Texturen des Unheils: Zur Konstellation Paul Celan und Martin Heidegger

Astrid von Chamier

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Texturen des Unheils: Zur Konstellation Paul Celan und Martin Heidegger

In: Schuld und SÃ¼hne? 2

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Astrid von Chamier

Astrid von Chamier
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Type:: Chapter

Pages:: 689â698

DOI:: https://doi.org/10.1163/9789004335875_021

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Abstract

Writing the disaster implies producing texts which refer to the catastrophic mass extermination in the concentration camps. The essay reads the constellation between Martin Heidegger and Paul Celan under the sign of disaster. Questioning why Heidegger could become such a crucial point of reference for Celanâs attempt to situate poetry after Auschwitz, the reading focuses on Celanâs âMeridianâ -speech. Through corifronting Heideggerâs concept of technology with Celanâs discussion of art and poetry, their shared assumption of the fundamentally technical character of art is revealed. The essay points out, though, how Celan differs and departs from Heidegger by introducing the time-spaces of poetry as the basis for the radically individualised remembrance each poem performs.

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Schuld und SÃ¼hne? 2

Kriegserlebnis und Kriegsdeutung in deutschen Medien der Nachkriegszeit (1945-1961) Internationale Konferenz vom 01.-04.09.1999 in Berlin

Series:Â Amsterdamer BeitrÃ¤ge zur neueren Germanistik, Volume: 50/2

E-Book ISBN:: 9789004335875

Publisher:: Brill

Print Publication Date:: 01 Jan 2001

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African Studies	Education	Media Studies
American Studies	History	Middle East and Islamic Studies
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Asian Studies	International Relations	Religious Studies
Biblical Studies	Jewish Studies	Slavic and Eurasian Studies
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Book History and Cartography	Life Sciences	Theology and World Christianity
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Texturen des Unheils: Zur Konstellation Paul Celan und Martin Heidegger

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Citation Info

Share link with colleague or librarian

Schuld und SÃ¼hne? 2

Kriegserlebnis und Kriegsdeutung in deutschen Medien der Nachkriegszeit (1945-1961) Internationale Konferenz vom 01.-04.09.1999 in Berlin

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