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in Chinese Ways of Seeing and Open-Air Painting
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Yi Gu
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Index

Page numbers for figures are in italics.

ABC of Composition (Goutufa ABC) , 48–53
Académie française , 50 , 240n44
Access to Urumqi (Ai Zhongxin) , 174 , 182
Account of My Experiences in Painting (Tuhua jianwenzhi; Guo Ruoxu) , 101
Aesthetic Education (Meiyu; journal) , 26–27
Ai Qing , 169
Ai Zhongxin , 127 , 174 , 182 , 209–10
Aimeisheng xuehuaji . see Story of Aimeisheng’s Study of Painting, The
Alberti, Leon Battista , 4 , 50 , 98 , 250n86
All-China Woodcut Circles Resistance Association , 127
Andrews, Julia Frances , 169–70
Anhui Province , 170 , 175 , 228–29
Art and Illusion (Gombrich) , 4
art pedagogy:
in Chinese school system , 21 , 26–27 , 54–55 ;
and the Communist regime , 169 , 173 ;
cun models in , 107–9 ;
European modernism in , 207 ;
experimental art in , 225–27 ;
in Japan , 18 , 21 , 50 ;
life-drawing classes in , 4–5 ;
linear perspective in , 54–57 ;
sketching from life in , 19–20 , 21 , 25 , 117 ;
traditional , 21 , 22 , 23 , 25 . Shanghai Art Academy
Art World (Yilin; journal) , 84
Attiret, Jean Denis , 53
Autumn at West Lake (Liu Haisu) , 74–75 , 76
Autumn Moon over a Calm Lake (Qiu Di) , 76–78 , 77
Beijing Advanced Normal School (Beijing gaodeng shifan xuexiao) , 86 , 87
Beijing Chinese Painting Research Society (Beijing Zhongguohua yanjiuhui) , 170
Beijing gaodeng shifan xuexiao . see Beijing Advanced Normal School
Beijing Normal University , 208
Beijing Painting Institute , 186 , 262–63n75
Beijing Zhongguohua yanjiuhui . see Beijing Chinese Painting Research Society
Binyon, Laurence , 97
Bird’s-Eye View of Mount Emei (Zhang Daqian) , 67 , 68
Blue Peak Overlooking a River (Chen Shuren) , 60–62 , 61
Bridge at Nani (Corot) , 232
British art , 43–44 , 50
Brunelleschi, Filippo , 4
Burghers of Calais, The (Rodin) , 217
Cai Ruohong , 169 , 170 , 172 , 264n102
Cai Weilian , 207
Cai Yuanpei , 22–23 , 27 , 29 , 62 , 84 , 85
Fishermen’s Calamity, The (Guan Shanyue) , 124–26
Camel Bells beyond the Great Wall (Guan Shanyue) , 143–46 , 144
Canal Construction (Qian Songyan) , 200–202 , 201
Cartoon Propaganda Unit , 151
Cassagne, Armand , 55 , 58 , 59
Castiglione, Giuseppe , 53 , 243–44n43
Central Academy of Fine Arts (Beijing) , 208 , 223 , 225
Chang Shuhong , 141
Chen Baoyi , 17 , 18–19 , 73 , 74 , 76 , 237–38n4 , 238n11
Chen Duxiu , 22 , 84
Chen Jiru , 102–3
Chen Shizeng , 86–87
Chen Shufeng , 143
Chen Shuren , 19 , 45 , 60–62 , 64 , 118 , 123 , 137
Chen Wanli , 45
Chen Xiaodie , 70–71
Chen Yingmei , 53
Chengdu , 116
China Academy of Art (Zhongguo meishu xueyuan) , 223 , 224 , 225 , 228
China as It Is: A Comprehensive Album (Zhongguo jingxiang) , 37
Chinese Art College (Zhonghua yishu daxue) , 32
Chinese Artists Association , 169 , 170 , 190 , 193 , 208 , 263n89
Chinese Association for Aesthetic Education (Zhongguo meiyu hui) , 26 , 240n50
Chinese Communist Party:
artists under the rule of , 8 , 165–66 , 168–69 , 193–94 , 254n7 ;
distrust of intellectuals and cultural workers , 10 ;
important sites in history of , 204 , 216 . Nationalist government
Chinese Painting Society (Zhongguo huahui) , 89
“Chinese Painting Will Emit Radiating Splendor“ (Guan Songfang) , 187
Chinese Travel Agency (Zhongguo lüxingshe) , 37
Chongqing , 116 , 142 , 197 , 204
Chu The-Chun . see Zhu Dequn
Citizens Lack Creativity (Zhang Yuguang) , 7
“Comments from Painting Theories that Are Crimes“ (Yu Jianhua) , 92
Commercial Press , 36 , 57 , 90
Committee for Cultural Relations with Foreign Countries , 193
Complete History of Chinese Painting Studies (Zhongguo huaxue quanshi; Zheng Wuchang) , 90
conceptualism , 221
Construction at a Mine (Zhang Wenjun) , 205 , 206
“Convenient Method for Open-Air Painting,“ 47
Copying “The Orchid Pavilion Preface“ a Thousand Times (Qiu Zhijie) , 222–23
Corot, Jean-Baptiste-Camille , 59 , 211 , 232
Critiques of Famous Painters of the Song Dynasty (Songchao minghuaping; Liu Daochun) , 101
Crouching Tiger, Hidden Dragon (film) , 229
Cultural Revolution , 166 , 207 , 249n74
cun models:
in art historiography , 101–2 , 250–51n95 ;
and geological features , 39 , 85 , 103–8 , 113–14 ;
taxonomic approach to , 108–14 , 251n101 , 253n125 , 253n130
