. âSome Unexpected Sources for Paintings by the Artist Mihr Chand (fl. c. 1759â1786), Son of Ganga Ram,â South Asian Studies 26/1, pp. 21â29.
Saʿdi, Shaykh Mushrifuddin (2008). The Gulistan (Rose Garden) of Saʿdi, translation by W.M. Thackston (Bethesda: Ibex Publishers).
SaÊ¿di Shirazi. 1858. Le Boustân de SaʾdÄ©: Texte persan avec un commentaire persan publié sous les auspices de la société orientale dâAllemagne, ed. C.H. Graf (Vienna: Imprimerie impériale de la cour et de lâétat).
Safadi, Yasin. 1987. Islamic Calligraphy (London: Thames and Hudson).
Sarangi, Dhir. 2016. âPeintures indiennes et transferts culturelsâ, Synergies Inde 7, pp. 57â68.
Sayyid Sajjad. 1939. âAn Early Prose-Writer of Modern Urduâ, Islamic Culture 13/1, pp. 60â75.
Schimmel, Annemarie. 1987. âThe Calligraphy and Poetry of the Kevorkian Albumâ, in Welch et al. (eds.) 1987, pp. 31â44.
Schimmel, Annemarie. 1997. My Soul is a Woman: The Feminine in Islam, trans. Susan H. Ray (New York: Continuum).
Schmitz, Barbara (ed.). 2002. After the Great Mughals: Painting in Delhi and the Regional Courts in the 18th and 19th Centuries, Marg Publications, vol. 53/4 (Mumbai: Marg).
Schmitz, Barbara and Ziyaud-Din A. Desai. 2006. Mughal and Persian Paintings and Illustrated Manuscripts in The Raza Library, Rampur (New Delhi and Rampur: Indira Gandhi National Centre for the Arts and Rampur Raza Library).
Sen, S.P. 1958. The French in India 1763â1816 (Calcutta: Firma K.L. Mukhopadhyay).
Seyller, John. 1991. âHashimâ, in Pal (ed.), pp. 105â118.
Seyller, John. 2010. Mughal and Deccani Paintings: Eva and Konrad Seitz Collection of Indian Miniatures (Zurich: Museum Rietberg).
Seyller, John. 2011. âBalchandâ, in Beach, Fischer, and Goswamy (eds.), vol. 1, pp. 337â356.
Seyller, John. 2011. âManoharâ, in Beach, Fischer, and Goswamy (eds.), vol. 1, pp. 135â152.
Seyller, John. 2011. âPayagâ, in Beach, Fischer, and Goswamy (eds.), vol. 1, pp. 321â336.
Seyller, John. 2013. âFive Folios from the Jahangir Albumâ, in God is Beautiful and Loves Beauty: The Object in Islamic Art and Culture, ed. Sheila Blair and Jonathan Bloom (New Haven and London: Yale University Press).
Seyller, John. forthcoming. âTwo Rediscovered 17th-century Mughal Masters: Ilyas Bahadur and Hardasâ, Journal of the David Collection.
Seyller, John and Jagdish Mittal. 2018. Deccani Paintings, Drawings, and Manuscripts in the Jagdish and Kamla Mittal Museum of Indian Art (Mumbai: D.K. Print World).
Shaffer, Holly. 2018. âTake All of Them: Eclecticism and the Arts of the Pune Court in India, 1760â1800â, The Art Bulletin 100/2, pp. 61â93.
Sharaf al-Din Busiri. 1893. Qaṣīdat Al-Burdah = the Poem of the Scarf, ed. and trans. Abdul Ali Faizullabhai Moochala (Bombay: Education Societyâs Steam Press).
Sharar, Abdul Halim. 1975. Lucknow: The Last Phase of an Oriental Culture, ed. and trans. E.S. Harcourt and Fakhir Hussain (London: Elek).
