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In: Sculpture Collections in Europe and the United States 1500-1930
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Contributors

Malcolm Baker

Distinguished Professor Emeritus, Department of Art History, University of California, Riverside

Julius Bryant

Keeper of Word & Image, Victoria and Albert Museum, London

Marietta Cambareri

Curator of Decorative Arts and Sculpture and Jetskalina H. Phillips Curator of Judaica, Museum of Fine Arts, Boston

Alan P. Darr

Senior Curator of the European Art Department and Walter B. Ford II Family Curator of European Sculpture & Decorative Arts, Detroit Institute of Arts

Anne-Lise Desmas

Curator and Department Head of Sculpture and Decorative Arts, The J. Paul Getty Museum, Los Angeles

Thomas DaCosta Kaufmann

Frederick Marquand Professor of Art and Archaeology, Princeton University, Princeton

Andrew McClellan

Professor of Art History, Tufts University, Medford, MA

Alex Potts

Max Loehr Collegiate Professor Emeritus, Department of History of Art, University of Michigan, Ann Arbor

Inge Reist

Director Emerita, Center for the History of Collecting, The Frick Collection and Frick Art Reference Library, New York

Betsy J. Rosasco

Research Curator of European Painting and Sculpture, Princeton University Art Museum

Jeremy Warren

Honorary Curator of Sculpture, Ashmolean Museum, Oxford and Sculpture Research Curator, The National Trust

Alison Yarrington

Professor Emerita of Art History, Loughborough University, Loughborough, England

Michael Yonan

Alan Templeton Endowed Chair in European Art, 1600–1830, University of California, Davis

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Sculpture Collections in Europe and the United States 1500-1930

Variety and Ambiguity

Series:  Studies in the History of Collecting & Art Markets, Volume: 10
Cover Sculpture Collections in Europe and the United States 1500-1930
E-Book ISBN:
9789004458840
Publisher:
Brill
Print Publication Date:
20 Apr 2021
  • Subjects
    • Art History
      • Art History
      • Art Market
      • Museum Studies
    • History
      • Social History
    • Literature and Cultural Studies
      • Cultural History
Front Matter
Frontispiece
Preliminary Material
Copyright page
Foreword
Illustrations
Contributors
Variety and Ambiguity: What Do We Mean by a “Sculpture Collection”?
Part 1 Sculpture in the Kunstkammer: Contexts, Formation, and Dispersal
Chapter 1 Sculpture Collecting and the Kunstkammer
Chapter 2 The Collecting of Small Bronze Sculptures in Late Renaissance Italy: The Canonici Collection
Chapter 3 Shifting Perceptions and Changing Frameworks: The Case of Francis van Bossuit and the Place of Small-Scale Sculpture in Ivory in the Sculpture Collection
Part 2 Garden Sculptures as Collections
Chapter 4 Gentlemen Prefer Bronze: Garden Sculpture and Sculpture Gardens in Britain (1720–1860)
Chapter 5 The Sculpture Gardens of Versailles, Marly, and Dresden: Magnificence and Its Limits
Part 3 The Sculpture Gallery and Dedicated Spaces for Sculpture
Chapter 6 The ‘Gallerie du S.r Girardon Sculpteur Ordinaire du Roy’
Chapter 7 Porcelain as Sculpture: Medium, Materiality, and the Categories of Eighteenth-Century Collecting
Chapter 8 Art and Nature: The Country House Sculpture Gallery in the Post-Napoleonic Period
Part 4 The Changing Place of Sculpture in the Public Museum
Chapter 9 The Public Art Gallery as Arena for Modern Sculpture
Chapter 10 Displaying Deceit: Alceo Dossena’s Tomb of Maria Catharina Sabello at the Museum of Fine Arts, Boston
Chapter 11 The Legacy of William Valentiner in Shaping the Display and Collecting of European Sculpture in American Museums, 1900–Present: Case Studies
Back Matter
Bibliography
Index

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