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Notes on the Editors

In: Customised Books in Early Modern Europe and the Americas, 1400–1700
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Notes on the Editors

Christopher D. Fletcher

is the Assistant Director of the Center for Renaissance Studies at the Newberry Library in Chicago. A medieval historian by training, his research focuses on the relationship between religion and public communication technology before 1800. He has published articles on letter-writing in the Middle Ages, emblems, and the digital humanities. His current book project, Public Engagement in the Middle Ages: Medieval Solutions to a Modern Crisis, explores how medieval practices of public engagement can inform modern scholars’ public outreach efforts.

Walter S. Melion

is Asa Griggs Candler Professor of Art History at Emory University in Atlanta, where he directs the Fox Center for Humanistic Inquiry (Emory’s institute for advanced study in the humanities). He is author of three monographs and a critical edition of Karel van Mander’s Foundation of the Noble, Free Art of Painting, co-author of two exhibition catalogues, editor or co-editor of more than twenty-five volumes, and has published more than eighty articles. Melion is editor of two book series: Brill’s Studies on Art, Art History, and Intellectual History and Lund Humphries’ Northern Lights. He was elected Foreign Member of the Royal Netherlands Academy of Arts and Sciences in 2010. He is president emeritus of the Sixteenth Century Society, current president of the Historians of Netherlandish Art, and a board member of the Print Council of America.

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Customised Books in Early Modern Europe and the Americas, 1400–1700

Series:  Intersections, Volume: 86
Cover Customised Books in Early Modern Europe and the Americas, 1400–1700
E-Book ISBN:
9789004680562
Publisher:
Brill
Print Publication Date:
18 Dec 2023
  • Subjects
    • Art History
      • Art History
    • Book History and Cartography
      • History of the Book
    • History
      • Early Modern History
      • Book History
      • Art History
Front Matter
Preliminary Material
Copyright Page
Acknowledgements
Figures
Notes on the Editors
Notes on the Contributors
Part 1 Introduction
Chapter 1 Kinds and Degrees of Customisation in Early Modern Book Production and Reception
Chapter 2 The Customising Mindset in the Fifteenth Century: The Case of Newberry Inc. 1699
Part 2 Customisation across Media
Chapter 3 A Late Medieval Multi-Text Manuscript and Its Printed Precedents
Chapter 4 Reforming Hrabanus: Early Modern Iterations of In honorem sanctae crucis
Chapter 5 A Customized Housebook of Repurposed Prints: the Liber Quodlibetarius, c. 1524
Part 3 Communal Customising
Chapter 6 How to Talk about Burgundian Books You Could Not Read
Chapter 7 Customizing for the Community: The Wiesbaden Manuscript (Hauptstaatsarchiv 3004 B 10) and the Late Medieval Church
Chapter 8 A Medical Anthology Customised ‘for the Consolation of the Sick’ in a Brussels Convent
Chapter 9 Custom Made by Antonio Ricardo: Peru’s First Printer and His Illustrations in Jerónimo de Oré’s Symbolo Catholico Indiano (1598)
Part 4 Individual Customisers
Chapter 10 From Proud Monument to Ill-Marked Tomb: Tommaso Schifaldo in a Sicilian Humanist Miscellany
Chapter 11 Customization of a Latin Emblem Book by a Vernacular Owner: Unknown German Poems to a Copy of Vaenius’s Emblemata Horatiana (first edition, 1607)
Chapter 12 Picture Bound: Customized Books of Prints and the Myth of the Ideal Series
Chapter 13 Customizing an Emblem Book as an album amicorum: Valentin Ludovicus’ Entry in the Stammbuch of Christian Weigel
Part 5 Editorial Customisation
Chapter 14 A Play of Continuity and Difference: A Book of Fortune-telling Adapted from the Kingdom of Poland to Southeastern Europe
Chapter 15 Shifting Perspectives: Changing Optical Theory in the Printed Works of Jean-François Niceron
Chapter 16 Venice as a Musical Commodity in Early Modern Germany: A Frontispiece Collage, c. 1638
Chapter 17 Vaenius in Ireland: An Eighteenth-Century Customization of the Emblemata Horatiana
Part 6 Visual Customisation
Chapter 18 Frames, Screens and Urns: Customisation and Poetics in the 1495 Aldine Theocritus painted by Albrecht Dürer for Willibald Pirckheimer
Chapter 19 Compiled Compositions: The Kattendijke Chronicle (c. 1491–1493) and Late Medieval Book Design
Chapter 20 Interpolated Prints as Exegetical Meditative Glosses in a Customized Copy of Franciscus Costerus’s Dutch New Testament
Chapter 21 ‘By the Genius of the Indians’: The Customization of Nieremberg’s De la Diferencia in Guarani (Loreto, Juan Bautista Neumann et alii: 1705)
Back Matter
Index Nominum

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