Tables
4.1 Attested and extant sources of Old French song in Outremer, thirteenth century 108
5.1 A schematic inventory of T-trouv. 123
5.2 Distribution of Notae in each section of T-trouv. 124
5.3 A comparison of the first fifteen names in six chansonniers 130
5.4 Repertory comparison of four trouvères 134
5.5 Noted lines in the Thibaut libellus of T-trouv. 144
5.6 Noted lines in the Adam libellus of T-trouv. 146
6.1 The jeux-partis of Adam de la Halle 172
7.1 Musical patterns in Adam’s monophonic songs 222
9.1 The texts of the rondeau and the motet 262
9.2 The melodic patterns in the two versions of “Fines amouretes ai” 265
9.3 The beginnings of the rondeau and the duplum 267
9.4 vdB 477 in RS 1449 (K-trouv. 345a) and M 787 (Mo 160v) 270
9.5 vdB 765 in De ma dame vient and Fui te gaite, fai me voie 271
11.1 Adam’s rondeaux, refrains and shared motets 328
11.2 Adam’s rondeaux: refrains in Renart le Nouvel 330
11.3 Tessitura of Adam’s rondeaux 334
11.4 Adam’s five motets: sources 339
11.5 Confraternity motets 348