Sharma, Sunil. 2011. ââIf There is a Paradise on Earth, It is Hereâ: Urban Ethnography in Indo-Persian Poetic and Historical Textsâ, in Forms of Knowledge in Early Modern Asia: Explorations in the Intellectual History of India and Tibet, 1500â1800, ed. Sheldon Pollock (Durham and London: Duke University Press), pp. 240â256.
Sharma, Sunil. 2021. âThe Indian Woman in a Persian Worldâ, in Reflections on Mughal Art and Culture, ed. Roda Ahluwalia (The K.R. Cama Oriental Institute and Niyogi Books: New Delhi), pp. 317â321.
Sharma, Virendra Nath. 1993. âPratibimbha SiddhÄnta of Jai Singhâs Libraryâ, Indian Journal of History of Science, 28/1, pp. 51â53.
Sharma, Yuthika. 2012. âFrom Miniatures to Monuments: Picturing Shah Alamâs Delhiâ, in Patel and Leonard (eds.), pp. 111â138.
Shulman, David. 2012. More Than Real: A History of the Imagination in South India (Cambridge, MA: Harvard University Press).
Shylaja, B.S. âAdvent of Astronomical Instruments and their Impactâthe Indian Contextâ, in Cultural Heritage of Astronomical Observatories: From Classical Astronomy to Modern Astrophysics: Monuments and Sites, ed. Gudrun Wolfschmidt (Berlin: BäÃler), pp. 250â253.
Siddiqi, W.H. 1997. Catalogue of Persian Manuscripts of Rampur Raza Library, vol. 2 (Rampur: Rampur Raza Library Ministry of Culture Government of India).
Singh, Kavita. 2017. Real Birds in Imagined Gardens: Mughal Painting Between Persia and Europe (Los Angeles: Getty Publications).
Singh, Kavita (ed.). 2018. Scents Upon a Southern Breeze: The Synaesthetic Arts of the Deccan, Marg Publications, vol. 70/1 (Mumbai: The Marg Foundation).
Singh, Kavita. 2021. âAs Jahangir Contemplates a Portrait of his Father, a Reversal of Our Ideas about Dream and Realityâ, https://scroll.in/article/1000463/as-jahagir-contemplates-a-portrait-of-his-father-a-reversal-of-our-ideas-about-dreams-and-reality.
Singh, Kavita. 2021. âIn a Miniature of Humayun and Akbar, Time Crumples to Depict an Entire World of Learningâ, https://scroll.in/article/998543/in-a-miniature-of-humayun-and-akbar-time-crumples-to-depict-an-entire-world-of-learning.
Singh, Kavita. 2021. âMughal Chronicles: Words, Images and the Gaps In-betweenâ, in Reflections on Mughal Art and Culture, ed. Rodha Ahluwalia (New Delhi: Niyogi Books), pp. 17â38.
Skelton, Robert. 1972. âA Decorative Motive in Mughal Artâ, in Pal (ed.), pp. 147â153.
Sloboda, Stacey. 2018. âChinoiserie: A Global Styleâ, in Transnational Issues in Asian Design, ed. Christine Guth (London: Bloomsbury Publishing Limited).
Som Prakash Verma. 1942. Mughal Painters and their Work: a Biographical Survey and Comprehensive Catalogue (Delhi: Oxford University Press).
Sotheby, 1817. A Catalogue of a Portion of the Library of William Beckford, Esq. of Fonthill [â¦] From the Collections of Van Braam, Bradshaw and Polier, 6â8 May 1817 (London: Sotheby).
Sotheby & Co. 1966. Catalogue of Western and Oriental Manuscripts and Miniatures, 12th December 1966 (London: Sotheby & Co).
Sotheby & Co, Catalogue of Oriental Manuscripts: Indian and Persian Miniatures from the Celebrated Collection Formed by Sir Thomas Phillipps Bt. (1792â1872), 27th November 1974 (New York: Sotheby Parke Bernet, 1974).
Soucek, Priscilla P. 1985. âÊ¿AlÄ«-ReÅ¼Ä AbbÄsÄ«â, Encyclopædia Iranica, vol. 1, Fasc. 8, p. 880.
