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Acknowledgements

In: Customised Books in Early Modern Europe and the Americas, 1400–1700
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Acknowledgements

This volume consists of essays redacted from papers originally delivered at the colloquium, Customised Books in Early Modern Europe and the Americas, 1400–1700, held at Emory University on October 14–16, 2021. Organised under the aegis of the Art History Department’s Lovis Corinth Endowment, the colloquium was the eleventh in the ongoing series of such events convened annually at Emory. Kay Corinth and her sister Mary Sargent established the endowment to honor the memory of Kay’s father-in-law, the celebrated painter Lovis Corinth. The Corinth Colloquia provide an interdisciplinary forum for the comparative study of early modern northern art. Dr. Lia Markey, Director of The Newberry Library’s Center for Renaissance Studies, offered unstinting support for this project. I am especially grateful to the Center’s Assistant Director, Christopher Fletcher, who co-organised the three-day colloquium and, over the next year and a half, co-edited the ensuing volume. Sarah McPhee, Samuel Candler Dobbs Professor of Art History and Chair of the Art History Department, encouraged and facilitated Customised Books in Early Modern Europe and the Americas amidst the many complications attendant upon a post-pandemic conference. Corinth Graduate Associates Annie McEwen Maloney and Alexandra Zigomalas assisted in preparing and implementing the colloquium, and Ms. Zigomalas served afterward as an ideal editorial assistant. For her administrative support, I am beholden to Blanche Barnett, Academic Department Administrator. I also want to thank Chris Sawula, the department’s former Visual Resources and Spatial Art History Librarian, for consulting with the IT team tasked with managing the colloquium. Finally, an immeasurable debt of thanks is owed to Linnea Harwell, Graduate Program Coordinator in Art History, the person without whom the colloquium could never have been realised, who took matters great and small in hand and managed them with consummate grace, skill, intelligence, and savoir faire.

Desidero eam corona immortalitatis gratiarum cingere.

Walter S. Melion

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Customised Books in Early Modern Europe and the Americas, 1400–1700

Series:  Intersections, Volume: 86
Cover Customised Books in Early Modern Europe and the Americas, 1400–1700
E-Book ISBN:
9789004680562
Publisher:
Brill
Print Publication Date:
18 Dec 2023
  • Subjects
    • Art History
      • Art History
    • Book History and Cartography
      • History of the Book
    • History
      • Early Modern History
      • Book History
      • Art History
Front Matter
Preliminary Material
Copyright Page
Acknowledgements
Figures
Notes on the Editors
Notes on the Contributors
Part 1 Introduction
Chapter 1 Kinds and Degrees of Customisation in Early Modern Book Production and Reception
Chapter 2 The Customising Mindset in the Fifteenth Century: The Case of Newberry Inc. 1699
Part 2 Customisation across Media
Chapter 3 A Late Medieval Multi-Text Manuscript and Its Printed Precedents
Chapter 4 Reforming Hrabanus: Early Modern Iterations of In honorem sanctae crucis
Chapter 5 A Customized Housebook of Repurposed Prints: the Liber Quodlibetarius, c. 1524
Part 3 Communal Customising
Chapter 6 How to Talk about Burgundian Books You Could Not Read
Chapter 7 Customizing for the Community: The Wiesbaden Manuscript (Hauptstaatsarchiv 3004 B 10) and the Late Medieval Church
Chapter 8 A Medical Anthology Customised ‘for the Consolation of the Sick’ in a Brussels Convent
Chapter 9 Custom Made by Antonio Ricardo: Peru’s First Printer and His Illustrations in Jerónimo de Oré’s Symbolo Catholico Indiano (1598)
Part 4 Individual Customisers
Chapter 10 From Proud Monument to Ill-Marked Tomb: Tommaso Schifaldo in a Sicilian Humanist Miscellany
Chapter 11 Customization of a Latin Emblem Book by a Vernacular Owner: Unknown German Poems to a Copy of Vaenius’s Emblemata Horatiana (first edition, 1607)
Chapter 12 Picture Bound: Customized Books of Prints and the Myth of the Ideal Series
Chapter 13 Customizing an Emblem Book as an album amicorum: Valentin Ludovicus’ Entry in the Stammbuch of Christian Weigel
Part 5 Editorial Customisation
Chapter 14 A Play of Continuity and Difference: A Book of Fortune-telling Adapted from the Kingdom of Poland to Southeastern Europe
Chapter 15 Shifting Perspectives: Changing Optical Theory in the Printed Works of Jean-François Niceron
Chapter 16 Venice as a Musical Commodity in Early Modern Germany: A Frontispiece Collage, c. 1638
Chapter 17 Vaenius in Ireland: An Eighteenth-Century Customization of the Emblemata Horatiana
Part 6 Visual Customisation
Chapter 18 Frames, Screens and Urns: Customisation and Poetics in the 1495 Aldine Theocritus painted by Albrecht Dürer for Willibald Pirckheimer
Chapter 19 Compiled Compositions: The Kattendijke Chronicle (c. 1491–1493) and Late Medieval Book Design
Chapter 20 Interpolated Prints as Exegetical Meditative Glosses in a Customized Copy of Franciscus Costerus’s Dutch New Testament
Chapter 21 ‘By the Genius of the Indians’: The Customization of Nieremberg’s De la Diferencia in Guarani (Loreto, Juan Bautista Neumann et alii: 1705)
Back Matter
Index Nominum

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