Current Events (Shishi xinbao; newspaper) , 95
Dagongbao (newspaper) , 140
Dazu rock carvings , 218
Debord, Guy Louis , 5
Deng Shi , 247n10
De pictura (Alberti) , 50
de Piles, Roger , 50
Dianshizhai Pictorial , 265n128
Ding Jianxing , 238n8
Ding Lanxiang , 147–48
Ding Shiqing , 198 , 264n99
Ding Song , 19
Discussion of Painting (Xu hua; Wang Wei [415–43]) , 98
Discussions on Landscape (Shanshui lun; Wang Wei [701–61]) , 90–91
Dong Qichang , 101–2 , 108 , 252nn108–10
Dong Xiwen , 145 , 166 , 181–82 , 208 , 209 , 262n63
Dong Yuan , 101 , 102 , 251n100 , 251n102 , 252n105 , 252n109
Dongnan lansheng . see Scenic Views of Southeast China
Dongnan University , 95
Dragon King Pond of Lhasa, The (Wu Guanzhong) , 217–18 , 217
Du Jiutian , 242n12
Dunhuang, Gansu , 141 , 142 , 148 , 208
Dwelling in the Fuchun Mountains (Huang Gongwang) , 187–88
East, Alfred , 43
Eastern Times (Shibao; newspaper) , 20
école nationale supérieure des beaux-arts , 207
“Effective Method for Open-Air Landscape Painting, An“ (Wang Yachen) , 43
Egyptian art , 4
Elephant’s Trunk Hill (Chen Shuren) , 137–38
Euclidean optics . see optical vision
Examination of Painting (Huajian; Tang Hou) , 101
Examples of Methods of Composition (Goutufa shili; Chen Yingmei) , 53
Exhibition Office of Ancient Artifacts (Guwu chenliesuo) , 81
Ezhuang, Shandong , 232
Famous Paintings in Modern China (Zhongguo xiandai minghua) , 64
Fan Kuan , 102 , 253n125
Feng Fasi , 154
Feng Zikai:
book on composition , 48–53 ;
and Cassagne’s treatise on perspective , 56 ;
experiences sketching from life , 25–26 , 240n48 ;
and Li Shutong , 20 , 25 ;
on Mount Huang , 65 ;
and Shanghai Specialized Teachers College , 240n49 ;
on view-taking , 46
Fengman Dam (Beijing Painting Institute) , 186
“Fine Art Photography: To Friends Who Take Photographs“ (Feng Zikai) , 51
Fine Arts (Meishu; journal):
discussion of ocular turn in , 27 ;
discussion of “poetic quality“ in , 183 , 187 ;
discussion of view-taking in , 43 , 45 ;
and the New Look of Mountains and Streams exhibition , 194 ;
review of Second National Exhibition of Art , 174 ;
Savrasov’s The Rooks Have Come Back in , 183 , 184–85 ;
Wu Guanzhong on landscape painting in , 209 , 216 ;
Zhang Wenjun on his “experience of creation“ in , 174 , 176
Foucault, Michel , 5
Foujita, Tsuguharu , 267n181
Fourth Cataract of the Five Cataracts in Zhuji, The (He Tianjian) , 105–7 , 106
Foziling Reservoir , 175 , 176 , 261n41
French art , 1
frescoes , 50
Fu, Baoshi:
on artistic “transformation,“ 194 ;
and Guan Shanyue , 166 , 263n89 ;
as head of Jiangsu Provincial Chinese Painting Institute , 193 , 264n103 ;
as leader of 1960 open-air painting tour , 193 , 196 , 197 , 264n99 ;
paintings , 198–200 ;
translation of book by Takashima Hokkai , 113–14
Fujiwara, Simon , 221
Gai Dashi , 83
Galassi, Peter , 47
Gansu Province , 141
Gao Jianfu , 117 , 119 , 123 , 124 , 254n10 , 255n14
Gazing at a Waterfall from Cliffs (He Tianjian) , 109–12 , 113
Ge Lu , 183
Gerasimov, Aleksandr Mikhailovich , 168
Gilpin, William , 50
Gobi Desert , 143–45
Gombrich, Ernst , 4
Gong Xian , 87 , 108
Goutufa ABC . see ABC of Composition
Goutufa shili . see Examples of Methods of Composition
Great Leap Forward , 176 , 196
Gu Jiegang , 45
Gu Kaizhi , 251n100
Guan Liang , 211
Guan Shanyue , 117–64 ;
background and training , 117–18 ;
embrace of Communist regime , 165–67 ;
exhibitions , 126–32 , 142–43 , 174 ;
The Fishermen’s Calamity and Sanzao Island , 124–26 ;
paintings from the northwest borderland , 143–50 ;
Retreat from the City , 118–24 , 130–31 ;
Ten Thousand Miles of the Li River , 132–40 , 256n59 ;
travels , 140–50 , 166 , 263n89 ;
wartime experiences and efforts , 118–19 , 150–64 ;
works depicting industrial sites , 154 , 156–64 , 174
Guan Songfang , 166 , 186–88 , 262–63n75
Guan Tong , 71 , 103 , 105
Guangdong Province , 119 , 126 , 188–89
Guangxi Art Institute , 128
Guangxi Clique , 127
Guangxi Province , 127 , 132 , 160
Guangxi Provincial Second Teachers School , 33
Guangzhou , 117 , 119 , 126
Guangzhou Art Academy , 166
Guidebook to Watercolor Painting (Suisaiga no shiori; Ōshita TŌjirŌ) , 44
Guilin, Guangxi , 116 , 127 , 139
Guilin shanshui xieshengji . see Open-Air Paintings of the Mountains and Streams of Guilin
Guizhou Province , 160 , 259n108
Guo Moruo , 143 , 187 , 249n74
Guo Ruoxu , 101 , 251n99
Guo Xi , 64 , 92 , 96 , 123
guohua (national painting)
