Intermediality in Twentieth Century Animal Poetry: Guillaume Apollinaire â Ted Hughes â Durs GrÃ¼nbein

Annette Simonis

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Chapter 13 Intermediality in Twentieth Century Animal Poetry: Guillaume Apollinaire â Ted Hughes â Durs GrÃ¼nbein

äºTaking Stock â Twenty-Five Years of Comparative Literary Research

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Annette Simonis

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Page Range:: 372â396

DOI:: https://doi.org/10.1163/9789004410350_015

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Abstract

In the early twentieth century, the revival of the bestiary by Apollinaire and Dufy coincides with the âinventionâ of the artistsâ book in the wake of aestheticism. Throughout the century the fascination of human-animal relations is revealed by a surprising popularity of animal poetry, which is frequently chosen as subject matter by writers and artists alike. Collaboration between authors and visual artists and painters, such as that between Ted Hughes and Leonard Baskin, has produced amazing art books, characterised by aesthetic complexity. The media combination allows the co-artists to focus on the animal subject from various perspectives and to enhance the intensity of human-animal encounters.

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Taking Stock â Twenty-Five Years of Comparative Literary Research

ä¸ç¼ï¼ Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft Online, å·ï¼ 200and Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, å·ï¼ 200

ISBN:: 9789004410350

åºçç¤¾:: Brill

å°å·åºçæ¥æ:: 22 Oct 2019

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- Literature and Cultural Studies

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Chapter 13 Intermediality in Twentieth Century Animal Poetry: Guillaume Apollinaire â Ted Hughes â Durs GrÃ¼nbein

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Taking Stock â Twenty-Five Years of Comparative Literary Research

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Chapter 13 Intermediality in Twentieth Century Animal Poetry: Guillaume Apollinaire â Ted Hughes â Durs GrÃ¼nbein

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Taking Stock â Twenty-Five Years of Comparative Literary Research

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