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In: Sculpture Collections in Europe and the United States 1500-1930
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Published in association with The Frick Collection. Printing was supported by the Henry Moore Foundation.

This book evolved from a symposium “Sculpture Collecting and Display, 1600–2000,” organized by the Center for the History of Collecting, that was held at The Frick Collection on May 19 and 20, 2017. Both the book and the symposium were made possible through the generous support of the Robert H. Smith Family Foundation.

Cover illustration: The Sculpture Gallery at Chatsworth. © The Devonshire Collections, Chatsworth. Reproduced by permission of Chatsworth Settlement Trustees.

The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov

LC record available at http://lccn.loc.gov/2021004809

Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface.

ISSN 2352-0485

ISBN 978-90-04-45846-8 (hardback)

ISBN 978-90-04-45884-0 (e-book)

Copyright 2021 by Malcolm Baker and Inge Reist. Published by Koninklijke Brill NV, Leiden, The Netherlands.

Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi, Brill Sense, Hotei Publishing, mentis Verlag, Verlag Ferdinand Schöningh and Wilhelm Fink Verlag.

Koninklijke Brill NV reserves the right to protect this publication against unauthorized use. Requests for re-use and/or translations must be addressed to Koninklijke Brill NV via brill.com or copyright.com.

This book is printed on acid-free paper and produced in a sustainable manner.

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Sculpture Collections in Europe and the United States 1500-1930

Variety and Ambiguity

Series:  Studies in the History of Collecting & Art Markets, Volume: 10
Cover Sculpture Collections in Europe and the United States 1500-1930
E-Book ISBN:
9789004458840
Publisher:
Brill
Print Publication Date:
20 Apr 2021
  • Subjects
    • Art History
      • Art History
      • Art Market
      • Museum Studies
    • History
      • Social History
    • Literature and Cultural Studies
      • Cultural History
Front Matter
Frontispiece
Preliminary Material
Copyright page
Foreword
Illustrations
Contributors
Variety and Ambiguity: What Do We Mean by a “Sculpture Collection”?
Part 1 Sculpture in the Kunstkammer: Contexts, Formation, and Dispersal
Chapter 1 Sculpture Collecting and the Kunstkammer
Chapter 2 The Collecting of Small Bronze Sculptures in Late Renaissance Italy: The Canonici Collection
Chapter 3 Shifting Perceptions and Changing Frameworks: The Case of Francis van Bossuit and the Place of Small-Scale Sculpture in Ivory in the Sculpture Collection
Part 2 Garden Sculptures as Collections
Chapter 4 Gentlemen Prefer Bronze: Garden Sculpture and Sculpture Gardens in Britain (1720–1860)
Chapter 5 The Sculpture Gardens of Versailles, Marly, and Dresden: Magnificence and Its Limits
Part 3 The Sculpture Gallery and Dedicated Spaces for Sculpture
Chapter 6 The ‘Gallerie du S.r Girardon Sculpteur Ordinaire du Roy’
Chapter 7 Porcelain as Sculpture: Medium, Materiality, and the Categories of Eighteenth-Century Collecting
Chapter 8 Art and Nature: The Country House Sculpture Gallery in the Post-Napoleonic Period
Part 4 The Changing Place of Sculpture in the Public Museum
Chapter 9 The Public Art Gallery as Arena for Modern Sculpture
Chapter 10 Displaying Deceit: Alceo Dossena’s Tomb of Maria Catharina Sabello at the Museum of Fine Arts, Boston
Chapter 11 The Legacy of William Valentiner in Shaping the Display and Collecting of European Sculpture in American Museums, 1900–Present: Case Studies
Back Matter
Bibliography
Index

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