in art historiography , 9 , 81–82 , 88 , 90–99 ;
in art school curricula , 24–25 , 169 ;
compared with Western-style painting , 78–79 , 93 ;
Mount Huang in , 65–71 , 170 ;
and “national reconstruction,“ 150–64 ;
“new guohua“ (xinguohua) , 118 , 169 ;
Northern school vs. Southern school of , 102 , 252nn109–10 ;
and open-air painting , 35 , 80 , 82–89 , 168–73 , 247n5 , 248n35 ;
and the optical principle , 57 , 60–71 , 85 , 89–99 , 104 ;
and “poetic quality,“ 187–88 ;
socialist attitudes to , 130 , 132 , 168–73 , 178 , 188 , 194 , 260n18 . cun models ; landscape painting
Guohua Monthly (Guohua yuekan; journal) , 88 , 89 , 92
Guoli Beijing meishu zhuanke xuexiao . see National Beijing Specialized Art School
Guoli yishuyuan . see National Art Academy
Guoli zhongyang daxue . see National Central University
Guwu chenliesuo . see Exhibition Office of Ancient Artifacts
Han Lichao , 235–36n8
Han Yu , 137
Han Zhuo , 251n101
Hang Chunxiao , 170
Hangzhou , 116
Hangzhou at Dusk (Maksimov) , 213 , 214
Hangzhou National Academy of Art . see National Academy of Art
Harvest (Yu Ben) , 191–92 , 191
He Liangpu (He Lüzhi) , 84
He Tianjian:
art works , 106 , 109 , 110–11 , 171 ;
difficulty of access to art writings , 81 ;
and open-air painting , 89 , 170 , 172 ;
on the premodern masters , 104 , 105 , 108 ;
study of cun strokes , 39 , 104–7 , 253n120 , 253n125
Heilongjiang Province , 190
Henan Province , 196 , 232
Henri, Adrian , 225
High into the Cloudy Sky (Huang Yanghui) , 160 , 161
History of Chinese Art (translated into Chinese as Zhongguo meishushi; Ōmura Seigai) , 90
History of Chinese Painting (Zhongguo huihua shi; Chen Shizeng) , 90
History of Chinese Painting (Zhongguo huihuashi; Yu Jianhua) , 114
History of Chinese Painting Studies (Zhongguo huihua xueshi; Qin Zhongwen) , 90
Hongcun, Anhui , 229–30
“How to Appreciate Traditional-Style Painting“ (Ling Shuhua) , 78
“How to Understand Chinese Painting“ (Zheng Wuchang) , 64
Hu Peiheng:
book on landscape painting , 109 ;
and Communist regime , 114 , 248n35 ;
on cun models , 103 , 253n130 ;
membership in Research Society on Painting Methods , 248n24 ;
paintings , 186 ;
theory of open-air painting , 82–85 , 112
Hu Shi , 24
Hu Yun , 227
Hua Junwu , 169
Hua Yan , 143
Huafa yanjiuhui . see Research Society on Painting Methods
Huai River , 175 , 176
Huajian . see Examination of Painting
Huang Binhong:
compilation of Meishu congshu , 247n10 ;
on cun models , 107–8 , 109 , 112 ;
essay on Mount Huang , 39 ;
influence on Zhang Wenjun , 180 ;
and open-air painting , 11 , 89
Huang Gongwang:
on cun models , 252nn105 and 108 ;
hometown , 104–5 ;
later reception of art of , 62 , 71 , 187–88 ;
and open-air painting , 1 , 235n1
Huang Junbi , 117
Huang Mingqian , 196–97 , 264n99
Huang Xinbo , 128 , 130
Huang Xuchu , 128
Huang Yanghui , 127 , 154 , 160 , 259nn108–10
Huang Yanpei , 38
Huang Yongping , 222
Huangshan hua jing . see Painterly Views of Mount Huang
Hua shanshui xu . see Introduction to Painting Landscape
Hubei Province , 228
Hui Xiaotong , 186
Hunan Province , 216
Hushe . see Lake Society
impressionism , 1 , 178
Inner Mongolia , 141
Introduction to Landscape Painting (Shanshui rumen; Hu Peiheng) , 85 , 109
Introduction to Painting Landscape (Hua shanshui xu; Zong Bing) , 97 , 98
Ioganson, Boris , 211
Iron Cavalry in Battle, The (Liang Yongtai) , 147 , 147
Ishikawa KinichirŌ , 48 , 50
Japanese art:
models for Chinese painters in , 123 ;
painting from life in , 118 ;
pedagogy , 18 , 21 , 50 , 54–55 , 239n24 ;
perspective in , 243–44n43 ;
terms related to , 2 , 55 , 59 , 172 , 236n10 ;
watercolor movement , 43–44 , 48 , 50
Jesuit missionaries , 53
Jiang Danshu:
ignorance of Nian Xiyao’s Study of Vision , 244n61 ;
and open-air painting , 11 ;
paintings , 68 , 70 ;
on photography , 58 ;
textbook on perspective , 56–57 , 93 , 245n62 , 245n67 ;
and Zheng Wuchang , 62
Jiang Feng , 169 , 260n18
Jiang Guandao , 102
Jiang Jun , 82
Jiang Weiqing , 264n103
Jiangsu Provincial Chinese Painting Institute , 176 , 193 , 200 , 264n101
Jiangsu Provincial Education Research Society (Jiangsusheng jiaoyuhui) , 22
Jiangsu Provincial Teachers College , 200
Jiangxi Province , 216 , 229
Jieziyuan huazhuan . see Mustard Seed Garden Manual of Painting, The
Jilin Province , 190
Jin Cheng , 84
Jin Kaifan , 84
Jing Hao , 71 , 103 , 105 , 235n1 , 252n109
Jinggang Mountains , 216
