Photography and the Techno-Automatic Paradigm in Art and Aesthetics

SnjeÅ¾ana Å imiÄ

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Photography and the Techno-Automatic Paradigm in Art and Aesthetics

äºÃsthetik, Digitalisierung und KÃ¼nstliche Intelligenz

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SnjeÅ¾ana Å imiÄ

SnjeÅ¾ana Å imiÄ
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Page Range:: 89â103

DOI:: https://doi.org/10.30965/9783969753477_007

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Abstract

The recent rise in AIâs creative capabilities presents us with a challenging question: Are contemporary machines genuinely creative? Can we consider their creations to be works of art? And, ultimately, how can something as automatic as a computer possibly be creative? While it is undeniable that todayâs new technologies have made the issue of techno-automatic art and creation both more complex and more prominent, I contend, however, that the relationship between creativity and automatism (or automation) is not new. My hypothesis is that, first, the invention of photography already raised these questions, and second, that there is a link between automatism and creativity, such that even our own creativity may partially rely on certain automatic processes. Consequently, the aim of this paper is not to provide definitive answers to the above questions but rather to reflect on the relationship between creativity and automatism through the lens of photography.

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Ãsthetik, Digitalisierung und KÃ¼nstliche Intelligenz

Aesthetics, Digitalization, and Artificial Intelligence

ä¸ç¼ï¼ Philosophia Digitalis, å·ï¼ 2

Cover Ãsthetik, Digitalisierung und KÃ¼nstliche Intelligenz

ISBN:: 9783969753477

åºçç¤¾:: Brill | mentis

å°å·åºçæ¥æ:: 03 Oct 2025

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- Philosophy
  - Aesthetics & Cultural Theory

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Photography and the Techno-Automatic Paradigm in Art and Aesthetics

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Aesthetics, Digitalization, and Artificial Intelligence

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