Illustrations
Figures
2.1
An event on stage is considered “scandalous” by one or several spectators.
2.2
Epidemiological model for contagious diseases and its “translation” to the theatrical domain
2.3
Spreading of the scandal outside the theatre through subsequent waves or generations
2.4
Press, television and social media acting as vectors for spreading the scandal
2.5
Spreading wildfire showing expansion diffusion
2.6
Typical evolutionary pattern of an epidemic
3.1
The non-fiction and the aesthetic modes of information processing of spectators watching a theatre performance
3.2
The costume for one of the Managers designed by Picasso. Victoria and Albert Museum, London
3.3
Othello 1976. Rehearsal; Schauspielhaus Hamburg, director: Peter Zadek, with Ulrich Wildgruber and Eva Matthes. Alamy Limited (Alamyimages.fr)
3.4
Process of aestheticization
3.5
Fictionalization. Regulation of the aesthetic mode into the nonfiction mode
4.1
Die fünfe in der Klemme. Depicted are, from left to right, the directors Langerhans, Herzfeld, Löhrs, Eule und Stegmann. Coloured copperplate, sized 25×20 cm. Staatsarchiv Hamburg: A 531/3
7.1
Ikushima Shingorô by Okumura Masanobu, ca 1711, Boston Museum of Fine Arts
7.2
Detail from picture scroll Hokurô oyobi engeki zu kan by Hishikawa Moronobu, late 17th century, Tokyo National Museum
7.3
Ichikawa Danjûrô II as Sukeroku by Okumura Masanobu, 1749, Boston Museum of Fine Arts
7.4–7.5
Details showing the sajiki-boxes and teahouses from the folding screen Kabuki zu byôbu (Genroku period) by Hishikawa Moronobu, Tokyo National Museum
9.1
Members of the Frankfurt Jewish community demonstrate in front of the Schauspielhaus Frankfurt and block the stage to prevent the performance of Fassbinder’s Garbage, the City, and Death in October 1985. © picture-alliance / dpa.
9.2
Amongst the protestors was Ignatz Bubis (middle), chairman of the Frankfurt Jewish community and member of the executive board of the Central Council of Jews in Germany. © picture-alliance / dpa.
9.3
Simone Thoma as A., called the “The Rich Jew” (front, sitting) in the performance of Garbage, the City, and Death, directed by Roberto Ciulli, Theater an der Ruhr, premiere: 1 October 2009. Photo: Andreas Köhring.
9.4
Simone Thoma as A., called the “The Rich Jew” (m), Rupert J. Seidl as The Dwarf (l) and Marco Leibnitz as The Little Prince (r) in the performance of Garbage, the City, and Death. Photo: Andreas Köhring.
13.1
Cleopatra. Altes Museum Berlin, photo by the author
15.1
Calumnia. In: Hegelund, Peder Jensen. Svsanna, Comicotragoedia,…. Copenhagen: Mads Vingaard (printer), 1578. © 2009 ProQuest LLC
15.2
Paul Chabas, September Morn, The_Metropolitan Museum of Art
Tables
2.1
Theatre scandal questionnaire
9.1
Theatre and scandal: causes
10.1
Phases of the scandal