Jiuwang ribao (newspaper) . see National Salvation Daily
Jottings at the Garden of Torrents of Dreams (Mengxi bitan; Shen Gua) , 91
Ju Lian , 118 , 254n10
Juelanshe , 75
Juran , 102 , 251n100 , 252n109
Kats, A . , 83
King Yu’s Temple (Qian Songyan) , 202–4 , 203
Kuriyama, Shigehisa , 98
Kuroda JūtarŌ , 48
Laing, Ellen , 182
Lake at Himalaya (Dong Xiwen) , 209
Lake Society (Hushe) , 84
Landscape (Yu Ben) , 189 , 189
Landscape at West Lake (Chen Baoyi) , 73 , 74 , 76
landscape painting:
Chinese vs. Western , 78–79 , 216 ;
and composition , 47–53 , 87 , 90 , 180 ;
as individual artistic expression , 59 ;
and linear perspective , 60–64 , 65 , 94–99 , 180 , 243–44n43 ;
open-air painting and , 1–2 , 16 , 228–33 ;
poeticism in , 262n71 ;
socialist , 174–82 , 195 ;
and “Three Distances“ theory , 64 , 96 , 245n83 ;
traditional “layers of mountains“ view , 64 , 65 , 78 , 91 ;
and the view-taking mode , 41–42 , 46 . guohua (national painting)
Lang Shining , 53
Lanzhou, Gansu , 141 , 148
Lao She , 186
Lei Jiajun , 33
Leonardo da Vinci , 51 , 98 , 218
Levitan, Isaac , 183
Li Chen , 253n125
Li Cheng , 91 , 123
Li Jingzhai , 82
Li Keran , 170 , 260n22 , 265–66n137
Li Lincan , 250–51n95
Li Renren , 128
Li Ruiqing , 95
Li Shuoqin , 178 , 179 , 261n51
Li Shutong , 19–20 , 25 , 56 , 71 , 238n15
Li Sixun (general) , 102 , 252n109
Li Tang , 102 , 105 , 252n109 , 253n125
Li Yansheng , 127 , 128 , 255n26
Li Zhaodao , 252n109
Li Zongjin , 173
Liang Qichao , 24
Liang Yongtai , 147 , 258n92
Liangjiang Teachers School , 56
Liangyou . see Young Companion
Lin Fengmian , 72 , 116–17 , 207 , 266n140
Lin Shu , 82
Lin Wenzheng , 207
Lin Yong , 129
Ling Shuhua , 78
Lingnan school , 19 , 117–18 , 122–23 , 138
Linquan gaozhi . see Lofty Message of Forests and Streams
Li River , 60–62 , 64 , 132 , 136–39
Liu Bingtang , 143 , 145
Liu Bizhen , 55 , 244n54
Liu Daochun , 101 , 251n99
Liu Haisu:
establishment of Shanghai Art Academy , 18 , 240n53 ;
fascination with Western-style painting , 16–17 ;
influence on art education , 22 ;
on open-air painting , 35–36 ;
paintings , 74–75 , 76 , 78 , 266n140 ;
and sketching from life , 19 ;
wartime activities , 116
Liu Jie , 232
Liu Songnian , 105 , 252n109
Liu Yong , 251n99
Liu Zijiu , 175
Living China: A Pictorial Record, The (Zhongguo daguan; Wu Liande) , 36–37
Lofty Message of Forests and Streams (Linquan gaozhi; Guo Xi) , 92 , 96 , 101
Looking for Resources for the Nation (Liu Zijiu) , 175
Lü Cheng , 22
Lü Fengzi , 24
Lu, Peter (Lu Bodu), S. J . , 244n54
Lü Sibai , 131
Lu Xun , 255n26
Lu You , 150
Luo Gongliu , 168 , 210
Luo Ming , 170
Luo Yin , 260n22
Ma Guoxian , 53
Ma Yuan , 252n109
Macau , 119 , 124 , 126
Maksimov, Konstantin M.:
on color , 168 , 210–11 , 266n156 ;
on composition , 176 , 178 ;
as consultant to Central Academy of Fine Arts , 168 ;
Hangzhou at Dusk , 213 , 214 ;
and “poetic quality,“ 183 , 262n71
Mao Zedong , 187 , 200 , 260n18
March, Benjamin , 97
Massa, Nicolas , 244n54
Matisse, Henri , 211
Mei Jianying , 154
Meishan Reservoir (Zhang Wenjun) , 176 , 177 , 180 , 182 , 193
Meishu congshu (Book collection on art; Huang Binhong and Deng Shi) , 247n10
Meishu (journal) . see Fine Arts
Meiyu (journal) . see Aesthetic Education
Mengxi bitan . see Jottings at the Garden of Torrents of Dreams
Mi Fu , 101 , 104 , 251n100 , 252n109
Mi Youren [Mi Yuanhui] , 102 , 252n109
Ming dynasty art , 83 , 104 , 133 , 136 , 251–52n104
Mio, Vangjush , 211
Mist-Filled Twilight at West Lake (Liu Haisu) , 74–75 , 75
Mitter, Rana , 151 , 258n98
Miyun Reservoir (Guan Songfang) , 186 , 187
Modern Parents (Xiandai fumu; journal) , 33
Morning at My Hometown (Wu Guanzhong) , 211 , 212 , 214
Mount Emei , 67 , 68 , 197–98 , 246n95
Mount Huang , 65–71 , 246n88
Mount Huang (Jiang Danshu) , 68–70 , 68
Mount Yandang , 38 , 87 , 103
Moving Mountains and Filling Valleys (Li Shuoqin) , 178 , 179
Moving the Mountains and Creating the Sea (Dong Xiwen) , 181–82 , 181
Mukden Incident , 141
Mustard seed Garden Manual of Painting, The (Jieziyuan huazhuan) , 84–85 , 96 , 99 , 100 , 103 , 104 , 112 , 265n128
“My Impression of Mount Huang“ (Feng Zikai) , 65
National Art Academy (Guoli yishuyuan; renamed Hangzhou National Academy of Art in 1929) , 56–57 , 71 , 207
National Art Museum of China , 205
National Beijing Specialized Art School (Guoli Beijing meishu zhuangke xuexiao) , 24–25
