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In: Mary, Mother of God
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The Library of Congress Cataloging-in-Publication Data is available online at https://catalog.loc.gov

Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface.

ISSN 1878-9048

ISBN 978-90-04-54951-7 (hardback)

ISBN 978-90-04-54952-4 (e-book)

DOI 10.1163/9789004549524

Copyright 2024 by Koninklijke Brill NV, Leiden, The Netherlands.

Koninklijke Brill NV incorporates the imprints Brill, Brill Nijhoff, Brill Schöningh, Brill Fink, Brill mentis, Brill Wageningen Academic, Vandenhoeck & Ruprecht, Böhlau and V&R unipress.

All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Requests for re-use and/or translations must be addressed to Koninklijke Brill NV via brill.com or copyright.com.

This book is printed on acid-free paper and produced in a sustainable manner.

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Mary, Mother of God

Devotion and Doctrine in the Visual Arts, 1450-1700

Series:  Brill’s Studies on Art, Art History, and Intellectual History, Volume: 71
Cover Mary, Mother of God
E-Book ISBN:
9789004549524
Publisher:
Brill
Print Publication Date:
20 Dec 2023
  • Subjects
    • Biblical Studies
      • Biblical Interpretations
    • History
      • Early Modern History
    • Literature and Cultural Studies
      • Cultural History
    • Religious Studies
      • History of Religion
Front Matter
Preliminary Material
Copyright Page
Acknowledgments
Figures
Notes on Contributors
Introduction
Chapter 1 Our Lady of Grace: Holy Wars and Artisanal Competitions
Chapter 2 Marian Devotions from a Printer’s Perspective: The Rosary, the Seven Sorrows, and Gerard Leeu (d. 1492)
Chapter 3 “Lectulus noster floridus”: The Flower-Strewn Bed and the Virgin’s Womb
Chapter 4 Matters of the Flesh: Michelangelo’s Madonnas
Chapter 5 Revisiting the Annunciation in the Quattrocento: Wind, Kairos, Snail
Chapter 6 Duplex Intercessio: The Centrality of the Virgin in Giovanni Battista Gaulli’s Dome Fresco in the Gesù
Chapter 7 Van Dyck’s Lamentation for the Church of the Recollects in Antwerp: Making Visible the Virgin Mary as Co-redemptrix
Chapter 8 Navigating Theological Differences: Rembrandt and the Grieving Mother of Christ
Chapter 9 Gemma Mexicanus: Our Lady of Tepepan in New Spain
Chapter 10 Picturing the Mughal Madonna: The Virgin Mary as a Symbol of Legitimacy and Royal Authority in Jahangir’s Architecture
Back Matter
Index Nominum

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