1.1 Map taken from the https://www.xn--sterreich-ungarn-lwb.de/demografie.html page which goes on to breakdown the linguistic make-up of Austria-Hungary, with German being the first language of only 23.36%, and c.45% speaking one of several Slavic languages 16
3.1 Plakat zum Konzert des Kitchener Camp Orchestra am 2. November 1939 in der St. Clement’s Church, Sandwich 67
3.2 Einladung zur Show ‚Hay-Fever‛ aus dem australischen Internierungslager Hay vom November 1940 69
3.3 Handgeschriebener Programmzettel für ein Konzert mit unterhaltsamer Klassik aus Hay 71
6.1 ‘Lectures and Recitals, Nov.–Dec. 1951’ printed leaflet, Ben Uri Art Gallery 124
7.1 The Goldschmidts’ headstone in the Jewish cemetery in Ohlsdorf 135
7.2 Berthold Goldschmidt’s birth certificate 136
7.3 The house – Steinstrasse 12 – in which Berthold Goldschmidt was born 137
7.4 Cover of the book Zündende Lieder, verbrannte Musik 142
7.5a The title page of Goldschmidt’s Third String Quartet 146
7.5b Transcription of the title page of Goldschmidt’s Third String Quartet (by Peter Petersen) 147
7.6 Poster advertising the first showing of Draußen vor der Tür 150
9.1 Newspaper photo cutting of a 1954 recital in Bath by Franz Reizenstein and Christopher Hassall, highlighting their lifelong professional relationship and friendship subsequent to Voices of Night (1951) and Anna Kraus (1952) 175
11.1 Gellhorn’s Gold Medal from the Prussian Academy of the Arts for outstanding achievements as a student 221
11.2 Portrait of the young Peter Gellhorn (year unknown) 224
11.3 Peter and Olive Gellhorn on their wedding day in 1943 229
11.4 Peter Gellhorn on a London street in 1951 230
11.5 Peter Gellhorn at St. James’s Palace, 1984 233
13.1 Engel Lund and Ferdinand Rauter 263
13.2 Rehearsal in Rauter’s home, 74 Carlton Hill, London NW8: Norbert Brainin, violin; Ferdinand Rauter, piano; photomontage on the back wall portrait of Hans (Peter) Schidlof, violist 283