National Central University (Guoli zhongyang daxue) , 95 , 127 , 154
National Institute of Art Research (Zhongguo yishu yanjiuyuan) , 268n17
nationalism:
and ethnic minorities , 148 ;
and “national reconstruction,“ 151–64 , 231 ;
and the ocular turn , 98–99 , 223–24 ;
and the Sino-Japanese War , 7–8 , 115 ;
and traditional painting techniques , 108 , 131 ;
and views of the homeland , 10 , 35–40 , 115 , 139–40
Nationalist government:
campaign of “national reconstruction,“ 151 , 259n109 ;
cultural production under , 9–10 ;
disillusionment with , 162 , 165–66 ;
and Guangxi Clique , 127 ;
mobilization of ethnic minorities , 148 ;
retreat to Taiwan , 168–69 ;
and Sino-Japanese War , 115 , 116 , 142 , 204 ;
views of the homeland under , 36 , 38 , 139–40 . Chinese Communist Party
National Palace Museum , 81 , 123 , 133 , 136 , 262–63n75
National Reconstruction (Mei Jianying) , 154 , 155
National Salvation Daily (Jiuwang ribao; newspaper) , 128
Nawa Insect Research Institute , 118
Nengren Temple , 38
New Culture Movement , 22 , 23–24 , 27 , 81 , 84 , 95 , 140
“New Folk Songs Expanding New Approach to Poetry“ (Zhou Yang) , 187
New Look of Mountains and Streams (Jiangsu Provincial Chinese Painting Institute) , 193–207
Newly Completed Road (Guan Shanyue) , 160–61 , 162 , 163 , 174
New Style Painting (xinfahua) , 18 , 20
New Youth (Xin qingnian; journal) , 22 , 23
Ni Yide , 59–60 , 245n74
Ni Zan , 71 , 103 , 112 , 237n3
Nian Xiyao , 54 , 243–44n43 , 244n61
Nikiforov, B . , 183
Ningxia , 141
Northern Song dynasty , 123
Northern Wei dynasty , 148
oil painting , 168 , 209–14 , 216 , 219 , 232
Old Veteran of Shaanbei (Ya Ming) , 194 , 195
Ōmura Seigai , 90
“Once [Your] Thought Has Been Transformed, [Your] Brush and Ink Will Not Be Able to Remain the Same“ (Fu Baoshi) , 194
“On Chinese Painting“ (Ai Qing) , 169
“On Landscape Painting“ (Wu Guanzhong) , 214–15
On Perspective (Wei Yuanxin) , 93–94
“On the Origin and Foundation of Chinese and Western Methods of Painting“ (Zong Baihua) , 94
open-air painting:
and anthropological fieldwork , 226 ;
in art school curricula , 28–35 , 223 , 224–27 , 228–33 , 238n15 ;
bases for , 228–33 ;
Chinese terms related to , 2–3 , 45 , 80 ;
compared to mining , 215–16 ;
and composition , 47–53 , 160 ;
and cun models , 103–8 ;
equipment for , 87 ;
as a European practice , 1–2 ;
the horizon line in , 59 , 60–64 ;
and linear perspective , 53–60 , 62 , 114 ;
from multiple viewpoints , 214–15 , 216 , 218 ;
and notions of the homeland , 3 , 7–8 , 35–40 , 115 ;
and “poetic quality“ (shiyi) , 186 ;
as preparatory sketching , 192 , 198 , 235n7 ;
and socialism , 165–73 , 260n22 , 261n33 ;
state-sponsored tours of , 190 , 193–207 ;
and traditional Chinese landscape art , 1 , 80–99 , 118 , 247n5 ;
and viewing position , 3 , 35 , 58–59 , 60 , 96–99 , 137–38 , 172 ;
and the view-taking mode , 41–47 , 60 ;
during the war , 115–16 ;
at West Lake , 71–79 . sketching from life (xiesheng)
“Open-Air Painting and the Establishment of a Theme (liyi)“ (Yu Feng) , 192
“Open-Air Painting in Chinese Landscape Painting“ (Hu Peiheng) , 82–85 , 103
Open-Air Painting of the Zhuwo Station of the Fengsha Railroad, An (Qin Zhongwen) , 170
Open-Air Paintings of the Mountains and Streams of Guilin (Guilin shanshui xieshengji; Chen Shuren) , 60
optical vision:
associated with modernity , 6 , 10–11 ;
influence on landscape painting , 60–64 ;
linear perspective , 4 , 6 , 53–60 ;
severed from other senses , 5 , 58 ;
and sketching from life , 24 , 25 , 27–28 ;
and the view-taking mode , 46 . perspective
Ōshita TŌjirŌ , 44
Ouyang Yuqian , 128
Painterly Views of Mount Huang (Huangshan hua jing); Zhang Shanzi and Zhang Daqian) , 66
painters:
access to historical artworks , 81 , 104 , 107 ;
and the Communist regime , 172–73 , 182 , 193–207 ;
individual artistic expression of , 59 , 94 ;
and nationalism , 7–8 , 10 , 35–40 , 98–99 , 108 , 115 , 131 , 139 ;
and optical vision , 6–7 ;
traditional , 35 ;
during wartime , 115–16 ;
women , 254n5 . individual artists
Palmer, Rodney , 243–44n43
Pan Tianshou , 24
Pan Zhizhong , 103
Pang Xunqin , 254n5
Parsons, Alfred William , 43
Pastoral Song of the North (Guan Shanyue) , 146–47 , 146
People’s Daily , 209
Perspectiva pictorum et architectorum (Pozzo) , 243–44n43
perspective:
in art pedagogy , 55 ;
Chinese treatises on , 54 , 55–57 , 243–44n43 ;
eighteenth-century encounters with , 6 , 53–54 , 237n19 , 243n42 ;