Soudavar, Abolala. 1999. âForgeries of art objects and manuscripts. i. Introductionâ, Encyclopaedia Iranica Online, vol. 10, Fasc 1, pp. 92â93, https://iranicaonline.org/articles/forgeries-i.
Sprenger, Aloys. 1854. A Catalogue of the Arabic, Persian and Hinduâstaâny Manuscripts, of the Libraries of the King of Oudh (Calcutta: J. Thomas).
Srivastava, Ashirbadi Lal. 1939. Shuja-ud-Daulah, Vol. I: 1754â1765 (Calcutta: The Midland Press).
Srivastava, Ashirbadi Lal. 1945. Shuja-ud-Daulah, Vol. II: 1765â1775 (Lahore: Ripon Printing Press).
Stchoukine, Ivan et al. 1971. Illuminierte islamische Handschriften, Verzeichnis der orientalischen Handschriften in Deutschland, vol. 16 (Stuttgart: Steiner).
Sten, Nilsson. 1969. European Architecture in India 1750â1850 (New York: Taplinger Publishing Company).
Storey, C.A. 1953. Persian Literature: A Bio-Bibliographical Survey. Volume 1, Part 2: Biography, Additions, and Corrections (London: Luzac & Co).
Stronge, Susan. 2002. Painting for the Mughal Emperor: The Art of the Book, 1560â1660 (London: V&A Publishing).
Stronge, Susan. 2008. âThe Gulshan Album, c. 1600â1618â, in Wright (ed.), pp. 76â81.
Stronge, Susan. 2008. âThe Minto Album and Its Decoration, c. 1612â1640â, in Wright (ed.), pp. 82â105.
Stronge, Susan. 2010. Made for Mughal Emperors: Royal Treasures from Hindustan (New Delhi: Lustre Press).
Stronge, Susan and Behnaz Atighi Moghaddam. 2018. âAn Unrecorded Polier MuraqqaÊ¿ (c. 1785): New Insights into British-Hindustani Cultural Interactionâ, in Adle NÄmeh: Studies in Memory of Chahriyar Adle, ed. Alireza Anisi (Tehran: Research Institute for Cultural Heritage and Tourism), pp. 195â228.
Subrahmanyam, Sanjay. 2000. âThe Career of Colonel Polier and Late Eighteenth-Century Orientalismâ, Journal of the Royal Asiatic Society (Third Series) 10/1, pp. 43â60.
Subrahmanyam, Sanjay. 2018. LâInde sous les yeux de lâEurope: Mots, peuples, empires, 1500â1800 (Paris: Alma éditeur).
Subrahmanyam, Sanjay. 2018. âThe Hidden Face of Surat: Reflections on a Cosmopolitan Indian Ocean Centre, 1540â1750â, Journal of the Economic and Social History of the Orient 61, pp. 207â257.
Swinton, A.C. and J.L. Campbell (eds.), Concerning Swinton Family Records and Portraits at Kimmerghame (Edinburgh: privately printed by John Lindsay).
Tandan, Banmali. 2008. The Architecture of Lucknow and Oudh: Its Evolution in an Aesthetic and Social Context (Cambridge: Zophorus).
Teignmouth, John Shore Baron. 1806. Memoirs of the Life, Writings and Correspondence of Sir William Jones (London: J. Hatchard).
Thackston, Wheeler (ed. and tr.). 1989. A Century of Princes: Sources on Timurid History and Art (Cambridge, MA: The Aga Khan Program for Islamic Architecture).
Thackston, Wheeler (tr.). 1989. âDost-Muhammadâs Introduction to the Bahram Mirza Album (951 [1544/45])â, in Thackston (ed.) 1989, pp. 335â350.
Thackston, Wheeler M. (ed.). 1999. The Jahangirnama: Memoirs of Jahangir, Emperor of India (Oxford and New York: Oxford University Press).
Thackston, Wheeler. 2001. Album Prefaces and other Documents on the History of Calligraphers and Painters (Leiden: Brill).