and Euclidean optics , 4 , 54 , 57–59 ;
in European art , 4 ;
in Japan , 54–55 , 243–44n43 ;
and modernism , 59–60 ;
and traditional Chinese painting , 60–64 , 65 , 89–94 , 114 , 243–44n43 , 245n62 ;
Zong Baihua’s theory of , 94–99 , 180 , 250n88 . optical vision
photography:
and accuracy in painting , 138 ;
composition in , 51–53 ;
documenting the homeland , 36–37 ;
and the human eye , 58 ;
of painters painting outdoors , 260n25 ;
and term for “view-taking,“ 45 ;
and viewing position , 66 , 74
Pine and Clouds amid Myriad Mountains (Zheng Wuchang) , 70 , 69
postimpressionism , 75 , 76
Potala Palace, The (Wu Guanzhong) , 217
Pozzo, Andrea , 243–44n43
Principles of Landscape Painting, The (Takashima Hokkai) , 113
“Problem of Open-Air Painting in Chinese Landscape Painting, The“ (Yu Jianhua) , 88
proletarian art , 151 , 154
Pu Xinshe , 262–63n75
Puttfarken, Thomas , 50
Qian Songyan , 166 , 200–207 , 264n99 , 265n128 , 265n137
Qian Zhujiu , 38 , 39
Qianbi huaxuan . see Samples of Pencil Drawing
Qiangui Railway Company , 160
Qiantang River , 72 , 78
Qin Zhongwen , 90 , 170
Qin dynasty , 154
Qing dynasty , 21 , 54 , 81 , 83 , 104 , 133 , 244n47
Qinghai Province , 141
Qinghua University , 208
Qing Orthodox school , 62 , 84
Qiu Di , 75–76 , 76–78 , 254n5
Qiu Jin , 78
Qiu Zhijie , 222–27 , 232–33 , 268n17
Rebekkah (Simon Fujiwara) , 221–22
Reclamation Region along the Mudan River (Yu Ben) , 190–92 , 190
Record of Paintings seen (Shanhuwang; Wang Keyu) , 103
Red Cliff (Wu Yuanzhi) , 133
Red Flag , 187
Red Rock (Qian Songyan) , 204–5 , 205
Red Rock Revolutionary Museum , 204
Ren Hongjun , 239n34
Ren Weiyin , 35 , 72 , 74 , 78
Repin, Ilya Efimovich , 178
“Replacing Religion with Art“ (Cai Yuanpei) , 23
Research Institute of Contemporary Art (Zhongguo dangdai yishu yanjiuyuan) , 268n17
Research Society on Chinese Painting Studies (Zhongguo huaxue yanjiuhui) , 84 , 248n26
Research Society on Painting Methods (Huafa yanjiuhui) , 23 , 82 , 84 , 248n24
Retreat from the City (Guan Shanyue) , 118–24 , 120–22 , 130–31 , 164
revolutionary romanticism , 182–83 , 187 , 188 , 204–5
Ripa, Matteo , 53
Rodin, Auguste , 217
“Romanticism and Realism“ (Guo Moruo) , 187
The Rooks Have Come Back (Aleksei Savrasov) , 183 , 184–85
Ruan Tuizhi , 127
Saishang fengyun . see Storm on the Border
Salt Town at Jianwei (Guan Shanyue) , 158 , 159
Salt Town at the Wutong Bridge (Guan Shanyue) , 156 , 157
Samples of Pencil Drawing (Qianbi huaxuan; Shanghai Art Academy) , 19
Sanmenxia Dam , 175 , 198 , 199 , 202
Sanzao Island as Viewed from a Distance (Guan Shanyue) , 124 , 126
Savrasov, Aleksei , 183 , 184–85
Scenic China (Commercial Press) , 36
Scenic Views of Southeast China (Dongnan lansheng) , 38 , 105
scientism , 24
Shandong Province , 232
Shanghai , 40 , 87 , 116
Shanghai Art Academy:
curriculum , 19–20 , 25 , 28–32 , 227 ;
establishment and status , 18 , 21 , 26 ;
names of , 237n2 ;
teaching faculty , 56 ;
textbooks and publications , 19 , 240n54 . art pedagogy
Shanghai Biennial (2012) , 221–27
Shanghai Correspondence Art School , 20
Shanghai Daily (Shenbao; newspaper) , 20
Shanghai meizhuan . see Shanghai Art Academy
Shanghai People’s Art Press , 114
Shanghai Specialized Teachers College (Shanghai shifan zhuanke xuexiao) , 32 , 240nn49–50
Shanhuwang . see Record of Paintings Seen
Shanshui jue . see Tips on Landscape Painting
Shanshui lun . see Discussions on Landscape
Shanshui rumen . see Introduction to Landscape Painting
Shao Jingkun , 208 , 266n146
Shao Yuxiang , 65 , 70
Shaoguan , 126
Shaonian Zhongguo xuehui . see Young China Study Society
Shen Gua , 91 , 93 , 95
Shen Liangneng , 55
Shen Yinmo , 150
Shen Zhou , 252n109
Shenbao . see Shanghai Daily
Shenzhou Women’s School (Shenzhou nüxue) , 32
Shibao . see Eastern Times
Shih Shou-ch’ien , 235–36n8
ShijŌ school (J. ShijŌ-ha) , 118
Shisanling Reservoir , 175 , 181–82
Shishi xinbao . see Current Events
Shitao , 103 , 104 , 108 , 253n128
Shixue jingyun . see Study of Vision, The
Sichuan Province , 154 , 197 , 218
The Sight of Camels in the Gobi Desert (Dong Xiwen) , 145
Sino-Japanese War , 40 , 114 , 115 , 141–42
Situ Qiao , 142
Sketch at the Wutong Bridge (Guan Shanyue) , 154–56 , 156
sketching from life (xiesheng): in art pedagogy , 18–19 , 21 , 27–28 , 221–22 , 238n15 ;
associated with scientific method , 22–24 , 27 ;
terms for , 2–3 , 236nn9–10 . open-air painting
sketching (suxie) , 172
Sketch in the Southwest (Guan Shanyue) , 156 , 157
Sketch of a Salt Town (Guan Shanyue) , 158 , 159
Song Wenzhi , 198 , 264n99
Songchao minghuaping . see Critiques of Famous Painters of the Song Dynasty
Song dynasty art , 83 , 90 , 123 , 250–51n95 , 251–52n104 , 256n58
Songfeng Painting Society (Songfeng huahui) , 262–63n75
Southern Song dynasty , 136
Souvérbie, J. M . , 207
Soviet Union:
influence on Chinese art , 168 , 176 , 208 , 210 , 235n7 , 260n18 ;
and notion of “poetic quality,“ 183 ;
understanding of composition in , 178
“Space-Consciousness in Chinese and Western Painting“ (Zong Baihua) , 94
Spring Comes to Tibet (Dong Xiwen) , 208
Stanley-Baker, Joan , 250–51n95 , 251–52n104
Stone Gate of Mount Hui , 104 , 105
Storm on the Border (Saishang fengyun; film) , 145
Storm Society , 75
Story of Aimeisheng’s Study of Painting, The (Aimeisheng xuehuaji; Lei Jiajun) , 33 , 34 , 41–43 , 42 , 241n71
Studies on Perspective (Toushixue; Jiang Danshu) , 56
Study of Vision, The (published as Shixue jingyun in 1729 and as Shixue in 1735; Nian Xiyao) , 54 , 243–44n43 , 244n61
Su Shi , 83
Sui Guanrong , 264n99
Suisaiga no shiori . see Guidebook to Watercolor Painting
Sullivan, Michael , 266n140
Sun Datang , 227
Sun Fuxi , 72 , 78
Sun Zhongshan (Sun Yat-sen) , 226
Sun Zongwei , 142
Tai Qiyou , 198 , 264n99
Taihang Mountains , 229 , 235n1
Takashima Hokkai , 113–14
Tang Dingzhi , 84
Tang Hou , 101 , 251n102
Tang Yin , 253n125
Tang dynasty art , 83 , 90 , 91 , 133 , 143
Ten Thousand Crimson Hills (Li Keran) , 265–66n137
Ten Thousand Miles of the Li River (Guan Shanyue) , 132–40 , 134–35
Ten Thousand Miles of the Yangzi River (Wanli Changjiang tu) , 136
This Land So Rich in Beauty (Guan Shanyue and Fu Baoshi) , 166
Thousand Hands Guanyin (Huang Yongping) , 222
Tian Han , 249n74
Tibet , 208–9 , 226–27
Tips on Landscape Painting (Shanshui jue; Wang Wei [701–61]) , 90 , 249n56
“To Dedicate the West Lake to Mr. Lin Fengmian“ (Sun Fuxi) , 72
Tokyo School of Fine Arts , 44
Total Art , 223 , 224–27 , 228
Total Art: Environments, Happenings, and Performance (Adrian Henri) , 225
“Total Art Based on Social Investigation“ (Qiu Zhijie) , 225–26
To the Northwest (film) , 142
Toushixue . see Studies on Perspective
Traité practique de perspective: appliquée au dessin artistique et industriel (translated as Toushixue [Study of Perspective]; Cassagne) , 55 , 58 , 59
Transforming a Flood into Hydraulic Power (Zhang Xuefu) , 174
Trashilungpo Monastery (Wu Guanzhong) , 209–11 , 210 , 214–15 , 217
Truth Pictorial, The (Zhenxiang huabao; journal) , 19
Tuhua jianwenzhi . see Experiences in Painting
Tushanwan (T’ou-sè-wè) Arts and Crafts School , 55 , 244n54
Vietnam , 218
viewfinders , 41–47 , 242n11–12 , 242n19
View of Shigatse (Dong Xiwen) , 209
View of Volterra (Corot) , 232
Vladimirka Road (Levitan) , 183
Wang Hui , 105 , 108
Wang Jingwei , 151
Wang Keyu , 103
Wang Lü , 1
Wang Meng , 62 , 103 , 105 , 112
Wang Wei (415–43) , 98
Wang Wei (701–61) , 90 , 252n109
Wang Xianyue , 235–36n8
Wang Xuyang , 264n99
Wang Yachen , 43 , 44–45 , 48 , 59 , 242n8 , 242n19 , 250n88
Wang Yufu , 259n109
Wang Zhicheng , 53
Wanli Changjiang tu . see Ten Thousand Miles of the Yangzi River
Warring States period , 143
Water Buffalo Returning at Dusk along a Willow Bank (Zheng Wuchang) , 62–64 , 63
watercolors , 43–44 , 48 , 50
Wei Yuanxin , 57 , 93 , 245n63 , 245n67
Wei Zixi , 264n99
Wen Zhengming , 252n109
Wenyibao , 169
Western-style painting , 17–21 , 71–79 , 82 , 86 , 88 , 178
West Lake , 71–79 , 238n15
Whipping the Horse (Guan Shanyue) , 147–48
White Cloud Mountain (Zhang Daqian) , 66–68 , 66
woodblock art , 10 , 151 , 154
World Publishing House , 51
Wu Daozi , 133
Wu Dayu , 207
Wu Guanzhong , 166 , 207–20 , 266n140 , 266n146 , 267n171 , 267n181
Wu Jingting , 186
Wu Liande , 36
Wu Qichang , 132–33 , 136 , 256n59
Wu Shiguang , 18
Wu Xueshan , 172
Wu Yuanzhi , 133 , 256n58
Wu Zhihui , 246n88
Wu Zuoren , 142 , 209 , 216 , 261n41 , 262n73 , 263n89
Wuhan , 116 , 127 , 166
Wuhan University , 132
Wuyuan, Jiangxi , 229
Xia Gui , 102 , 136 , 252n109 , 253n125
Xia Yan , 128 , 129
Xia dynasty , 202
Xiandai fumu . see Modern Parents
Xiang Fan , 232
Xiang Yuanbian , 256n58
Xi’an Terracotta Warriors , 221
Xiao Shufang , 263n89
Xie Ruijie , 178 , 261n51
Xinhua Art College (Xinhua yishu daxue) , 32 , 56 , 261n51