Thackston, Wheeler M. s.v. 2003. âSultan Ê¿Ali Mashhadiâ, in Grove Art Online, https://www.oxfordartonline.com/groveart/search?siteToSearch=groveart&q=sultan+ali+mashhadi&searchBtn=Search&isQuickSearch=true.
Titley, Norah M. 1978. Miniatures from Persian manuscripts: a catalogue and subject index of paintings from Persia, India and Turkey in the British Library and the British Museum (London: British Museum Publications Ltd., for the British Library).
Topsfield, Andrew. 1983. âTwo early Company albumsâ, The V&A Album 2 (London: V&A publications), pp. 57â62.
Topsfield, Andrew. 1984â1985. âKetelaarâs Embassy and the Farangi Theme in the Art of Udaipurâ, Oriental Art, New Series, 30/4, pp. 350â367.
Topsfield, Andrew. 2002. Court Paintings at Udaipur: Art under the Patronage of the MaharÄá¹Äs of Mewar, Supplementum, vol. 44 (Zurich: Artibus Asiae).
Topsfield, Andrew (ed.). 2004. In the Realm of Gods and Kings: Arts of India (London: Philip Wilson Publishers).
Topsfield, Andrew. 2008. Paintings from Mughal India (Oxford: Bodleian Library).
Ãlker, Müammer. 1987. BaÅlangıçţan Günümüze Türk Hat Sanatı (Ankara: Türkiye İŠBankası Kültür Yayınları).
Vanita, Ruth. 2012. Gender, Sex and the City: Urdu ReḵáºtÄ« Poetry in India, 1780â1870 (New York: Palgrave Macmillan).
Vaughan, Philippa. 1991. âMiskinâ in Pal (ed.), pp. 17â38.
Veyrassat, Béatrice. 2022. De Lâattirance à lâexpérience de lâInde: Un Vaudois à la marge du colonialisme anglais, Antoine-Louis-Henri Polier (1741â1795) (Neuchâtel: Editions Livreo-Alphil).
Wade, Bonnie C. 1998. Imaging Sound: An Ethnomusicological Study of Music, Art, and Culture in Mughal India (Chicago and London: University of Chicago Press).
Waldschmidt, Ernst and Rose Leonore. 1975. Miniatures of Musical Inspiration in the Collection of the Berlin Museum of Indian Art, Part II: RÄgamÄlÄ-Pictures from Northern India and the Deccan (Berlin: Veröffentlichungen des Museum für Indische Kunst).
Ward, James. 1909. Historic Ornament: Treatise on Decorative Art and Architectural Ornament (London: Chapman and Hall LTd).
Watt, Melinda. 2013. ââWhims and Fanciesâ: Europeans Respond to Textiles from the Eastâ, in Interwoven Globe: The Worldwide Textile Trade, 1500â1800, ed. Amelia Peck and Amy Elizabeth Bogansky (New York and New Haven: Metropolitan Museum of Art), pp. 82â103.
Webster, Mary. 2011. Johan Zoffany: 1733â1810 (New Haven and London).
Weinstein, Laura. 2011. âVariations on a Persian Theme: Adaptation and Innovation in Early Manuscripts from Golcondaâ (PhD. diss, Columbia University).
Weis, Friederike. 2009. âDas Bildnis im Bild: Porträts und ihre Betrachter auf persischen und moghulischen Miniaturenâ, in Taswir: Islamische Bildwelten und Moderne, ed. Hendrik Budde and Almut Sh. Bruckstein Ãoruh (Berlin: Nicolai), pp. 175â178.
Weis, Friederike 2020. âHow the Persian Qalam Caused the Chinese Brush to Break: The Bahram Mirza Album Revisitedâ, Muqarnas 37, pp. 63â109.
Weis, Friederike. 2021. âConfident Women in Indo-Persianate Albums: Visual Metaphors or Ethnography?â in Motion: Transformation. 35th Congress of the International Committee of the History of Arts, Florence, 1â6 2019, ed. Marzia Faietti and Gerhard Wolf, vol. 1 (Bologna: Bononia Press), pp. 93â98.