Xinhua yishu daxue . see Xinhua Art College
Xin qingnian . see New Youth (journal)
Xiong Bingming , 208
Xu Beihong:
advocacy of guohua reform , 84 , 169 ;
art works , 138 , 266n140 ;
embrace of realism , 208 ;
on Guan Shanyue , 143 ;
and other artists , 160 , 190 , 259n110 , 263n86 ;
wartime activities , 116 , 127
Xu Daoning , 122 , 123 , 253n125
Xue Zijiang , 262n63
Xu hua . see Discussion of Painting
Ya Ming , 166 , 194–95 , 197 , 264n99 , 264n102
Yamamoto Shunkyo , 123
Yan Juanying , 237–38n4
Yan Wengui , 122 , 123
Yang Taiyang , 33
Yangzi River , 136 , 139
Ye Qianyu , 126 , 186 , 257n71
Yellow Dragon Pine to the West (He Tianjian) , 170–72 , 171
Yellow River , 139 , 148 , 175 , 198 , 258n95
Yellow River Dredged (Fu Baoshi) , 199 , 200
Yellow River Frozen into an Ice Bridge (Guan Shanyue) , 148–50 , 149
Yilin . see Art World
Yin Ji’nan , 101
Young China Study Society (Shaonian Zhongguo xuehui) , 94–95
Young Companion (Liangyou; journal) , 36 , 37 , 40
Youzheng Publishing House , 20
Yu Ben , 11 , 166 , 188–93 , 202 , 263n86 , 263n89
Yu Feng , 188 , 192–93 , 263n85 , 263n89
Yu Jianhua , 35 , 80 , 85–89 , 90–94 , 95 , 112 , 248n39
Yu Shaosong , 249n56
Yu Suoya , 129–30
Yu Tongfu , 198 , 264n99
Yu Youren , 147–48
Yuan dynasty art , 62 , 71 , 94 , 101 , 250–51n95 , 251–52n104 , 252n109
Zeng Yannian , 21–22
Zhang Anzhi , 127 , 154
Zhang Daofan , 139
Zhang Daqian:
advice to and influence on other artists , 87 , 112 , 141 ;
as disciple of Li Ruiqing , 95 ;
and open-air painting , 11 , 89 ;
paintings of Mount Huang , 66–68 , 246n95 ;
visit to Dunhuang , 142 ;
during wartime , 117
Zhang Ding , 170 , 260n22
Zhang Guangyu , 126
Zhang Guitong , 256n59
Zhang Hong , 253n123
Zhang Jin , 264n99
Zhang Qiyun , 38–39
Zhang Shanzi , 66 , 89
Zhang Shuqi , 141
Zhang Wenjun , 174 , 176–82 , 193 , 205 , 206
Zhang Xuefu , 174
Zhang Yuguang , 7 , 19 , 238n11
Zhao Boju , 252n109
Zhao Bosu , 252n109
Zhao Mengfu , 103
Zhao Wangyun , 140
Zhao Yuhuang , 39
Zhejiang Province , 38–39 , 170
Zhejiang Provincial Teachers School (Zhejiang liangji shifan zuetang) , 19 , 56 , 238n15
Zheng Wuchang , 62–64 , 70 , 90 , 91 , 245n80
Zhengzhou , 196
Zhenxiang huabao . see Truth Pictorial, The
Zhe school , 136
Zhong Han , 241n71
Zhongguo daguan . see Living China: A Pictorial Record, The
Zhongguo dangdai yishu yanjiuyuan . see Research Institute of Contemporary Art
Zhongguo huahui . see Chinese Painting Society
Zhongguo huaxue quanshi . see Complete History of Chinese Painting Studies
Zhongguo huaxue yanjiuhui . see Society for Chinese Painting Studies
Zhongguo huihua shi . see History of Chinese Painting (Chen Shizeng)
Zhongguo huihuashi . see History of Chinese Painting (Yu Jianhua)
Zhongguo huihua xueshi . see History of Chinese Painting Studies (Qin Zhongwen)
Zhongguo jingxiang . see China as It Is: A Comprehensive Album
Zhongguo lüxingshe . see Chinese Travel Agency
Zhongguo meishushi . see History of Chinese Art (Ōmura Seigai)
Zhongguo meishu xueyuan . see China Academy of Art
Zhongguo meiyu hui . see Chinese Association for Aesthetic Education
Zhongguo xiandai minghua . see Famous Paintings in Modern China
Zhongguo yishu yanjiuyuan . see National Institute of Art Research
Zhonghua yishu daxue . see Chinese Art College
Zhongshan Parks , 226
Zhou Enlai , 189
Zhou Shoujuan , 71
Zhou Xiang , 18 , 20 , 238n8
Zhou Yang , 170 , 187
Zhou Zhaoxiang , 84
Zhu Dequn (Chu The-Chun) , 208
Zhu Rui , 256n58
Zhu Xiuli , 264n99
Zigong, Sichuan , 154
Zong Baihua , 90 , 94–99 , 114 , 180 , 249n74 , 250n88
Zong Bing , 90 , 97–98 , 250n88
Zong Qixiang , 127

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Chinese Ways of Seeing and Open-Air Painting

Cover Chinese Ways of Seeing and Open-Air Painting
ISBN:
9781684176137
Verleger:
Harvard University Asia Center
Print-Publikationsdatum:
28 Dec 2020
  • Fachgebiete
    • Asien-Studien
      • China
Front Matter
Copyright Page
Dedication
List of Illustrations
Acknowledgments
Introduction
chapter one Open-Air Painting and the Modern Chinese Painter
chapter two Optical Vision and New Modes of Depiction
chapter three Inventing Tradition through Open-Air Painting
chapter four Open-Air Painting during the War
chapter five Views of the Party-State
Back Matter
Epilogue
Notes
Glossary
Bibliography
Index
Harvard East Asian Monographs

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