Weis, Friederike. 2022. âPersian and Mughal Portrait Miniatures: Types or True Likenesses?â, in Langer (ed.), pp. 417â432.
Weis, Friederike. 2024. âA Crouching Woman at her Toilette: Venus or Radha? Cross-Cultural Connoisseurship of an Indian Album Motifâ, in Networks and Practices of Connoisseurship in the Global 18th Century, ed. Kristel Smentek, Valérie Kobi, and Chonja Lee (Berlin: De Gruyter, 2024), pp. 69â86, https://doi.org/10.1515/9783110985085-005.
Weis, Friederike. 2024. âCruel Conquerors and a Solomonic Saint: European Collectorsâ Interests in Indian MuraqqaÊ¿sâ, in Manuscript Albums and Their Cultural Contexts: Collectors, Objects, and Processes, Studies in Manuscript Cultures, 34, ed. Janine Droese and Janina Karolewski (Berlin: de Gruyter), pp. 125â166, https://doi.org/10.1515/9783111321462-004.
Weis, Friederike. 2024. âVon zwei Seiten betrachtbar: Indische Alben für Antoine Louis Henri Polierâ, in Ordnen â Vergleichen â Erzählen: Materialität, kennerschaftliche Praxis und Wissensvermittlung in Klebebänden des 17. und 18. Jahrhunderts, ed. Elisabeth Oy-Marra and Annkatrin Kaul-Trivolis (Merzhausen: ad picturam, 2024), pp. 125â153, https://doi.org/10.11588/arthistoricum.1408.c20488.
Welch, Anthony. 2000. âWorldly and Otherworldly Love in Safavi Paintingâ, in Persian Painting, from the Mongols to the Qajars: Studies in Honour of Basil W. Robinson, ed. Robert Hillenbrand (London: I.B. Tauris), pp. 301â317.
Welch, Stuart Cary. 1978. Imperial Mughal Painting (New York: George Braziller).
Welch, Stuart Cary. 1978. Room for Wonder: Indian Painting during the British Period, 1760â1880 (New York: American Federation of Arts).
Welch, Stuart Cary et al. (eds.). 1987. The Emperorâs Album: Images of Mughal India (New York: Metropolitan Museum of Art).
Wickens, G.M. (ed.) 1974. Morals Pointed and Tales Adorned: The BÅ«stÄn of SaÊ¿dÄ« (Toronto and Buffalo: University of Toronto Press).
Wright, Elaine. 2003. âThe Calligraphers of Shiraz and the Development of the Nastaâliq Scriptâ, Manuscripta Orientalia 9/3, pp. 16â26.
Wright, Elaine (ed.). 2008. Muraqqaʿ: Imperial Mughal Albums from the Chester Beatty Library Dublin (Alexandria, VA: Art Services International, 2008).
Wright, Elaine. 2008. âAn Introduction to the Albums of Jahangir and Shah Jahanâ, in Wright (ed.), MuraqqaÊ¿, pp. 38â53.
Wright, Elaine. 2008. âThe Nasir al-Din Shah Album, c. 1627â1645â, in Wright (ed.), pp. 140â149.
Wright, Elaine. 2008. âThe Late Shah Jahan Albumâ, in Wright (ed.), MuraqqaÊ¿, pp. 106â139.
Wright, Elaine. 2012. The Look of the Book: Manuscript Production in Shiraz, 1303â1452, Freer Gallery of Art Occasional Papers, New Series, vol. 3 (Washington, D.C.: Freer Gallery of Art, Smithsonian Institution, in association with University of Washington Press and Chester Beatty Library).
ZariÊ¿dar, Muhammad Mahdi and Amir Ahmad Falsafi. 1392 SH (2013). PÄdshÄh-i mamÄlik-i khaá¹á¹: MÄ«r Ê¿ImÄd al-ḤasanÄ« / Mir Emad al Hassani, the Master of Calligraphy (Karaj: Honarkadeh).
Zebrowski, Mark. 1983. Deccani Painting (London and Berkeley: Sotheby Publications).